BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Wu-Tang Clan - 8 Diagrams

 
 
Bandini
08:56 / 30.11.07


1. Campfire
2. Take It Back
3. Get Them Out Ya Way Pa
4. Face The Problems
5. The Heart Gently Weeps
6. Wolves
7. Gun Will Go
8. Sunlight
9. Stick Me For My Riches
10. Windmill
11. Starter
12. Weak Spot
13. Life Changes
14. Tar Pit feat George Clinton
15. 16th Chamber (ODB Special)

New Wu Tang leaked.

Thoughts from Barbelithers who've heard it?
 
 
Seth
09:31 / 30.11.07
Copied from the Wu-Tang thread:

Pacific State:
Has anyone heard 8 Diagrams yet?

All the reaction I've heard has been terrible, from fans, critics and even band members. Both Ghostface and Raekwon have gone on record as being really unhappy with the end result, placing the blame squarely on RZA's production.

There's a two part interview with Rae over here: Part 1 Part 2 in which he details his greivances and announces Shaolin Vs The Wu-Tang A Wu album minus RZA that will follow up 8D fairly quickly.

Still excited about New Ghostface, though!


El Directo:
That's interesting, because 8 Diagrams is a considerably better record than The Big Doe Rehab. It genuinely sounds like nothing else, whereas Ghost's record is a real step down for him, pretty off the peg uninspired production no matter how great his performances are. There's nothing on Big Doe as stand out-awesome as that moment in Wolves when the music suddenly cuts out and Masta Killa delivers a near career-best drop in to just the drums.

8 Diagrams is a surprising record, and one that ultimately doesn't really work as a whole. The Clan seem to be in a subdued frame of mind, the album almost feels gentle and melancholic in places. However, like Wu-Tang Forever it feels half-finished, without the requisite attention to detail and polish to bring it up to scratch. This can be heard in the details; the number of songs that fade out rather than end (I love a skilfull fade out, hate it when they sound like someone not bothering); the number of times a track will loop without any real direction for too long after the MCs have finished; too much filler; the tiny structural gaps after an MC finishes their verse and the chorus kicks in or the next MC starts seeming like gaping holes revealing too much about how none of them were in the same room at the same time or with little time spent by RZA thinking about how to make the track sound seamless and flowing.

Plus there's far too much singing, with a lot of it being rather aimless or detracting from the rapping. Life Changes, for example, would have been far better had RZA not chosen to bracket EVERY SINGLE VERSE with that same sung chorus. I've got nothing against it as a chorus besides the manner in which it repeats far too often and cuts out the energy of what could have been a decent whole posse cut with at least the illusion of passing the mic. Perhaps this is the point, and a case could be made for its sense of the dislocation and the isolation of each MC being a more skilled evocation of grieving than many of the verses. If that's what RZA's going for then it's a brave choice that I don't really think works the way he'd intended it.

But there's a lot to like about 8 Diagrams. RZAs skill for creating atmosphere from next to nothing is still almost peerless. There's an understated sense of the unexpected, tracks veer in unanticipated directions or begin as one thing and then become something very different. The sense of tension created from deferred climaxes and subverted expectation lends it an uncomfortable, difficult presence. And there are some standout performances, with Masta Killa getting better and better with each verse and Method Man being on the best form I've heard for a while.

This is very much a Wu album in the vein of Forever. It's alternately surprising and frustrating with jaw dropping moments competing against filler, frequently witty and unpredictable, too often stodgy and half-formed.


Iron Man:
Is it long? We're not in d..d..double album territory are we? *shudders*


Pacific State:
that moment in Wolves when the music suddenly cuts out and Masta Killa delivers a near career-best drop in to just the drums.

I'm halfway through my first listen and just came here to post about that bit.

So far I can see pretty much all the positive and negative points you've bought up, but so far the bad far outweighs the good (Which can be very good).

It is very different though, but I haven't really heard all that much Wu.

Quite frankly, half the group sound as bored as I am right now.

It Could be a grower though, I'm sure I'm not catching everything this time.

Is it long?

71 minutes.
 
 
Seth
14:44 / 18.12.07
I take back everything I said about this album. I've been listening to it almost continuously since I got my store-bought copy and with every listen it's blowing me away more and more. It's like the Clan picking up where Blue Lines left off... which is about the highest praise I can give to a record. It wasn't the record I thought I wanted from them. As it turns out it's better than the one I thought I wanted.
 
 
STOATIE LIEKS CHOCOLATE MILK
14:58 / 18.12.07
Yeah, I'm still getting used to it... can't remember if it was one of the reviews linked to here, or one I read elsewhere, but someone compared RZA's production to Scott Walker's The Drift... I can definitely see that comparison working. I can also see how that kind of production style would piss off the guys doing the rapping- on a first couple of listens, this definitely seems to be an album where RZA as producer is more to the forefront, and the rest of the Clan are being used as instruments, in the same way Eno tends to do with musicians.
 
 
Bandini
12:32 / 21.01.08
A very insightful comparison.

I've changed my mind the more I have listened to this album. Even tracks I didn't like, such as 'Wolves' have become my favourites. Interested to hear what the new new Wu-Tang album will sound like.
 
 
Char Aina
13:01 / 21.01.08
It's a little old, but I only just found this; Ghost talkin' squack about RZA and the New Stuff.

People want that old Wu-Tang shit, but you tryin' to make new shit—tryin' to play live instruments, instead of just goin' to the crates and just do what you do best. You still a master at what you do, but right now you ain't lookin' like that master, 'cause you tryin' to do other stuff. We were just upset with the way things was comin' out."


I've heard the album, and I think that it's good, if not as great as they have been. I'm glad it isn't like the old stuff, and I can't hep but wonder if this whole argument is being orchestrated, driven by business interests.

Talking shit publicly about your lifelong friends and colleagues seems a bit much if it's serious(well, okay, not for Rae. He's a whiner.), but it has made everyone look.

Does anyone know who is lined up to produce the second version? is it likely to be mindblowingly different?
 
 
Suedey! SHOT FOR MEAT!
15:31 / 10.09.08
Did the world at large fail to notice that this is actually a really amazing album?
 
  
Add Your Reply