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The Mysterious Flame of Queen Loana

 
 
This Sunday
19:22 / 28.08.07
The story of a man who wakes with no personal memory, no emotional memory, only able to recollect everything he has ever read. His excitement and happiness at relearning many things belies his sometime habit of misreading a situation and running with the misconception as though it were concrete truth, and his family and friends seem somewhat content that they have the upper hand on him, in regards to his life and his history.

I'm approximately a third of the way in, and quite entranced. The constant collaging of allusions and quotes is lovely and potent; a snippet of Sandburg's poetry stitched into the narrative caused a small explosion of all of Carl Sandburg's work somewhere in my mind. The jump in begats from the Bible to the Man of La Mancha sent me spinning about as Jacob became entirely quixotic, indeed. It's also the rare novel that makes a simple shit a beautiful and meaningful thing. With illustrations from The Phantom to Fantomas, and prose and poetic allusions, quotes, and references from Simenon to Shakespeare to Sherlock Holmes, from Nabokov to Dumas to Eco's other books. And all quite smoothly, sensibly, and in interesting and pretty ways.

There are more meaningful elements, I'm sure, and eventually I'll be able to put them to words, but for the most it is the childish delight in fantastical things, in absurdities and presentiments, anxieties and romances of moments, that has be enthralled and reading. Deeper elements are secondary, at best. And a bit heartbreaking already.
 
 
Hallo, Paper Spaceboy
20:39 / 28.08.07
I'm only about twenty pages in, but I'm enjoying Eco's ability to leave Yambi overwhelmed with seemingly mundane tasks - the toothbrush scene stands out, as he explores sensual experiences in a rather intense way.
 
 
Sebastian Flyte
10:51 / 29.08.07
I really enjoyed Eco's writing, as I always do... but I always felt that both I and this book were lacking something.

I was plagued throughout the book with a feeling that I was missing something due to not having a knowledge of 20th century Italian culture, and also I felt the story got in the way... I felt throughout that the story wasn't going to have a satisfactory ending, and that put me off my stride throughout the book.
 
 
This Sunday
03:40 / 01.09.07
After much delays, finally getting to resume the book. And Eco turned it into a closed-room mystery! And, cutely, too.

The constant referencing and even the ethnographic Italian stuff isn't bothering me at all. I know most of the literary (and, ahem sub-literary - if you believe in that distinction, which I don't) stuff at least in passing, and haven't felt I'm missing out by missing a two word allusion in the middle of a paragraph. The music stuff is primarily new to me, but our boy's discovering it, too, so all's well and fine. I'm learning and relearning with him, and as with Yambo, it's not really moving me forward, but moving me in.

Having been tempted by illustrations into glancing to the end, I feel compelled to continue if for nothing else but to reach that. I know it's moving to something satsifactory to me because it bleeds romanticism and I can forego logic and logistics, plot and people, to getting to the surge of simple, sappy romanticism and geekgasm inducing material.
 
  
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