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Best new art of 2007

 
 
Closed for Business Time
09:50 / 13.12.07
I thought I'd give myself a little surprise and start a thread in AFD. Mostly as an excuse for me to have all you lovelies point me in directions I haven't been or seen.

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My personal fave of the year must hands down be the crack in the Tate Modern Turbine Hall, Doris Salcedo's Shibboleth.

I'm lousy with describing my own aesthethics, so I'll make this short enough.

I think what got me about this work was several things.

# It is so delightfully direct and there. Billed as the first direct intervention into the fabric/foundations of the Turbine Hall - but, for me that was exactly what it was. I say this as someone who usually does not appreciate exhibition catalogues much, and often have problems relating artists' and curators' "explanations" of a piece to my own experiences of a given work. But Salcedo did exactly what she said on the tin (although I don't really know how much input she had into the PR and catalogue text).

# The piece itself resonated with my work; I'm researching cross-cultural adjustments to seismic risk, and this was like having an artist from the other side of the globe inadvertently set up an experimental situation for me. I spent half the time tracing the crack from end to end, and the rest looking at how people interacted and reacted to it.

The way she's made the crack in certain places seemingly go down further than the audience could see made for a great emotional tension. I've seldom had and witnessed such a clear and dichotomous reaction to an artwork, where people (especially kids) oscillated between tracing it's outlines by walking alongside it, to straddling it and even sitting down to put their feet or hands into it - feeling the void I was thinking.

Obviously there's much more this piece - I haven't the time atm (and probably not enough of a structured statement in my brain) to go on about the work's social and political messages, the many connotations on presence and absence that the piece plays with.

So, what made 2007 a year of art for you?
 
 
Janean Patience
16:31 / 13.12.07
I'll be seeing this over the weekend, and am looking forward to it. I'll come back with my impressions.
 
 
Tsuga
21:26 / 13.12.07
I'll be museum and gallery hopping in NYC in ten days, so I hope to have something to say then. The Asia Society has what looks to be some kickass stuff going on.
 
 
Tsuga
22:26 / 14.01.08
I did not get to go out to nearly as many places as I wanted to, but one place I did get to was The Asia Society headquarters and museum to see Zhang Huan's exhibit,
Altered States. I had seen an article in the New York Times a few months back about it, and it looked interesting enough.
He is a multifaceted artist, and very talented; personally I did not find his performance work as compelling as the other media, although he is primarily a performance artist. I should qualify that by saying that seeing photographs or video of a performance piece is a different experience from being there, so there's that, and that I still thought that some of the performances and photographs were enthralling. The sheer nutballery of his meat suit alone was worth the suggested donation price of admission.

And really, it was overall mostly good, it's only that some of it was just stretched too conceptually thin for my tastes (Window, for example, seems to me a glorified Tijuana donkey show). The sculptures and prints were, to me, often more evocative. I'm only sorry that the space was too small to accommodate more of his very large-scale work, like his giant prints or sculptures. Also, I'd just love to see more of the work. The ash sculptures were beautifully textured and powerful while being still, and the beaten tin Buddha hands and feet looked like lovely artifacts. I'm not sure how I feel about the fact that he has a whole stable of assistants actually making much of the work; part of me wants to hate it but another part realizes that there's no way he could create as much work or as large work if he didn't have a great deal of help. Overall, some really great art, I'm happy to have seen it.
 
  
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