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Surrealism

 
 
grant
12:10 / 06.03.02
An NPR overview.

Someone tell me why the movement mattered.
 
 
gridley
16:52 / 13.06.02
I've got two words for you Grant: Melty Clocks!

Want two more? Burning Giraffes!

so, there....
 
 
Grey Area
18:43 / 13.06.02
The movement mattered because it helped break up the popular image that art had to be the "basket-of-fruit-on-a-table" or "field-at-sunset" kind. It had as it's goal the severing of srt of the mainstream taste, the production of art for the sake of producing art and not to meet expectations. A lot of the experimental artwork of the late 20th centry would not have happened when it did if the surrealists hadn't been around in the 1930/40's.

On a more toungue-in-cheek note:
Hey Everybody, Let's Put On An Avant-Garde Show,
 
 
Mystery Gypt
10:09 / 14.06.02
and remember, only Andre Breton was surrealist, because by the end of it he had kicked everyone else out.
 
 
Grey Area
12:24 / 15.06.02
F.Y.I.:

Info on Surrealism
 
 
All Acting Regiment
13:38 / 15.01.05
Surrealism is hugely important, even if some of the work doesn't acheive exactly what it's meant to. Those clocks for example- they might not work for you "as is" but if you read up on the theory behind them it might appeal.

New ideas about content, plus new ideas about how to represent it. That's basically it.

I'd wager that an awful lot of the music, films, art and ideas we know and love wouldn't exist without it.

You really need a book to explain this. There are many out there written better than I could. Go read.
 
 
TeN
16:24 / 15.01.05
haha grey, I've always loved that onion article
 
 
Widing
23:38 / 26.01.05
They made art out of psychoanalysis, visually showed that the human is not concious about all her aspects.
 
 
Sir Real
13:13 / 27.01.05
And to really see the influence of surrealism check out most any animated show on Nickleodean.
 
 
netbanshee
02:22 / 31.01.05
There's also some humor to be found in a few works during Surrealism. High art usually avoided topics that dealt with themes that could be funny.

On another note, there a huge Dali exhibit that's showing for a few months at the Philadelphia Museum of Art. I plan on going at least once. More info here.
 
 
Digital Hermes
04:31 / 01.02.05
To sort of pitch in some Surreal History;

What is considered the granddaddy of the surreal is a novella, MALDOROR, from a french writer by the pseudonym of Comte de Lautremont, known to his friends as Isidore Ducasse. This book was something that Andre Breton kept coming back to, and Dali did several pencil illustrations inspired by it.

The content has such things as different animals defecating on God's face, as He's drunk on the side of the road, Maldoror himself mating with the only thing as vicious as he, a gigantic female shark, and numerous other threats upon sanity and humanity.

From a contemporary comparison, it seems like Lovecraft crossed with W.S. Burroughs, although entirely with 18th century gilt around it.

(The last course for my bachelor's was a directed study turning this novel into a play, so it's been at the forefront.)

Someone else that may have actually inspired Ducasse (if I've got my timing right) is Baudilaire's THE FLOWERS OF EVIL.

As far as I can tell, these are the beginnig strands of the surrealism genome.

Just laying some background down, but if there's something I haven't covered, point it out to me. (It may help the play!)
 
 
Jack Fear
13:28 / 02.02.05
Then there was the 1911 collage novel What A Life!, which detourned engraved images from advertising and catalogues to comical effect, and which was a huge influence and inspiration for Max Ernst in particular.
 
  
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