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Science fiction comics

 
 
Janean Patience
10:56 / 06.03.07
Of all the various genres covered in comics, science fiction would seem to be one of the most successful. Certainly in the last 25 years or so. In the Silver Age it was marginal as compared to everything else, which is why Tommy Tomorrow and the Space Cabbie don't still have ongoing titles. While superheroes, Superman and Green Lantern most frequently, explored space there were relatively few characters and titles devoted to sci-fi.

The boom for science fiction in comics, based on geek crossover potential, would appear to be now. But there don't appear to be many comics that follow the best examples of sci-fi books. I'm as big a fan of American Flagg and Transmetropolitan as the next man. Both tell their stories with style and present a coherent and interesting future. Compared to, say, the ambition and scope of Foundation trilogy or the relentless futurism of Gibson's Neuromancer trilogy, they're setting their sights fairly low. When you compare sci-fi in comics to the really wacky classics in literature, Dick's work or Harrison's Light or Bear's Blood Music, then we're suffering a severe lack of imagination. Science fiction is the novel of ideas, not the novel of neat flying cars.

This is inspired by reading Warren Ellis and Chris Sprouse's Ocean series recently. SPOILERS. It follows the discovery of an alien race in suspended animation, with all their planet-smashing weapons, under the surface of the moon of Europa. At first I was enjoying it, the pacing and set-up, but by the end the aliens become one more galaxy-devouring threat as you'd see in a superhero comic. The potential for them to be something different, for the whole understanding of the universe to be changed as in Banks's The Algebraist, was wasted.

Favourite sci-fi comics, anyone? And what comics are there to match the ambition sci-fi novels already had sixty years ago?
 
 
Mario
11:15 / 06.03.07
Other than Star Wars (the perennial space opera) few major publishers seem willing to break from the cape & cowl crowd, so you get a lot of sci-fi comics that are superheroes in all but name. Sci-fi means "guy in tights, flying through space, zapping aliens with beams from his hands". And if it's not, it's "BLANK... in Space!".

(e.g. Western in Space, Cop Show in Space, Teens in Space)

There are exceptions, of course (Omega Men, Adam Strange, parts of Annihilation) but they are few and far between.

Sometimes, I wonder if it's because so few comicbook writers excel at world-building. If so, it's probably no accident that some of the most popular SF comics have been licensed properties... the world-building was done already.
 
 
Janean Patience
13:04 / 06.03.07
Sometimes, I wonder if it's because so few comicbook writers excel at world-building. If so, it's probably no accident that some of the most popular SF comics have been licensed properties... the world-building was done already.

I'd say the world-building problem is down to art, rather than writing, though the assembly-line approach to comics doesn't encourage the building of a consistent world. When comics are done to meet deadlines then the background is the first thing to go. If Superman looks the same every issue it doesn't matter if Metropolis doesn't and nor does Krypton. With Superman in the foreground, Metropolis was just a row of boxes just as Gotham was a row of gothic, shadowy boxes. The background wasn't where readers' attention would be focused.

In contrast, successful sci-fi often requires the creation of a convincing world different from our own, internally and visually consistent, which the methodology behind the production of comics previously wasn't generally able to provide.
 
 
Mario
13:30 / 06.03.07
I was referring more to world-building in the "designing how an alien society works" sense, as opposed to the artistic look of it
 
 
Hallo, Paper Spaceboy
14:43 / 06.03.07
I actually quite liked OCEAN, although I'll agree that the aliens fell a bit short in the end. I was more focused on the Doors Corporation stuff, to be honest. And Nathan was a much more thoughtful protagonist than most Ellis protagonists. His Apparat books had some solid science fiction entries.

I still think FEAR AGENT is worth checking out, following an older tradition of science fiction comic, though not particularly bound by it. At times it feels a little "Shoot 'em up" but is more complex than that.
 
 
This Sunday
15:13 / 06.03.07
I don't know that on-going or perpetually serialized characters/settings really make it a better read, or anything, though. I'm quite fond of Moto Hagio's work, especially 'A, A'' (alternately, 'A, A [prime]') which is sort of romance and trauma in space, while exploring things like gender, sexuality, cloning and genetic engineering, long-distance space exploration, and the problems with trying to force someone to be someone they might've aged into, but haven't.

Likewise, while difficult (for us not-able-to-read-Japanese-comfortably types) to get ahold of, Leiji Matsumoto's space stuff is right up my alley. The online serialization, while it lasted and was somewhere I could find it, of his retelling of the Ring Cycle in space, with his stock characters, was just terribly fun.

Adam Warren's 'Dirty Pair' stuff is good, perverse entertainment of the high order. There's enough cheesecake and actual witty-bits to satisfy multiple markets simultaneously.

'Alien vs Predator' at least, the one on that ranching planet, was short, sweet, and a helluva great lot superior to the movie.

'Ghost in the Shell' was very cool; it's sequel was very cooler. And, ahain, as with the 'Dirty Pair' books, the cheesecake runs high in the second Vol., but, again, to a purpose. Shirow obsessively annotates and comments all over his own comic, with little apologies, explanations of why something is drawn one way even though realistically it would be another, and includes a note about the sexing up of characters as an eye-pull, both in-story, to the protagonist's benefit, and to keep the reader a little distracted while all this philosophy and consideration and esoterica is pumped through their optic nerve and straight up into parts of their brain where it'll never be entirely shaken loose.

I haven't read 'Sky Angel', but I have a friend who insists on its greatness. She's usually got at least partway decent tastes, so I'll vouch, sight unseen, that it probably at least deserves an in-store skimming.

Charles Burns' 'Black Hole' was SF. It was, too. And a lovely horrifying cracked-mirror slash-and-burn-your-life-away comic it was. Which, has now totally ended, so you can read the whole thing.

And, y'know, Ellis' Apparat books and 'Transmetropolitan', Morrison's 'We3' and 'The Filth' and 'The Invisibles' (author considers magick real? Then it's science. Science fiction or fantasy, but still, science) and parts of Moore's 'Tomorrow Stories' antho series would all count. Because they were all pretty good or better.

What was the Ennis thing with the nun with the gun? Helix mini. 'Bloody Mary'? That had some interesting bits, or appeared to when I read it when it was first coming out.
 
 
DavidXBrunt
20:46 / 06.03.07
In terms of skiffy world building I've always liked the details of the future world of The Adventures of Nikolai Dante in 2000 A.D. These details are often incidental to the main story which is a dynastic struggle for control of Russia 200 years hence but when they come they've always been appreciated. Frustratingly/appropriatley they've always shied away from explaining exactly where this Russias history varied from ours.
 
 
sleazenation
21:44 / 06.03.07
Howcome no one has mentioned Moebius yet? The Airtight Garage is currently out of print but is stilla bit of a classic, as is Enki Bilal's stuff, most notably the Nikopol trilogy, a frozen spaceman is brought back to life, only to become pawn in political macinations both small and cosmic.

Outside of that, I have really enjoyed Scarlet Traces, a comic that is set on a post War of the Worlds earth. The artwork by D'Israli is fantasticly animated, which shouldn't be too much of a surprise since the strip was originally designed as a partly animated webcomic.

Oh yeah, and I should Give a shout out fot Louis: Red Letter Day. It's like 1984 as a children's book - nothing is dumbed down, all the oppression and inhumanity is there.
 
 
This Sunday
21:47 / 06.03.07
Huh. The D'Israli namecheck just kicked a great example into my head: 'Lazarus Churchyard'. The 'Final Cut' collection is actually a smoother, more cohesive read than one might expect from such a sporadic serialisation. Maybe it's the for-the-collection end-piece that does it.
 
 
DavidXBrunt
22:21 / 06.03.07
Ministry of Space anyone? Alright it's the bastard Child of Dan Dare and Wyndhams The Outward Urge but still...

And of course, Dan Dare itself.
 
 
Hallo, Paper Spaceboy
23:12 / 06.03.07
Fraction's CASANOVA is still kicking my ass. While its ostensibly spy-fi it's earmarked and stained with science fiction cum stains -- synthetic humanoids (and non-humanoids), cloning, multiple worlds...apparently volume 2 will draw from Seventies sources, including the Starlin cosmic comics...

Picked up a 1982 reprint of some of Starlin's WARLOCK stuff, which I read in yet another reprint about ten years ago but lost somewhere along the way. It's definitely of the "men in skintights shooting ray-beams in space" variety of cockeyed science fiction comics, but it's improvisational approach to super-philosophy makes it worth looking at.

Have a couple "Space Warp" anthology comics from DC's Seventies somewhere in the stacks. Cool idea but they didn't really grab me so much.
 
 
The Absorbing Man
01:20 / 14.03.07
A few months ago in Previews I saw an ad for a comic adaptation of Edgar Rice Burroughs A Princess of Mars , one of my favorite stories ever. Sadly, even my preordering couldn't bring the title to my FLCS. Anyone know what happened to the title?
 
 
Hallo, Paper Spaceboy
04:07 / 14.03.07
I heard nothing of any Carter comics coming out lately. Do you remember what publisher was attached?

Today, I was wandering downtown in my post-laundromatical haze and happened upon a copy of Jamie Delano's 2020 Visions, the Speakeasy black-and-white reprint edition. Smashing, although I find myself rather transfixed by the first story, "Lust for Life" more than the others. That is an example of fairly complete world-building in a short space, and also intrigues me as an apocalypse story where the apocalypse isn't averted but doesn't really happen, either - it's just this drudging onward slump. I keep thinking about the old fart protagonist as this boy's own adventure hero, John Carter but twisted around and made viral. Delano (and Quitely, on pencils) does an excellent job of making feel sympathetic to the charaters but utterly repulsed by them at the same time, and the story made me keenly aware of my own mortality and the downward progression of age (partly, perhaps, because I'm at that stage of feeling/realizing that adulthood is only this schlumpy sort of adolescence).
 
 
The Absorbing Man
13:05 / 14.03.07
I heard nothing of any Carter comics coming out lately. Do you remember what publisher was attached?

I think it was supposed to come out during the Fall last year from IDW.
 
 
Hallo, Paper Spaceboy
19:16 / 30.04.08
Tales of the Fear Agent is out this week, an OGN anthology by various artists and writers, telling tales of Heath Huston and his drunken adventures in space. Did anyone else feel compelled to pick it up? I'm rather excited to see more of Heath, to be honest.
 
 
Matt Maxwell
13:29 / 02.05.08
I always felt that Paul Pope did a better job doing SF in comics than just about anyone else, other than perhaps Warren Ellis, whose work I just don't get down with. Pope manages to get the feeling that there's a world beyond the panels, and the rules of the world, going by what you see on the page, mostly make sense. They're weird and fiddly and inky, but it all makes sense. THB is clearly set in the fantastic, but something like 100% is much more grounded, and concrete. It's also the best story he's told. Even BATMAN YEAR 100 is very much shaped by contemporary SF, far more so than superhero comics, and worth a look on those grounds alone (though I thought it was good beyond that consideration.)
 
  
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