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Tune of the moment, with reasons given......

 
  

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The Natural Way
12:51 / 17.08.07
I know this sounds like a cop out, but I've only got 5 mins left of my break, so my contribution to this thread will emerge in a couple of hours. Sorry.
 
 
The Natural Way
14:38 / 17.08.07
So...

Ilya Santana - Quasar
 
 
Spaniel
14:46 / 17.08.07
LOL

Er, you do understand the problem with your last post, don't you? I'm assuming you do.
 
 
The Natural Way
14:47 / 17.08.07
There seems to be a glut of this stuff at the moment; from Lindstrom's Late Night Tales mix (which, incredibly, features Carli Simon's Why of all bloody things) to Sebastien Tellier's new project. Everyone seems obsessed with 80's synths. Now, my g/f might not like it, but this track is on strict rotation in my living room every day. It reminds me Of Jean Michelle Jarre, basically, but there's nothing wrong with that. Believe me I can do the cheesy synth thing with absolutely no irony. It taps into something sentimental in me - something to do with the music around when I was 6 - and I think it does the same thing for the current crop of producers putting out records in the vein.

This is definitely love or hate it music. You can alienate whole rooms with this kind of thing.
 
 
the permuted man
18:10 / 17.08.07
Well, thanks to the Japanese music thread, I've been listening to a lot of Japanese music lately, and am pretty obsessed with Ore Ska Band's Wasuremono. I really like the vocals in the song, and the video and energy of the band is exciting. Also, as the band formed in middle school and are still in high school it's impressive from that standpoint. I mean, there are a lot of young jpop singers, but usually someone else is making their music for them to sing along to. I mean, I think Smoosh is much more impressive (I saw them live a couple weeks ago and was blown away again like the first time I listened to their albums) but the band does definitely have some talent for still being in high school (maybe comparisons to Paramore as both are pop hooky).
 
 
Tsuga
00:00 / 18.08.07
Fine, for christ's sake. I'll re-iterate. Anthony Hamilton, one of many performers I'd like to start a whole thread on if I had the time, sings a song on his album Ain't Nobody Worryin' called "Change Your World". The album overall is about one half great, one half meh. This song, I respectfully submit, is one of the great ones. Lyrically it's just romantic and sweet. Love turns you upside down, yes. Musically, as I said in the other thread, it starts out fairly simply, not quite standard, but a very solid and listenable, well-fashioned soul tune in the seventies vein. His voice is powerful and rich, and while he certainly has many vocal filigrees and ornamentation, I don't think it's extravagant. He's really quite good at it, with excellent timing and control.
So the song starts out slow, almost like a slow dance song, with solid string orchestration, a strong meandering bass line, and what I suppose is a guitar sound very reminiscent of a sitar, which seems a familiar tool from other soul songs I can't remember. Building up and pulling in a few more elements, the background singing goes from a few women's voices to a chorus of others and layers of AH's voice as backup, the song really changes up at about 3:45, when the song changes key and what I think is a French horn comes in, it changes tempo and adds on more elements to what I think is a goose-bump inducing finale, replete with rhythmic off-beat piano, even more layerd background chorus, whistling, and his freestyling, fluid singing.
 
 
Saturn's nod
04:32 / 18.08.07
Got Shura Cherkassky playing Rachmaninov 3 on my audio player, I've been listening to it at least once every couple of days for a while now. I think the length and energy of it make it perfect for helping me through transitions between the different workplaces - lab, office, home-working, the walks between. The main themes are robust enough to come through even with ambient noise, though that might be because I know it pretty well already.

I have these dramatic emotions pretty often (busy completing a PhD - you're probably familiar with the symptoms) and Rachmaninov's music resonates with them, but his composition seems to both have room for them and also move through, helps me not to get stuck there.
 
 
Spaniel
10:35 / 22.08.07
Rolling Down the Hills by Glass Candy. The tune's another example of the Italo-Disco revival that's currently rocking my world. For the uninitiated - which very nearly includes me - Italo-Disco was a form of (primarily) European dance music largely swamped by the House explosion in the mid to late 80s. Possibly the best signpost I can come up with is Donna Summer's fucking fantastically brilliant I Feel Love, which while I'm not sure it fits precisely into the genre should give an idea of the kind of sound I'm talking about: lots of icy, soft yet high pitched vocals; synths galore; and tonally dark.

Rolling Down the Hills is an example of the more funky end of the spectrum, with it's bubbling, space disco synths, hand claps and trumpets, but modern Italo runs the gamut between entirely undanceable atmospherics through to distinctly house-like* or electroey sounds.


*There's a slew of 80s disco remixes around at the moment
 
 
Spaniel
10:51 / 22.08.07
Oh yeah, Blondie's Heart of Glass also points the way
 
 
lord nuneaton savage
11:50 / 22.08.07
Italo's a pretty hard one to categorise really, which makes it prime for a revival. It's a bit like 'Post-punk', it's so wide ranging that you can read pretty much anything into it.

I'm also digging a lot of Italo stuff at the moment. Not so much the Glass Candy/Chromatics end as the original 'Vangelis-wid-da-funk' tracks.

On a slightly related tip, I am currently obsessed with Vangelis's 1970 Baleiric bliss-out 'Let it Happen'. All ocean views, sweeping moogs and uplifting quasi-philosophical lyrics. Beautiful.
 
 
Spaniel
12:11 / 22.08.07
'Vangelis-wid-da-funk'

I suppose those would be the "entirely undanceable atmospherics" I mentioned, or the "electroey" stuff which, I am indeed keen on. Any particular tracks floating the savage boat? I'm quite keen on Bogdan Irkuk's dictinctly electronic Distant Ep, which I think fits the bill, and Professor Genius seems to be throwing up stuff that chimes with the more cheeky end of your description.
 
 
lord nuneaton savage
12:38 / 22.08.07
I'll have a check through some of the mixtapes I've been listening to and get back to you on that one...
 
 
The Natural Way
12:50 / 22.08.07
Yes, Let it Happen's really good, isn't it?
 
 
lord nuneaton savage
12:53 / 22.08.07
Of course, it isn't written anywhere that Italo has to be made by Italians. To this end I present the works of all round prog-disco genius, Cerrone.

What a man! Check out 'Supernature', a twenty five minute sci-fi film on the theme of 'Man vs Nature (the road to victory). Shot entirely using analogue synths, cooing female vocals and a rather long freak-out entitled (if I remember correctly) 'Thundering Drums'. Fits the bill handsomely.

All of his records are worth checking out. The dude is something of a legend.
 
 
lord nuneaton savage
12:59 / 22.08.07
Also, all of his album sleeves have him in his full glory, wearing super-super-super hot disco-futurist gear, usually surrounded by bevy of slightly frightened looking naked women. He is a LOVER MAN, albeit one with a face like a car pile-up.

IN DISCO THERE IS HOPE FOR THE UGLY.
 
 
Spaniel
13:48 / 22.08.07
As long as your moustache is strong!
 
 
Tsuga
01:02 / 22.09.07
I don't know if Subtle has been talked about here before. The song "Midas Gutz" keeps sticking in my brain craw, but in a good way. Though it's a bit like tonsillolith, something fascinating in it's disgustingness. I don't know exactly why I'm saying the song's disgusting, it's not. Okay, well, the lyrics are disgusting, it's about a television show where the famous disembowel themselves: Yes, you and ten other tough guys
slit smiles across your then perfectly sturdy stomachs
and spread your large intestines boldly out across a coated white poker table....

So, gross, yes, and heavy-handed, like the rhythm of the song's creepy flashback recursive intro hook repeated like Déjà vu. But, what can I say? I'm a sucker, it's good. It's formulaic and unusual and interesting at the same time.
 
 
Princess
16:46 / 30.09.07
I'm going to have to go for Shaft- Mucho Mambo.
It's one of those songs that never fails in it's ability to dazzle. Maybe it's the lyrics, but when it comes on I just feel like I *have* to dance and be beautiful. I lose myself in this song everytime it comes on, I feel like there's no more of me left and there's just beautiful people dancing on the beach. With trumpets. And gasping. And cocktails.
 
 
Tsuga
00:43 / 18.10.07
Since I was yousenditizing, I figured I'd go ahead and post this one as well, Midas Gutz.
 
 
M.a.P
09:09 / 18.10.07
Subtle are really good indeed, got hold of a 7" (The Mercury Craze) out of sheer curiosity and was pleasantly surprised...Definitely different from the usual Anticon/Lex releases. I love it!
As far as i'm concerned, i can't get enough of Future of the Left's Manchasm, it's a mean-mean-mean post-something potentially danceable tune, and reminds me how great a band Mclusky were and how even greater this new band is (what a name!). Might need a thread on its own, but band related threads seem to have very short lives...Anyways: epileptic keyboard line, distorded bass, typical Shellac/Girls V.S Boys minimalist groove, really really agitated vocals AND crazy lyrics. Feels great on a bad day, walking down the street, wanting to feel invincible...

Oooh and when I'm at it: vintage space disco? Any recommendation, appart from Cerrone who's an über star over here in France?
 
 
rizla mission
11:47 / 18.10.07
My favourite song on the new Future Of The Left is "Fuck The Countryside Alliance".

Knew the spirit of Mclusky lived on when I saw that title popping up on my iTunes...

"Take a man to his nightmares.. in a Landrover!"
 
 
Ticker
17:15 / 07.11.07
I may not be using this thread properly...

I was following a myspace link to Razed in Black, a band I lurv with unrepentent goth darque beepity joy (sadly they, or rather he, Rommel Regulacion, do not nearly have enough out. MORE PLEASE) and somehow landed on Dave Gahan's myspace page.

I was a bit troubled you see because I knew I knew this guy but um...from where?
I felt incredibly brain dead when a quick search cleared up my confusion. Der.

So Razed in Black, (Damaged 2003) I have on heavy rotation for darque all the way through beepity. Rommel has a voice I find does very well delivering the fromage noir lyrics of several remixed versions of these now older club favorites. Stompy big boot time. Rommel is also pure eye candy which I must admit I've sort of given up hope for out of the male iding darkling performers. Listen to RIB to get your fromage noir sweetened with lovely male vocals. I have been especially fond of 'I'll Damage you' and well, 'Blush'. These are club favorites for jumping around and being teh sexy. It hurts my brane to think Rommel comes with a visual to match his voice.

Collide and their project band The Secret Meeting (Collide w/Dean Garcia of Curve) are another one of my current favorites. The singer kaRIN has a spectacular creepy and beautiful voice soaring and crawling through the sparkly crunchy lavicious beepity. I'm very happy with Vortex (2007) and Ultrashiver (2007) for fun and alluring ear candy. From Collide the song pick is 'Like you want to believe (Antistatic Mix by Remko Vander Spek)'. It has this fantastic hauting quailty like a femme fatale issuing a warning in a fog filled alleyway next to the Freak Club. From the Secret Meeting the tune of the moment is 'Beautiful Noise Machine' which starts out slowly luring you in and then feeds you into an enormous clockwork of massive sound and then dangles you out again.

So back to Dave Gahan... Hourglass (2007)
I listened to the clips on his myspace page and then wandered out to buy the whole album. (I also rummaged in the sales bin for old Depeche Mode albums probably out of guilt). So far there are some excellent songs but they are the ones that were up on the page so I'm hoping on the repeat listens other things will pop out.
I'm enjoying the rich soundscapes which I did not hear in the Playing the Angel album. I like multilayered with a solid anchoring undercurrent. I really like 'Saw Something' but I'm waiting to see how the rest of the album does.
 
 
Our Lady Has Left the Building
13:05 / 14.12.07
Just click here. No, I'm not going to tell you what it is, other than it's a Christmas song. It's obscenity-free so don't spoil it by hovering your cursor on the line. More information for when you've heard it.
 
 
Hallo, Paper Spaceboy
19:02 / 20.12.07
The horror!

Because someone mentioned them in the top albums of 2007 thread, I went and downloaded some Pepe Deluxe -- and now I'm stuck on their song "Girl!" with its squiffy undulating beat and shifting groove (starting with funk and growing in other directions).
 
 
the permuted man
15:48 / 21.12.07
Collide and their project band The Secret Meeting (Collide w/Dean Garcia of Curve) are another one of my current favorites. The singer kaRIN has a spectacular creepy and beautiful voice soaring and crawling through the sparkly crunchy lavicious beepity. I'm very happy with Vortex (2007) and Ultrashiver (2007) for fun and alluring ear candy.

Ooo, I hadn't even heard of this. I used to listen Collide all the time, was wondering when some new music might drop. Going to check this out.
 
 
All Acting Regiment
20:18 / 21.12.07
Right, a while ago I protested about the Klaxons in their thread and said I'd never listen to them. Well, I was lying, apparently, as I'm now enjoying a Simian Mobile Disco remix of their song 'Magic', for one particular reason: the way you getthis repeated form where you get a sort of build up and then a release into steady drums, with a high pitched, squeaky, echo-y sound which calls-and-answers with a lower pitched sound. And then it goes into the build-up again. It has no lyrics and could conceivably have been made in a world without guitars and conservative-voting indie kids.
 
 
Make me Uncomfortable
02:02 / 22.12.07
Right now I'm listening to a mix of Justice and Gogol Bordello- a playlist I threw together from the former's self-titled album and a bunch of stuff from the latter's catalog. I'm in a sort of electro-punk / russian-punk mood lately, probably thanks to the holidays.
 
 
at the scarwash
20:37 / 31.12.07
This is a perennial rather than an of-the-moment, but every time I listen to Professor Longhair's "Tipitina", my toes curl, I smile, and my brain blanks out a bit. Despite the fact that it's just a simple 1-4-5 boogie woogie piano number, there is something ineffably perfect about it. There is a magic to the way that Fess's fingers could create a feeling of multi-dimensional space so effortlessly from that most linear of instruments, the piano. The vocal line and nonsense lyrics create this utterly unique intersection of party-time fun and a dangerous madness. For me, this more than any other sort of music represents the popsong as invocation, the performer as magician.
 
 
uncle retrospective
12:22 / 05.01.08
Keren Ann.
I know nothing about this woman, I downloaded this album at some time during the year and only noticed it again recently. My loss. This song is amazing! I love this song like little else at the moment.
It sounds like the Velvet Underground with Hope form Mazzy Star singing. It's stuffed to the gills with Cello, harmonica, off key Velvets guitar work and god's own hand claps that somehow don't make the song sound an over egged mess.
If your heart hasn't melted by the time she sings "lay your head down" you're a cold, black hearted swine.

Lay Your Head Down
 
 
COG
17:35 / 06.01.08
From the Air by Laurie Anderson, the first track off Big Science. It just seems so modern and fits the weird mood of world politics for me at the moment. Some sense of inevitability and doom. Like being the last person on Earth and a robot telling you that everything's going to be alright.
 
 
uncle retrospective
20:50 / 07.02.08
The Paper Chase
We know where you sleep

You know I always wondered what would happen if the Polyphonic Spree were evil. It's an odd thing to say but I'm bored a lot of the time and that's the kind of thing I waste my brain thinking about.
But the Paper Chase are pretty much the answer, piano, strings, multi vocals and an somewhat discordant yet jaunty sound make this well worth the listen but the lyrics are flat out evil in what I guess is some sort of love song.

Here's the chorus

"You will drop on all fours
Get down, show me what you’re good for
Sass mouth, pink bellied I perceive
And for this your naughty deed
I’m throwing you over my bony knee
So don’t cry, don’t scream good lord
You always knew what you’re in for
When my belt unbuckles so believe
You grubby little thing
I’m throwing you over my bony knee"

Great song though I really haven't been listening to enough evil music lately.
 
 
Tsuga
00:45 / 08.02.08
That sounds like Danny Elfman and System of a Down got busy.
 
 
uncle retrospective
09:27 / 08.02.08
Maybe I sold it badly. It's a great song.
 
 
Tsuga
09:47 / 08.02.08
Oh, I was talking about how the song sounded; I listened to it. I guess that description makes it sound horrible, but it's not at all, it was actually interesting and a pretty cool song.
 
 
uncle retrospective
11:33 / 08.02.08
Glad you liked it, it's nice to get a bit of feedback.
 
  

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