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I read quite an intersting article in Slate about "Knocked Up" and its treatment of abortion, by Dana Stevens. Relevant section:
Allow me to briefly divagate here on the nonexistence of abortion as an option in Knocked Up. This omission smells of the focus group, and it's a disappointment in a movie that otherwise prides itself on its unsentimental honesty about the realities of unplanned parenthood. It's just not believable that, in Alison and Ben's upper-middle-class, secular L.A. milieu, abortion would not be matter-of-factly discussed as a possibility in the case of a pregnancy this accidental. If she doesn't want one, great—obviously, there'd be no movie if she did—but let's hear about why not. Otherwise, her character becomes a cipher, a foil for Ben's epiphanies about growing up, without being allowed any epiphanies of her own. The biggest unanswered question about Heigl's character is one the movie never tiptoes near—why does she decide to keep the baby?
This is followed up on here.
Is there something in Apatow's treatment of abortion that resonates with these concerns, do you think? Having just watched Anchorman, I'm not sure how much realism one might really expect... |
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