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When I was doing some research on Picasso, I read, in a Roland Penrose book, that the author, visiting Picasso's studio during the 1930s when his relationship with Marie-Therese Walter was still fairly secret (from the artist's wife especially), was shown a massive lump of clay. He was a bit surprised by Picasso's enthusiasm, as some of the actual sculptures there were of great quality. Then Picasso turned on a light, and the shadow cast by the lump was a perfect silhouette of his lover's features...
But I love the Noble and Webster ones. Seeing the trash and the contrast between the image projected, as it were, is sublime, witty, impressive, tricksy and more as well. Plays with notions of art, of value, of interpretation. Picasso's lost project is too sweet really! Whereas Noble and Webster have teeth. |
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