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The godlike genius of leo baxendale.

 
 
doctorbeck
11:53 / 09.08.07
there have been a few references to writer / artist leo baxendales work around recently in Alan Moores Albion (Grimly Fiendish being one of his finiest hours) and Bryan Talbots Alice in Sunderland, which includes a homage to him and a page written by him.

here are details about his work

http://en.wikipedia.org/wiki/Leo_Baxendale

i wondered if anyone else was a fan and had read his wonderful 'On comedy' which i found deeply moving and the great interview with him in the raven (anarchist journal)

Baxendale basically introduced a deep anarcho-syndicalist sub-text into kids comics in the UK that still looks fresh today, with a strong sense of kids fighting whatevr authority was around and not necessarily getting punished for it.

wondered if anyone else was a fan as i can't find another thread on here about him.
 
 
doctorbeck
12:13 / 09.08.07
though this from a forbidden planet blog says a little more on the topic it doesn't really do justice to the politics of the man in the way the Raven and On Comedy bits do and i can't find anything on line that does...


'If you were to do a poll to find the most influential living British cartoonist we imagine that Leo Baxendale might well be sitting on top of the pile. In the 50’s and 60’s he redefined the level of anarchy in UK children’s comics creating along the way (among many others) Minnie the Minx, The Banana Bunch, Little Plum and most famously The Bash Street KIds. In all he produced over 2,500 pages for ‘The Beano’ and also went on to create work for other publishing houses such as Odhams (Wham and Smash) and a myriad of titles for Fleetway/IPC. His style frequently changed over the years but the drawings are distinguished by an assured line and a frenetic energy to the panels, without doubt some of the best cartooning ever. Leo now publishes wonderful editions of his work (think the UK equivelant of Peter Maresca’s ‘So Many Splendid Sundays!’ Little Nemo book) and they can be bought directly from his website here.

Now in his mid seventies – “decrepitude looms” as he put it – Leo’s characters continue to flourish, not just in the form of today’s artists continuing series he began, but cropping up in other places, as with the appearance of Grimly Feendish in the recent Albion and, as Bryan Talbot told us a few months ago Leo has also contributed a page to Bryan’s upcoming (and eagerly anticipated) Alice in Sunderland. And instead of bowing to age stereotyping and donning a trilby hat and spending his days playing lawn bowls Leo has been organising a new exhibition of some of his work entitled ‘Stroppy Women’, which will feature (as you might infer from the title) some of his stroppier female creations from Minnie the Minx and the Bash Street Kids’ Toots onwards (oh yes – long, long before Tank Girl chased kangaroos through the outback British comics boasted some seriously naughty – and yet loveable – bad girls). Stroppy Women opens in Mills cafe/winebar/gallery, which Leo tells us at the medieval Whitheys Yard, just off the Shambles in the heart of Stroud, opening on Monday 12th of March and running through to the end of April. '


although i ermember him writing about the bash street kids and imgae he started with of this funny looking gang of children running full tilt towards the reader, full of energy disobediance. always struck me how Bones wore a pirate symbol and dennis the Menace a jumper in spanish civil war syndicalist colours (tho i don't think dennis was a baxendale creation)
 
 
DavidXBrunt
18:00 / 10.08.07
Baxendale was probably the funniest, and sometimes most disturbing, creator of comics from my youth. Yep, Genius.

To pick up a few points from the last poster - and I've not read a Bash Street Kids in years so I could be wrong - I think Bones was the Bash Street Pup leader, the equivalant Kid would be Danny. And was it Sidney (and his twin sister Toots) who wore the Blue and Black striped sweater? You're right when you say Dennis ws another artists creation (Somebody Law? Dennis?) but the subversion of an existing image is a lovely thought.

I always thought Fatty and Cuthbert were the same ones that appeared in Minnie the Minx and Dennis the Menace though no-one else I knew when I was little agreed with me.

I smiled a lot when I read Christopher Eccleston compare himself to Plug.
 
 
The Falcon
19:37 / 10.08.07
The Omega Gang from New X-Men were, pleasingly, based on the Bash Street Kids.
 
 
doctorbeck
09:53 / 14.08.07
i've not read any beano type stuff in 25 years or more either, so my beano continuity / basic facts about who was who are pretty shaky.

i guess like a lot of people the coming of 2000AD or discovery or american imports made the funnies seem redundant. tho its not unusual to see grown ups reading comics i can't remember the last time i saw someone reading the ebano. i might be tempted to get a 'best of leo baxendale' though if one came out.

i do think that the proto-punk energy and disobediance of the beano and whizzer and chips was a big influence on 2000AD and then comics in general after the british invasion of the american big 2 companies. and the LBs work was at the core of that. and i wonder if the lack of interest in LB here reflects that most people stopped reading those comics when they were very young?
 
 
DavidXBrunt
15:53 / 15.08.07
I expect you're right. I'd also posit that the lack of creator credits has compounded that. It's only in recent years that I've learnt the names of one or two D.C.Th. creators. The anonymous process means there's nothing and no-one to react and respond to beyond the strips and when you grow out of them, well, what's left?

I remember discussing old time humour artists with John Wagner after a con and he was clearly of the impression that some of them were great and set the standard for him to aim at, so I'd sa that their influence on later comics is definatley there.
 
  
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