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Sacred Body Modifications

 
  

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Ticker
15:03 / 07.06.07
I've been using tattoos for many years (and other body mods) as parts of my ritual and magical tool set. I've got a fair amount of ink these days with a new foot and leg piece healing now.

The current piece required magical work to earn it, an Ordeal to get to it and in getting it, and is now exerting a magical influence in its own right on me. (a tangible cycle of envision/enacting, becoming/being)

I love this guy's writing about various world traditions of tattooing.

artic tattoo and magical/spiritual info

Book I want now.

online articles by the author on various world tattoo traditions


I carry the ash of my Beloved Dead in one of my pieces, the symbols of my Gods in another, Celtic Reiki vibrations in yet another, animal totems on one side, and plant totems on the other. Now I've gone and gotten an entire assortment of powerful symbols inked into my skin by a world class artist who studies and is dedicated to the ancient design practices. It was also the most painful tattoo I've had yet. I had intended to get symbols for my namesake's culture (also semi ancestral) but ended up with a beautiful eclectic mix.

As a topic note please only link to images (include a description) so people with triggers around body modification have a warning rather than posting them directly.
 
 
Quantum
18:04 / 07.06.07
Here's some older threads, although I'm sure there's loads more;

Intro and tattoo question
Tattoo suggestions
convo thread
 
 
Uluru
11:49 / 08.06.07
Can you give a little more info about your Celtic Reiki piece and how that came about?

My foot tattoo was my most painful as well. I was in a less positive state of mind at the time I got it than any of the others, which I think had a lot to do with it. Also it took the longest to heal. I really enjoy watching tattoos heal, seeing the skin accept the ink gradually rather than instantly. It's a good reminder that change takes time.
 
 
Ticker
13:38 / 08.06.07
Hi Uluru!

On my left arm I have several color flower designs. The upper original piece is an elemental fire blossom and is one of my first in a series (now complete) of elemental tattoos. The lower piece on my forearm was started with only the black inked in last summer after I had a severe injury due to a God given Ordeal. I then attended a training course in the UK for Celtic Reiki where I was attuned by the originator of the modulation.

Celtic Reiki

Welcome to Celtic Reiki - a popular modality of Energy Therapy that was created from a synthesis of two traditional philosophies. The first of these philosophies is derived from the Shinto belief that says everything is created from a force, known as Ki. One of the facets of this Ki is Reiki, which has the ability to heal and balance the other types of Ki.

The second philosophy was that of the Celtic people of Western Europe, which holds the natural world in very high esteem. The Celts believed that the trees were sacred and based much of their way of life in relation to our tree friends. By combining the two viewpoints, we can connect to the force of Reiki in order to mimic the vibrations of nature. By doing this, you can work therapeutically and with manifestation techniques to help others and yourself.


After my attuning and healing sessions I experienced a profound realization regarding the purpose of the Ordeal I had undergone. From working with the trees and my classmates I recognised I was experiencing the results of an Energy Alignment Process (EAP). It kicked my ass all over again but in what was an essential healing process.

Returning home I then had my tattoo finished with the color added in. While the artist was preparing I explained about CR and my journey. He's a really great and thoughtful person very respectful of his client's various traditions and occassionally unusual practices. I explained I was going to do energy work on myself while he inked in the color and he agreed. For me this permission was essential as I value my artists and respect that they may or may not wish to be involved in magic/energy work.

As I was being inked I raised and directed my selected CR Essences and implanted them into my skin anchoring them. One Essence in particular is now very easily triggered when I look at or touch the finished design(I can simply turn my attention to it as well). Interestingly the design is not of the particular Tree/plant and I'm curious to see if other CR practitioners will be able to pick up the vibration. For my own personal work with CR the energy stored in my arm helps me attain a vibrational state when working with others. It's kind of like a tuning fork of a particular note carried in my skin.

My charcoal rubbings added around an older brand on my left arm have modified the orginal brand's function. The charcoal rubbings where perfromed by a NT shaman I respect a great deal to bring me closer to my Goddess and to improve my ability to hear Her. That modification and ritual later lead to the God given Ordeal I mentioned that resulted in vastly improved communication with my Goddess and my comprehension of what the block between u/Us had been.

I did not use CR while getting my newest tattoo as the symbols themselves are potent enough to draw their own energy. It was about allowing the master artist to place sacred designs on my body while having faith those designs were correct for me and will function to draw in what is appropriate and protect me from what is not.

There are several symbols incorporated into the design that make me a bit nervous to be honest. While the majority of them are about beauty, strength, and grace (and fertility which is also about creativity) I did ask for a new animal totem to be added (the design is on the left side of my body which is for animal totems) and an ancient symbol I associate with my namesake. The overall piece is very unique, feminine and probably would not mean anything in any particular ancient culture the various bits are sourced from. Reflecting on the combinations, I suspect I'm now sporting a panglobal spiritworker design that states I'm a priestess of a mongrel lineage serving a specific set of Deities. The punchline is of course Who is listed, some of Whom I had no idea were Involved.
 
 
Uluru
14:33 / 08.06.07
Nervousness can be a good thing, a sign that you're taking on something bigger than you're used to, growing in a new direction. And if you've found a truly compatible artist to work with, you can trust that what they see as fitting for you is not going to be more than you can handle.
 
 
Ticker
14:52 / 08.06.07
Ooh that's a great insight, thank you.

Have you done/experienced any energy work while on either side of the needle?
 
 
misterdomino.org
22:13 / 08.06.07
I've been thinking about this topic alot lately, so thank you for bringing it up, Ms. Breeches. In one of those linked threads, Professor Silly (a tattoo artist) was talking about the importance of finding an artist who will really understand the imagery and ritual, and what it means to the recipient. This seems especially valid. I PMed the Professor, but without debunking this thread too much, are there any tattoo artists on Barbelith who would be able to help me/us in this scenario? Should there be a new thread to make a call to practitioning tattoo artists?
 
 
This Sunday
22:40 / 08.06.07
I haver given tattoos, but I wasn't very good at it, and I doubt I'll do it again. My brother, on the other hand, does tattooing as a side-business, and has done a number of religious/magick tats for people. The only times I've known him to back off of such was when he felt he really didn't understand the way it was meant to work - not visually, necessarily, but in terms of function, potency, and intent. Or, the one or two times he flat out disagreed with the intent/application.

There's a lot of noise when the family gets together about how I should let my brother tattoo me. He is very good, no argument there, but he's my bro, right? So my assumption is, given past examples in other areas (haircuts, being sick and in bed when he wanted to go do something, general childhood extant into adulthood sibling stuff), he knows I'll eventually forgive him a whole lot. And, we just don't see eye-to-eye on certain aspects for either of us to feel too comfortable about the idea.

Tats are big for Tsalagi, culturally, though. They're one of the things that get looked at when we die, and while nothing bad would come of dying with a bad tattoo or anything like that, it's a self-representatio/focus thing. You're not being judged, just looked over, so it's more a matter of how you want to appear when you're looked over.

I'll throw in with Uluru's suggestion about nervousness being potentially good, too. There's not a whole lot of point to a tattoo, much less a magickal tattoo, if it's not going to be a focal of some sort of potency, right? Potency ought to be nervous-making.

And 'panglobal spiritworker', well, it's the the 21st Cent. right? Time's come to admit humanity, by necessity, is panglobal, and nobody's escaping the 'mongrel lineage' category, even if the genetics stay localized for generations, and it's only on a (sub-; pop-) cultural basis.
 
 
Ticker
17:06 / 09.06.07
Uluru posting in this thread is a tattoo artist.
 
 
Ticker
17:13 / 09.06.07
And 'panglobal spiritworker', well, it's the the 21st Cent. right? Time's come to admit humanity, by necessity, is panglobal, and nobody's escaping the 'mongrel lineage' category, even if the genetics stay localized for generations, and it's only on a (sub-; pop-) cultural basis.

It's less about what the shingle says and more about actually hanging it on the street. There are unique ramifications to wearing visible tattoos in our culture but an entire other set for wearing 'I'm a spiritworker, ask me how' tags. This was the first I've gotten that magically communicates something to other parties directly rather than doing so as a by product of it's function for me. In some regards its function is to announce that on my behalf while shaping me to be a specific kind of person.

Does that make more sense?
 
 
Mako is a hungry fish
17:31 / 09.06.07
'I'm a spiritworker, ask me how'

I wouldn't self advertise that on a T-Shirt so I certainly wouldn't permanently mark myself as such, at least not in a publicly displayed area, as I just cnbf putting up with other peoples misconceptions, especially if it means I'm going to be effected by them. If on the other hand there are elements about me that an interested and insightful party could interpret as being along the lines of 'I'm a spiritworker, ask me how', then I'm okay with that.
 
 
This Sunday
19:08 / 09.06.07
'I'm a spiritworker, ask me how'

I wouldn't self advertise that on a T-Shirt


Sometimes you can't avoid it, though. Or aren't supposed to.

There are some practices or ceremonies that leave you marked, physically, and if people recognize what those scars mean, they may approach you for X. If it's your job or within your parameters and willingness to do X for them, so be it. If they're mistaken, you just have to steer them elsewhere.

I'm way too burnt out on worrying about cultural/spiritual misrepresentations/misinterpretations, and am not gonna bother getting upset anymore, if I can help it. Tattoos, scars, and piercings often carry secondary meanings, and in conjunction with other expectations, well, sometimes it can actually help. If you've got a job to do, a position or more likely some state you can't help but fulfill, you might as well advertise or at least just admit. Not saying to shove a tattoo in someone's face or flash your scars when you get the chance, but admitting is probably a good thing.
 
 
Less searchable M0rd4nt
19:34 / 09.06.07
'I'm a spiritworker, ask me how' --BiHB

I wouldn't self advertise that on a T-Shirt --Mako

Sometimes you can't avoid it, though. Or aren't supposed to. --DN

Yeah. If you actually are a spirit-worker you may well find that how much you can and can't reveal about your status is affected. Part of the gig is getting orders from Upstairs.
 
 
Uluru
23:09 / 09.06.07
Yes, I'm a full time tattooist. The most interesting part of the job in my opinion is talking to people to get at the reasons they connect to certain designs. Just this morning I tattooed woman with a moon and star design, pretty standard stuff. But when I got her to tell me a little about what the piece meant to her, she explained that it represented her son. So, the whole dynamic of our relationship changed, and I was able to concentrate on her intentions, and give it a little of the sentiment she was describing, even though the design itself didn't really change. Even the most generic piece of flash is an entirely different tattoo to each wearer because of the meaning they give it. I think a tattoo is most successful when I know something about what the wearer's intentions are. I don't know to what extent I'm able to help direct energy into the tattoo, but that's the ultimate goal.
 
 
Less searchable M0rd4nt
00:21 / 10.06.07
It's great that you're open to re-interpreting a design in that way, Uluru. I'm not sure everyone is. People sometimes sneer at my little rose, but for me personally it's hard to think of a symbol that would be more significant.
 
 
Uluru
12:39 / 10.06.07
Sometimes the hardest part is guiding the clients to make that realization for themselves. I think the way we relate to our symbols, and use physical acts to navigate emotional terrain is so hard wired into our thinking as humans that we often don't realize we're doing it. It's like when we see a loved one's name on a headstone, or like the names on the Vietnam wall. We touch the stone, it's just a natural instinct. For a lot of people, I think getting a tattoo is just like that. And I think in that moment the physical connection is made, that where something magical happens.
 
 
Ticker
18:17 / 10.06.07
Yeah it's pretty spectacular when a body mod artist is into facilitating a sacred alteration. My piercer works with me ritually to perform certain offerings which in turn leave marks on my hide.

I may not be explaining the new tattoo very well as it contrasts function wise with my older ones. Pardon me if I'm just thinking in thread but it does help to have you guys poke it with me.

My other tattoos and marks are symbols etched onto my skin with a meaning for me to access. To the rest of the world they are interesting pictures and maybe not so comfortable scars.I think of them like containers carrying stuff around for me and making me more me (my form of beauty included).
In a few cases the alteration/mark was done as part of a healing or for a protective function.

The new one is using symbols I associate with status markers and isn't carrying something for me rather it's commenting/defining me in a way the others do not. I guess I'm not used to carrying status markers of any sort and it's a bit unnerving. Though upon reflection I realize my wedding band tattoo does the same but in a less shouty way.

It's great that you're open to re-interpreting a design in that way, Uluru. I'm not sure everyone is. People sometimes sneer at my little rose, but for me personally it's hard to think of a symbol that would be more significant.

When someone sneers at your body mod it's functioning as a filter on a strange tribal level IMO. While not everyone with marks you find attractive are automatically your people those who cannot accept you with your chosen marks are pretty much time wasters. The exception being those who can express that their discomfort is a comment on their personal experience and not about your experience.

It's fascinating to me how marking our bodies in visible ways changes how people interact with us so profoundly. One of my mates mentioned the idea of getting a facial tattoo over hir third eye for spiritual purposes. There is something potent about crossing the very real line of transgression in our society about facial/hand tattoos.
 
 
Uluru
12:23 / 11.06.07
I agree that, in the best case, when I look in the mirror after getting a tattoo, I just feel that I look more like myself. I see modifications as reflections of inner growth, badges of lessons learned. That's why I am wary of people getting too many at too young an age, because how much do you really know about yourself at 18? Change is the number one rule of all living things, and it's no small statement to take on a mark anchoring you to a certain point. I don't have many tattoos, (6 1/2 at latest count) and I take the time to consider each one carefully, because it's that feeling of letting more of myself out, letting my exterior match my inner world a little more that I'm looking for, not, as Bold describes, simply aspiring to some cultural standard. The "1/2" is one that I've had lasered a few times. It was large, very public, and not at all me. I was very young when I got it, and it signified, and complimented my descent into a kind of existence that also did not suit me. Modifying it by lightening it was a way of saying, I don't want to live this way anymore. I will probably get something over it eventually, when I gain the right piece of insight about myself.
 
 
Ticker
13:39 / 11.06.07
Tattoo removal is an often overlooked form of body modification and I'm glad Uluru brought it up in this context.

Modifying it by lightening it was a way of saying, I don't want to live this way anymore.

That resonates with me as a powerful way of using the body as well.
 
 
Uluru
12:19 / 12.06.07
In my opinion the best modifications look as if they just grew on the body, because in a way, they did. They're a record of the wearer's life, of being in the world and being marked by experiences, and turning those interior marks outward.
 
 
Ticker
12:28 / 12.06.07
So it sounds like your describing the mod as an end result of a process of evolution, what about them as agents of evolution? Catalysts shaping the bearer into osmething they haven't yet fully been?
 
 
Uluru
01:54 / 13.06.07
Oh now that's a tricky one! In Tijuana, there are guys who stand on the street and for a few pesos will take your picture wearing a sombrero and sitting on their donkey, which is painted like a zebra. What is that animal? I think if a donkey really wanted to become a zebra, it would be because it was already a zebra inside, and was tired of being mistaken for a donkey. It can be exhausting to live as a donkey when you know you are really a zebra. But, here's the catch. It takes more than a little paint to make a zebra. So if you want to step through that looking glass, I'd say to be careful to consider where you want to go and why. Because if you turn out to be a donkey, which is fine, just because you chose the zebra skin does not mean it will fit you. So, to answer your question, I don't really know. There's a sideshow performer out there who is tattooed head to toe like a lizard, face tattooed in green scales, tongue split, teeth filed to points. Did he take on that identity to affirm who he already was? Was it kicking at him demanding to be born, way before the modifications? Or was it an an act, designed to separate himself from the billions of people in the world? Did the process of transformation accompany a gradual internal process? I would think it would have to. To wake up one morning and just be a lizard would be more than I could take on personally, but that's not to say it couldn't be done. It's a chicken and the egg scenario, to carry on the animal analogies. See also caterpillars becoming butterflies. There might as well be some cocoon time. I guess that's what I'm trying to say.
 
 
Mako is a hungry fish
06:03 / 13.06.07
How does magical tattooing actually work?

Is it a case of being a focus for intent, damaging energy bodies along with the physical so that the intent holds better, psychosomatic, etc?
 
 
Katherine
09:29 / 13.06.07
And another question when I was recently at an event a couple of weeks ago the discussion turned to tattoos and magic. Someone mentioned about a tattooist who used a clear ink to tattoo the magical design wanted so after the swelling/scabs have gone you have your tattoo but it's not visable. Before the work is done you can take the 'ink' to be used and charge it or whatever at home before coming in for the tattoo to be done provided you do not break the seal on the container holding the liquid.

I quizzed the person intently as it's an interesting thing but this was all they really knew so I was wondering if anyone here has heard about this technique or even if they take a guess at what the ink would be. I thought it may possibly just be water but I have no experience or knowledge on tattoos. Anyone?
 
 
Ticker
14:31 / 13.06.07
I know people who use water but the tattoo process can leave scars so it's not the best approach. If the requirement is no long term marks I'd stick to enchanted body paint or if pain is required charged impact work. Lot's of magic groups used charged floggers for those reasons.

How does magical tattooing actually work?

Is it a case of being a focus for intent, damaging energy bodies along with the physical so that the intent holds better, psychosomatic, etc?


Damaging is not the word I would use. Modifying/altering sure.

In some cases the pain serves as a focus to wed the awareness to the body and the intent of the working, in others it pushes the awareness out.

For myself the pain and the substance being put into my body are as important as the image and energy being applied. So process and product are offerings, tools, and technique.

Also roles for who is doing what magic/energy wise can be fluid and sometimes involves third parties who actually guide that chunk. Some of us have been trained to do the work on behalf of people getting the modification.
 
 
Mako is a hungry fish
15:18 / 13.06.07
For myself the pain and the substance being put into my body are as important as the image and energy being applied.

Is that in terms of feeding off and focusing the pain and substance towards greater intent, especially in terms of becoming one with them so they're part of the few things that exist within that momment to you, or something else?
 
 
Ticker
15:30 / 13.06.07
That's a good way of framing it but I'd also add the suffering is an offering as well. Pain becomes fuel, focus enhancer, and something of my own to gift in honor of Those I work with.

From my perspective there are a few things of personal effort I can offer up as worthy and really mine to give. Some are gifts of beautiful endurance, suffering to create something wonderful in the world, a mini birth.

Mentally the pain also sets the action apart as sacred, I choose this physical discomfort to earn this thing, and in choosing it I am stepping out of my daily life into a magical state.
 
 
Katherine
07:08 / 14.06.07
I know people who use water but the tattoo process can leave scars so it's not the best approach. If the requirement is no long term marks I'd stick to enchanted body paint or if pain is required charged impact work.

I believe the idea is to end up with a tattoo that is there with the intent it was created for but invisible, at least, that is my take on it. I guessed it could be water but the person I spoke to believed it was a liquid more like ink, but didn't know anymore. Personally I can not think of any clear substances a tattooist would use.

Talking about scars has anyone heard of scarification? I read an article on it in Alternative magazine a year or more ago. I knew it was used in some cultures as a rite of passage/marking of a rite but it is also a body modification which more people are getting to know. Sorry to only provide a wikipedia link.
 
 
Mako is a hungry fish
07:32 / 14.06.07
Mentally the pain also sets the action apart as sacred

How about in terms similar to sleep deprivation, fasting, etc. where a noticable change in conciousness is the direct result, giving the chance to explore a new avenue of self or dominant personality state, that's usually not so accessable?
 
 
shockoftheother
09:14 / 14.06.07
My experience of body modification is much more towards the scarification than the ink side of things. It's a difficult experience to unpack, but the process of scarification is - for me - concerned more explicitly with devotion than enacting magical change in any simple way. In part I think that's an artifact of having most of that work done on parts of my body that are usually covered by clothing, and they're thus only seen by those I work with or sleep with. Additionally, I think public response to a scar in the UK differs from the response to a tattoo - tattoos are more easily seen as adornment, whereas scarification is both unmentionable and primarily a symbol of trauma. I think that attitude goes some way to explaining what I see as the difference between the two.

A scar is the visible remnant of a wound, and woundedness is what makes scarification such a profound experience for me: "It all begins with a Felix Culpa. A happy fault, a blessed wound. Blessed." (Cixous, Stigmata) I find Cixous' explorations of woundedness really important to understanding what's going on with scarification - in particular, that woundedness, lack, absence are marginalised in western thought/culture and deliberately taking on the quality of woundedness - that is, allowing oneself to be opened to experience in a vital way - is important to me. The experience of being wounded works because, very simply, it gets under your skin. That quality of rupture is important for me in the way that I conceive of devotion - the presence of god is traumatic to me in the sense that it strikes underneath and inside the various levels of ego and self that make up my everyday personality.

Scarification differs from tattooing in that I, at least, am aware of the devotional scars in a very physical way a lot of the time - the body in those areas feels different, or if I turn around my clothing tugs a little at them - so it's a continual, somatic reminder of the relationship I bear to my gods when I'm not in the temple. Much of my magic seems to return to the body and embodiment in a really obvious and unsubtle way, mostly because I'm trying to embody certain things in the world.

I find the physical experience of scarification points up something that makes me uncomfortable about the way in which a lot of 20th century magical thought conceived of devotion, and which I still hear in some places today: the idea of doing a devotional working to a particular end. For me devotion is something that precedes results or decision, as something that arises without an end in mind. This seems to step outside the Crowley technique in Liber Astarte, which seems to be about doing X for N number of weeks in order to attain profound mystical experience Y. Devotion isn't contingent on results, and is a perpetual attribute - like a scar.

On a purely functional level, the relationship between the person with the blade or needle and the person taking the mark is one that deserves a lot of careful thinking and discussion beforehand, given how very wrong it can go if things are left unarticulated. But that's a topic for elsewhere, I think.

Oh, and hi. I'm new here.
 
 
Mako is a hungry fish
09:30 / 14.06.07
Hmmmn... I'd never really considered scarification in terms of how it affects society, especially one that has little experience with death as a reality instead of a concept, a concept which won't occur to it or anyone they care about.

It seems like it's the antithesis of many western ideals of beauty, self improvement, and health, and yet in many ways it seems to embrace these things in a very real, deep, and permanent manner, which is something that western realities of quick fix, superfical, fads do not.
 
 
Katherine
09:38 / 14.06.07
Oh, and hi. I'm new here.
Hiya back and thank you for your post!

Additionally, I think public response to a scar in the UK differs from the response to a tattoo - tattoos are more easily seen as adornment, whereas scarification is both unmentionable and primarily a symbol of trauma.

Doesn't that depend on the type of scar? The article I mentioned had example photographs of befores & afters, before being the fresh scar, cut into complex patterns and designs and the after showing how they turned out after the scars had healed. In a way I would say my attitude was influenced by the way that this type of body modification is very very permanent whilst tattoos are too, they can be removed. The scar work in that article was like tattoos but made from your own skin and not ink and colour.

On a purely functional level, the relationship between the person with the blade or needle and the person taking the mark is one that deserves a lot of careful thinking and discussion beforehand, given how very wrong it can go if things are left unarticulated. But that's a topic for elsewhere, I think.

I would say this would be the same for tattoos as well as scarification, after all these processes will leave a permanent mark on you.

Going on the article and some of the pictures I have seen of scarification, I would say that are some of the most amazing examples of art on a human body I have seen, I would also say that they would be an ordeal to be done as well given the complexity of some.
 
 
shockoftheother
10:12 / 14.06.07
Doesn't that depend on the type of scar?

Yes, absolutely. Certainly a lot of the complex scarifications I've seen recently made for primarily aesthetic reasons are made from fairly shallow needle cuts and then lightly irritated for a subtle, pale scar. A friend has a beautiful design all over his upper torso made in this way. My own scarifications are not heavily keloided, but they're very visibly the product of quite deep penetration, and fairly simple in design.

I found that when I was going to clubs where those marks would be visible, they exerted something of a fascination that tattoos don't, in that (as you say) it's exclusively a product of the body. However, I did tend to find that much of the response also included an element of surprise or disgust that isn't present with tattooing. I think that's made up of two thoughts: the first about what sort of person would seek out that sort of bodily trauma, and the second some deepseated worry about penetration, injury and the body. (I no longer go to clubs with those things visible, mostly because of some things I dislike about gaze and the image of the body as a public property - the only time I'm undressed in public now is if a performance calls for it, and I think that lends weight to that action.)

The major problem I encountered was in clarifying that scarification differs from self-harm, which is where some of that discomfort comes from, I think. Although I think the line between the two is always present, I don't think it's as clear as some body mod enthusiasts insist, especially in the area of having some visible sign of an interior state.
 
 
Ticker
14:05 / 14.06.07
For a long time my scars weren't done as adornment either but as the by-product of an offering, the exception being my brand. Now I see no difference between them or the process to create them except which modifications require assistence because of location and skill and which ones I can perform myself. To act upon my body myself to make marks or to have another do it for me, plus of course different techniques have different physical responses.

My latest ritual scars are quite different one being a very ornamental type design on my wrist (very public and obviously intented to be there) and another swatch above my right knee from skin removal.

People react very differently to the accidental looking scars then to the clearly intentionally placed ones. Pictures with ink make more sense and are a step removed from injury for most I suspect. Tattoos often contain scars from the process but they are more hidden and so I believe people don't associate them with injury, specifically self chosen and possibly self inflicted injury.

The concept of using the body to generate intentional pain is not a comfortable one for most folks. The related process of self injury as constructive is down right alien.

Tattooing is straddling the acceptable as there are shops and artists performing what people can see as someone's form of art, it's a picture. Even piercing is a bit easier as the focus is on placing something not-of-the-body into it as ornament. The idea of scar tissue as the desired end result often does not compute in people's heads.
 
 
Ticker
14:21 / 14.06.07
BME wiki for all of your scarification (and other bod mod) questions

WARNING BME CONTAINS GRAPHIC CONTENT
Tthe above link is work safe but BME should be considered NSFW by the cautious.
 
  

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