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I really like this series in theory (in fact, no, I REALLY, REALLY like this series in theory), and I did like the first one, on 'wildness/romanticism', which went from Coleridge to Kerouac to Glenn Gould. I love the idea of taking what might seem an esoteric, high culture concept and tracing it through to modern popular culture, and I like Collings' personable, approachable manner/style.
However. Two big gripes.
1) On both programmes so far he has attempted to shoehorn contemporary London-based modern artists into his themes in an unconvincing and contrived way. Why? I'm not dissing these artists per se, but why does he feel the need to try and place them in a tradition to which they may or may not belong?
2) His coverage of "depression in modern rock", ie the few minutes he spent talking about Nirvana, Joy Division and the Manics (would it really have been too much effort for the researcher to check that Ritchie Edwards wasn't the singer, eh?), was appalling: a hackneyed, surface-reading that has been done far too many times. And he completely misread the famous Nirvana performance of TOTP: it was taking the piss, luv...
But I'll watch the next one. We do need more telly like this - it's better than the South Wank Show at any rate. |
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