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This delightful show is the ideal means to build bridges with your friend who loves shows like Firefly for the drama, comedy and romance, but won't watch anime because it's full of big-eyed schoolgirls, crummy music and dumb robots. If you know such a person - or are one - prepare to love Planetes.
2075, and the Earth is increasingly dependent on space commerce for its resources. With orbital and lunar colonisation in full swing, the vast quantities of junk and waste surrounding the Earth are potentially deadly hazards to shipping; even the tiniest screw moving at escape velocity can put a hole in a passenger ship. Companies like the Technora Corporation delegate the safe disposal of such junk to their Debris Section, but needless to say low-orbit garbage collection is not a prestigious business and the cruelly nicknamed 'Half Section' (having as they do half the usual budget and staff) have to struggle by on meagre resources, enduring the contempt of the rest of the company.
Into Half Section comes Ai Tanabe, an idealistic young Japanese, new to space travel and bubbling with gratingly naive ideas about justice, hard work and the power of love to save the world and everyone in it. Immediately inducted into the crew of the garbage scow Toy Box, she's partnered with Hachirota 'Hachimaki' Hoshino, an abrasive young premature burnout secretly nurturing dreams of owning his very own spaceship - still the preserve of billionaires. Hachi's a boy racer obsessed with speed, power and overcoming limits, devoid of social graces and manners, but seemingly basically decent. His and Tanabe's not atypically clashing relationship is the heart of the series and the conflict between his ambitions and his affections makes Hachi one of the most convincing male leads in anime.
What really makes this show is the realism. Space travel, everyday as it is, remains a slow, complicated and perennially deadly business. To get to the Moon takes three days; spend too long in space and the medical complications, if they don't kill you, will ensure you never set foot on Earth again. We're a long way from the magical plot-solvent science of Star Trek, something underlined by the show's politics. Earth's resources remain monopolised by the rich nations and, under the guidance of the treaty organisation INTO (a cold-bloodedly cynical, worryingly credible amalgam of NATO, the UN and the IMF) space is set to be carved up just the same. Opposing INTO is the Space Defense Front, a Greenpeace-meets-Al Qaeda guerilla group bent on using terror to dissuade Earth from carrying its unsustainable standard of living into the solar system. The project that consumes the second half of the series, the immensely costly and grand effort to send the first humans to Jupiter, is the focus for this conflict - and for Hachi's dreams and fears.
But characterisation is what we love most about any series, and Planetes has it in spades. Hachimaki and Tanabe are wonderful, truly rounded leads, lovable and infuriating. Joining them are melancholic Russian crewman Yuri Mikhailokhov, chain-smoking pilot queen Fee Carmichael (a proud social leper in the oxygen-deprived environment of space), spineless office yes-men Myers and Ravie and scarily taciturn temp Edelgard. And Hachi's space-dog of a dad Goro Hoshino, sexy, intense Claire Rondo, overclass creep Colin Clifford and the mighty Gigalt Gangaragash are just a few of the terrific characters that this series serves up, each perfectly portrayed.
A personal note: This show reduces me to tears occasionally with the damn title sequence. It's a beautiful, concise evocation of the heroism of space travel accompanied by the most ecstatic opening song since Vision of Escaflowne, and the subtle variations in the visuals as the series progresses are a commentary on the drama in their own right. Watch Planetes once for the plot, twice for the characters, three times for the detail. You'll find it's worth it. |
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