|
|
I hate to shill here, but Subway Cinema (of which I'm a member) is presenting a free screening of the complete, 141 minute, cracked masterpiece, CASSHERN on the big screen in NYC this Saturday, December 8 at 10pm at the ImaginAsian theater on East 59th street between Second and Third Avenues.
I'll be posting a link to a place where you can get trailers and so on and so forth soon, but I also wanted to take a minute to say something about Asian psychedelic sci-fi. I love science fiction when it has something to say, but when I'm expected to just go in and ooh and aah over the gadgets I tend to get annoyed. But slinking out of Asia since 2000 there's been a wave of psychedelic sci-fi that folks on this board should try if they haven't tasted it already. I'd love to see people add to this list, but here's what's out there off the top of my head:
CASSHERN - an all-digital, alternate future steampunk flick that starts out as a Space Nazis versus Robo Commie smackdown and morphs into a prayer for the survival of the human race in the mushroom-cloud packed finale. Waaay long, but way worth it this movie's slick look totally hides the fact it was made on a shoestring out of home-built computers and is based on a failed 1970's television cartoon.
SAVE THE GREEN PLANET - this Korean horror, sci-fi, drama, comedy freak out starts with a basic concept: unhinged, paranoid loony thinks his boss is an alien, so he abducts him and decides to apply the torture stick until said boss shows his antenna. Then the movie turns itself inside out when we discover that the psycho might just be right and mankind may be an alien experiment that's become fatally infected with the violence virus and is slated for destruction at the hands of disappointed ET's. Or not. Stick around as the end credits roll for a beautiful coda that re-examines the entire movie from another point of view.
IZO - I'm not the biggest fan of this movie, but Takashi Miike's time-traveling samurai who's vengeance incarnate movie belongs on this list through sheer virtue of the fact that watching a tactical SWAT team machine gun Edo era Japan is intensely thrilling. This is probably the loopiest of the bunch but, again, the emphasis is firmly on the violence virus, imagined here as an out-of-control, immortal swordsman.
MIND GAME - an animated flick from Japan that will blow your mind and make you want to go on living, MIND GAME is rooted in the contemporary world but it's so full of surreal digressions - a time-traveling superhero, life in the belly of a whale, the first woman in space - that it feels like the present viewed through the lens of the future. Imagine if William Gibson took a cocktail of Ecstasy and LSD then made an animated feature film in 12 hours flat and you'll get some idea of the magic of MIND GAME.
RESURRECTION OF THE LITTLE MATCH GIRL - deeply hated, this massive sci-fi flick from Korea almost sunk the studio that made it when it bombed at the box office but it's the smartest look at gaming culture I've ever seen. A young noodle delivery boy falls for a girl who may just be an avatar in an MMORPG and then come the Cobra Gunships and the Buddhist philosophy. Nothing can top the image of a machine gun toting cartoon come to life and destroying downtown Seoul to the tune of the Neville Brothers singing "Ave Maria." This is the kind of movie that you'll either turn off halfway through or take under your wing and nurture into a full-blown obsession.
FUNKY FOREST: THE FIRST CONTACT and THE TASTE OF TEA - not quite sci-fi but what else do you call two movies by the same director that feature a high school orchestra with David Cronenberg New Flesh instruments, a little girl haunted by a 50-foot-tall doppelganger, a sunflower that grows to the size of a universe, a UFO, and dancing creatures from another dimension? THE TASTE OF TEA is a family drama/comedy/whacked-out trip that is good for everyone, but only watch FUNKY FOREST: THE FIRST CONTACT if you've got a bunch of friends over and good supply of drugs and/or alcohol. Open your heart to it and it will reward you deeply but be warned that it is a non-narrative movie that's close to three hours long. But isn't that the case for all good psychedelia? |
|
|