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Four Anime DVDs for beginners.

 
  

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sleazenation
17:56 / 01.03.07
OK, here's the challenge: Suggest four Manga DVDs that will appeal to both Manga fans and newcommers alike - think of it as a mini season of Manga.

Please tell us all your reasons for each recommendation I DO NOT JUST WANT A LIST.

The only other rules I can think of are A) no tentacle sex and B) not more than one (at a push two) Miyazaki films.
 
 
Jack Fear
18:10 / 01.03.07
When you say "manga," you mean "anime," yeah? And do you mean anime based on manga? Cos that would eliminate most of Miyazaki's work right there...
 
 
sleazenation
18:27 / 01.03.07
Yes, for the purposes of this thread, I think I probably do mean anime.
 
 
Spaniel
18:32 / 01.03.07
Nothing to add except that I'm almost certainly in identical shoes to you, Sleaze.

I'll be following this thread with interest
 
 
Elijah, Freelance Rabbi
19:48 / 01.03.07
I would actually not recommend Miyazaki to an anime newcomer, for the simple fact that the movies are generally quite long and very Japanese, so someone who has not seen anything else in the genre and is not in the know regarding Japanese culture might be turned off. Off course I also know a couple of people who only like Miyazaki's stuff, so ymmv.

I think as far as the main question in the thread goes, it gets a bit tricky. A lot of the single installment anime films out there are just super condensed versions of series that ran for 13 or more episodes. I will give it a shot though.

1) Vampire Hunter D
The classic horror/action anime that many people started with. A fairly tight story, some stunning visuals, and just enough weird shit (even for a vampire story) to get someone into the right frame of mind for even more bizarre things to come.

2) Akira
This was the first 'cartoon for grownups' I recall seeing (at least in the anime style, Fantastic Planet came first for me, but thats another topic). Akira is an amazing story about the corruption of power and the danger inherent in a military controlled government trying to bury their mistakes. Unfortunately it is a film based on a many volume manga, and much of the story gets lost. It is still an excellent film though, and worth seeing.

3) Cowboy Bebop (TV Series)
This is one of the best anime series ever to be released in the USA. Humanity is spread across the solar system after a cataclysm wrecks earth. The series follows Spike, a bounty hunter (or Cowboy) as he tries to escape his past and track down bounties so there is enough money for food. I think anyone who sees the first DVDs worth of episodes will become a fan. The soundtrack is amazing as well.

4) Grave of the Fireflies
IF the first three things I suggested are the cream of the crop as far as things that are stereotypically anime, this is an example of the amazing things the genre can do. The story of a pair of orphans in post WWII Japan will have you in tears unless you have no soul. An extremely moving story that will get even the most hard line Serious-Movie-Fan to admit that anime has merit.

I should get back to work.
 
 
MattShepherd: I WEDDED KALI!
20:20 / 01.03.07
Hmm.

1) Akira, for reasons stated.

2) Ninja Scroll, just because it's like a distilled version of everything that's fun about "big sword" anime, which is its own sub-genre. Tight plot, great weirdo characters. Really stupid, but fun stupid.

3) Samurai Champloo. I love Bebop, but -- and I know I might be alone in this -- Samurai Champloo just gets everything more right. The hybridization is tighter -- instead of space mercenaries who do space mercenary stuff with jazz playing in the background, there are breakdancing samurai with Adidas sunglasses in the Edo era, beatboxing on sword hilts. The characters are slightly less two-dimensional, the comedy is a bit funnier, and the "odd couple" pairing is better motivated and more dynamic. Amazing.

4) Spirited Away. As much as I love all Ghibli, Spirited Way has the highest imagination-to-coherent-plot ratio. Other ones are more beautiful, but don't hang together; in terms of art/animation, I find it hard to go back to Porco Rosso and Kiki's Delivery Service after seeing everything after Mononoke. Caveat: if the viewer has a child around 5-7 years old, swap for My Neighbour Totoro.
 
 
Spaniel
20:56 / 01.03.07
But why would I like this stuff (I've seen Spirited Away, by-the-way, so I'm playing devil's advocate to an extent)? Sell it to me, baby.
 
 
This Sunday
01:12 / 02.03.07
Depends on what they're into. I watch a silly amount of anime (and an absurd amount of live-action stuff, in general I just watch too many movies) but just because I like sappy romance one minute and cruel horrible psychotic violence the next, does not mean every anime fan or every potential audience member is going to.

That said:

'Please Save my Earth'
The story of tiny moon-based aliens reborn on Earth... which matters not hardly at all, because one of them is currently an pouty, cute, and somewhat awkward young girl and we're seeing it through her eyes. High passions and paranoias all 'round. The emotions are so strong, the plot(s) so silly, you can't help but be swept up in it. Alice gets tricked into kissing an elementary-school kid, and while she's pouting, her brother helps himself to her part of her favorite meal, and then her parents suggest she hang out with the little kid and pretend to be his fiance. She drops him off a roof, but, still...

'Adolescence Apocalypse'
The 'Revolutionary Girl Utena' movie, which is a retelling of the series, and despite concerns, stands entirely on its own. At least, it stands on its own as much as the TV series did. Again, emotional content runs high.
Growing up, falling in love, and making devils of your angels and a saviour out of a devil. Plus: swords, roses, and dancing in water and roses under the stars high above a gorgeous school! Dead boyfriends, psychotic jealous manipulations, self-loathing, betrayal, true love, and a monkey peeing on a cow in women's clothes.

'Macross Plus' (theatrical version)
It's got airplanes! Deranged artificial pop stars! Dogfights! In space!

'Terra E'
Also known as 'Beyond the Terra' and it may actually be VHS only. Sorry.
It does, however, feature the story of space-Jesus, who is a young psychic whose government tries to kill him. He is assisted by a tribe of death-marked mutants who he teaches the way to the future: sex and farming! Involving cute boys, psychic combat, love and hope and the frustration of succeeding generations. And there's a squirrel of sorts.

That's list is restricted to single-releases, so no long-series or television stuff, and nothing that's not commercially available in English but otherwise easy enough to get your hands on. It's also absurdly subjective. If they're the kind of person best served by 'Fake' (two goofy American cops, in England, on vacation, solve a murder and very nearly have sex at least twice) and 'Queen Emeraldas' (Space pirates vs blue-haired galactic nazi scum, with swords and a space-faring blimp with a boat stapled to its bottom) go with that sort of thing. If they're more likely to be won over by alternating episodes of 'La Blue Girl' and 'Guyver' then, well, there you go. It's a big world, and in that big world, there's anime all the way from 'Sailor Moon' movies to 'FLCL' to 'Bubblegum Crisis' and 'Airbats'. Choose wisely, or choose rashly; it's not like you're going to run out of material.
 
 
This Sunday
01:16 / 02.03.07
And at first, I thought you meant you only wanted options available from the distribution/translation house, Manga. Or is that Manga Corps? Manga Video. Whichever one they are now, as they've been all three in the past fifteen years.
 
 
the permuted man
14:05 / 02.03.07
All right, I'll bite.

1) Cowboy Bebop - TV Series. This is my favorite anime. Awesome visual/musical/storytelling style. The individual stories are good, and the meta-arch is satisfying. But really this is just about *how* it's done, rather than what it's doing.

2) Macross Plus (OVA). Ok, you have to be careful here because there was also a movie by the same name which has basically the same story. The OVAs (4 45-minute episodes, split on two DVDs, though maybe there's a collection now?) are truly great. This also has my favorite anime soundtrack. OVA stands for Original Video Animation, by the way. This is sort of like Direct to DVD. It used to be done a lot more frequently than now. Now it's much better financially for companies to make TV Series, so that's what everyone's doing.

On top of the majestic soundtrack, Macross Plus has a story that's like a cross between Top Gun and S1m0ne with about 2000% more repressed traumatic past. Ah, but you'd expect no less from anime.

3) R.O.D. - Read or Die (OVA). Again, make sure you find the OVA instead of the TV Series. This is one recent OVA that really harkened back to the glory days of OVAs. Not having any TV deadlines really let them polish this.

The story, is way average fair. It unfolds kind of like a console RPG. What makes this worth recommending is the AV quality (awesome animation and music) and the premise.

Basically, the main character has complete control over paper, and anything paper. I don't want to spoil anything, but she pulls off some pretty great stunts. Some of the other chars also have some great powers. In my opinion, there's a bit of Western comic book influence here, which I like.

4) Castle of Cagliostro. Well, it was this or Nadia, and this is significantly less of a time commitment. Yes, it is Miyazaki, but it's not Miyazaki Miyazaki. If I had to recommend Miyazaki, it would definitely be Kiki's Delivery Service.

No, this is just a fun movie which doesn't require much background of the amusing Lupin cast, and is a rather unserious romp with princesses (well, or similar) trapped in high towers rife with secret traps (and ninjas! of course), evil counts, car chases, basement dungeon catacombs, etc. I'm not sure if there's an audience which wouldn't like this movie.
 
 
Spatula Clarke
15:59 / 02.03.07
If you're wanting introductions to the medium that'll make you want to come back for more, I do think that Akira's a bad choice, mainly because, as already hinted, there's far too much plot squeezed into too short a space of time. either that, or just squeezed in badly. Important sections of it can be barely comprehensible on a first viewing.

Are we mainly talking features here, Boboss/sleaze, or are short series fair game too?
 
 
Spaniel
16:58 / 02.03.07
Short series are definitely fair game. Hey, long ones are fine too.

The thing is, in my experience Anime differs, in terms of its form, from Western narrative structures and that makes it a slightly (only very slightly) alien viewing experience, imo. Could someone better versed than I unpack those differences a little, and describe what's appealing about them.

I'm finding most of the cases that have been made here rather superficial, at least superficial by the standards of someone who needs a bit of convincing*.


*That I'm going to enjoy it, not that it's any good. I know a little bit more about Anime than perhaps would be apparent from my last couple of posts, and appreciate that it has some real merits
 
 
petunia
17:10 / 02.03.07
I'm relatively new to anime, but i'll give it a try.

1. The obligatory Ghibli film: I would actually consider showing Princess Mononoke over Spirited away. While Spirited away is a more arful, intricate film, it definitely relies on a certain understanding of Japanese culture and anime norms. Mononoke reads a lot more like an American or European film. Many ghibli films carry the quest story in them and Mononoke plays this archetype in a more open-faced manner, which i figure would make it more accessible to 'teh noob'. It also has a cool girl riding on giant wolves. Much as i loathe to say it, i'd probably recommend the english dub of it - the storyline is simpler than most ghibli films, but there's still a fair bit of explanation going on, and it sucks to have a person miss the sweet animation for the sake of having the 'real' vocals. Clare Danes is teh hot too, so it makes it okay.

2. Grave of the fireflies. Okay, so it's another Ghibli film. But it's not really 'a Ghibli film'. It's far away from the usual fantastic fare of Ghibli, and set very firmly in reality. Sad reality. Really sad reality. Every person i know who has seen this film has wept afterwards. It tells the tale of two young orphans trying to survive in and around Kobe during WW2. The simple compassion used while telling this story is what makes it. The animation is clean but highly expressive. The story is powerful and compelling. It feels like a 'real film', in that you connect fully with the characters and their situation. It even tells you at the start what will happen, but it still comes as a shock. As said above, this is the film to persuade 'the serious real' crowd. Had it been American and live action, it would have won all the oscars ever and been shown in school history lessons. Anybody not affected by it is dead. Fact.

3. Dead Leaves. The stereotype of anime is that of insane storylines, unrealistic-looking people, bizarre gore and dubious sexual imagery - this film will fulfill these stereotypes. This will provide the ani-n00b with a massive innoculation that will help them to realise that the above things can be good in a piece of art. It will also help to break up the wall of stereotypes; if they overdose on CrazyWeird, they won't project the fear of it onto other films which aren't about men with tvs for heads. It's like the girl in The Invisibles who is cured of bulimia by doing scat. Or something. But this film is better than scat. It tells the story of two people who wake up with no recollection of their lives, go on a rampage of destruction through the city, get sent to a detention centre on the moon, get angry, do a prison break, give birth to a giant baby, blow it up and, err, stuff. One of them has a tv for a head. It's brilliant. The Eng-dub is pretty good on this one (the first dub i've seen which maintains the quality, life and humour of the original), which is a bonus for those who aren't keen on subs.

4. I'm running out of ideas, so i'm going to have to agree with previous suggestions, combine them and say 'The Cowboy Bebop/Samurai Champloo boxset' (i don't know if there is one...). It would depend on the person. Champloo has a greater ongoing narrative and more involving character relations, it's also many pretty. The choreography and flow of the series is totally stunning. It's also pretty funny. Bebop is good for dipping into - it feels more like a set of short stories and requires less dedication from the viewer - you can drop in on any episode and find it enjoyable. It seems to be a bit more straight-up and goes to extremes a bit more. If the person is a stoner, show them the Bebop episode with the scary 'HELLO BOY' human weapon. They'll be hooked. If they aren't stoned, i reckon it'd still work.
 
 
the permuted man
18:08 / 02.03.07
Well, I thought the idea was to recommend anime to someone who wanted to see it.

I would not take the challenge of convincing someone that anime, in general, was worth their time. I don't think it is. It's a depressingly normalized industry with next to no room for ingenuity or novelty. About the best thing you can get out of it nowadays is music and pretty pictures, which was the focus of my recommendations. Same as if I were to recommend recent console RPGs.

It's ultra decompressed, rehashed, and successful primarily due to over-hype, over-advertising, and selling a ton before anyone even realizes whether or not it was halfway decent. Creators openly admit to randomly injecting mystical and mythological symbology for no reason other than giving an illusion of depth (e.g. Testuya Takahashi on Xenosaga). When they're even allowed creative control--and not simply unravelling an hour's worth of plot in a 26 episode TV series. Not that you can blame the writers, as no studio would make a series or use a writer that didn't already have a significant fan base. Because the fan base -- and their irrational loyalty and massochistic determination to like something because of it's creator or genre niche instead of quality -- is what will sell a series.

Even the animation is tiresome because so much of it is reused throughout a TV series and so many of the same tricks are used, which are dazzling and flashy, but then empty and uninspiring. I'd prefer a Disney movie any day, which have actually had a lot of creative artists working for them.

I think a lot of the problem is the anime mold, as it dictates a specific style of voice acting and drawing, and deviations from these are rather vehemently rejected. That's why it's nice to see alternate art style console games gaining in popularity. But they still seem a bit gimicky to me.

So, sorry if my recommendations lack a convincing weight, it's probably because of how I feel about the industry itself.
 
 
petunia
18:38 / 02.03.07
While i agree with many of your points, i'd like to say that "I would not take the challenge of convincing someone that anime, in general, was worth their time." seems pretty odd.

Might as well say "I would not take the challenge of convincing someone that music, in general, was worth their time." And proceed to use the points you made about anime for the argument.

It's just an inevitable part of capitalist society that much of art becomes motivated and controlled by market forces. Just because much of anime is made to sell, doesn't mean we should throw the giant-sword-wielding, spiky-haired baby out with the god-of-the-mountain's bathwater.

I assumed the point of 'getting people into anime' is to show that there are real diamonds and that a medium which is often seen as childish can be authentic and original.

And: to make such a sweeping statement about a whole medium, and then counter it with Disney - one single production company - is just confusing. I might as well say Pinnochio is crap because loads of American cartoons are spawned out of an opportunity to sell toys.
 
 
Spatula Clarke
18:48 / 02.03.07
it also seems that a lot of those comments relate to the mainstream, big robot squish stuff than anything else - the bits about reuse of animation, for example.
 
 
This Sunday
18:55 / 02.03.07
I love when someone speaks of a masochistic determination to love something because of its maker... and then demonstrates intense brand loyalty. Which, taking a Disney product over anything animated for a Japanese market would definitely be.

Also, this thread might make more sense if there was a type of person, or person who likes certain types of thing, given. I maintain that the same people who like 'Dai Guard' (Nine-to-fivers piloting a mech for corporate and humanitarian purposes) may not like 'Grave of the Fireflies' (semi-fictionalized autobiographical WW2 story with kids and the crap decisions of youth) or 'Gravitation' (Young musician falls in lust, spends thirteen episodes pursuing other guy and pulling strange animal-poses while happy-panting with excessive repeated rocking-out footage)... and they may.
 
 
the permuted man
19:15 / 02.03.07
Yeah, the Disney comment didn't really help my argument.

And, yes, the same argument could be applied to music, but the music industry is much larger. And musical production and distribution costs are much lower so people are more likely to take risks with them. Also there's a larger fan base for music which can support a more diverse industry.

Actually, I wonder if there even are any indie, art house, low budget, home studio type animes out there. There's gotta be, but why haven't I seen any? I'd be really interested if anyone knew how to get ahold of any. For manga there is to an extent, but so much of it is just fan manga, it's almost worse.
 
 
the permuted man
19:39 / 02.03.07
I assumed the point of 'getting people into anime' is to show that there are real diamonds and that a medium which is often seen as childish can be authentic and original.

In my defence, I did play along nicely at the beginning. It was only Boboss' accusations of superficialism that prompted my rant. *passes blame*

But despite having my foot fairly far in my mouth already...

I don't know if I agree. I guess it depends on what sleazenation wants to get out of hir Anime for Beginners. I mean, if you had to pick 4 movies for Hollywood for Beginners, would you pick your 4 favorite Hollywood movies, or the 4 movies from Hollywood which were most against-stereotype, or the 4 Hollywood movies which were most Hollywood? Are 4 examples of "See not all anime is like anime" really an introduction to anime?

Also, this thread might make more sense if there was a type of person, or person who likes certain types of thing, given. I maintain that the same people who like 'Dai Guard' (Nine-to-fivers piloting a mech for corporate and humanitarian purposes) may not like 'Grave of the Fireflies' (semi-fictionalized autobiographical WW2 story with kids and the crap decisions of youth) or 'Gravitation' (Young musician falls in lust, spends thirteen episodes pursuing other guy and pulling strange animal-poses while happy-panting with excessive repeated rocking-out footage)... and they may.

Grave of the Fireflies is your classic against-type anime. I swear they made it just so fans would have something to point to and say See what a variety this medium can have!

That said, it might be a good idea to check out some anime sites and get an idea of the basic genre staples. I'm not sure, maybe wikipedia even has a listing.

I do, however, think the vareity's not as great as it's often claimed to be. It tends to be the same people liking all of them, maybe just when they're in different moods? I don't run into many people who just like one type of anime--though maybe a few who don't like one type or another (more often than not a result of never seeing any anime in that genre).
 
 
This Sunday
20:29 / 02.03.07
Again, though: the idea that 'anime' is a genre or type.

If it's a genre, give the qualifiers. If it's a type... a type of what? Is it a type in the sense that all American animation is a type? All American live action? All German live action?

Anime simply means it was animated and somehow mainly for/from Japan or a Japanese market. So, 'Mori no Denetsu'? The Tezuka thing which demonstrates the evolution of animation through the musical adventures of a squirrel? Anime. 'Grave of the Fireflies? Anime. 'Macross Plus' is as much anime as 'Bronze' or 'Catsoup' or 'Puni Puni Poemi' and they can't really all be the same genre, can they? Again, if it's a genre or 'type' what are the qualifiers.

Wasn't this why the general anime thread was more or less retired? And rightly so?
 
 
the permuted man
20:40 / 02.03.07
I think we're saying the same thing. I try to always refer to anime as a medium. There's definitely a stereotypical anime within that medium and from that I derive my usage of against-type.

But whatever anime's supposed to mean, it'll inevitably mean what people use it to mean. Not that that's any excuse for us to become lazy with it in our usage.
 
 
sleazenation
22:08 / 02.03.07
Well, 'beginners' in the thread title is probably a bit of a misnomer since a significant section of my audience will be Japanese and already have an awareness of anime, but I can't count on the rest of the audience as being so familar, thus there is a need to keep everything fairly accessable...
 
 
Seth
12:08 / 03.03.07
Wasn't this why the general anime thread was more or less retired? And rightly so?

It was. The Primer Thread already contains any recommendations that myself and a few others would include here, the reasons why and where you can get hold of them, often for free or for cheap.

Boboss: there's the beginnings of some thinking as to narrative structure in the Primer thread too. And yes, I do give each my sales pitch. In fact, that's probably one of the weaknesses of my writing on anime on this site – it's almost all pitch.

There's definitely a stereotypical anime within that medium and from that I derive my usage of against-type.

If there *definitely* is then you won't mind naming enough examples to support your case. Because right now Daytripper is rather running rings around you on the evidence side of things.

By the way, Daytripper: I'm constantly stunned by how much you've seen. How much of this stuff do you have on DVD, can you burn discs, and can I pay you a lump sum every month to throw some of it my way?

Suggest four Manga DVDs that will appeal to both Manga fans and newcommers alike - think of it as a mini season of Manga.

My recommendations would be Gunbuster, FLCL (two very different OVA of six episodes each that have just been released as big packaging deluxe editions, but that you should be able to find in a one-DVD-per-series format on Ebay) and Paranoia Agent (thirteen episodes, possible to find in a two disc format on Ebay. If you can find Paranoia Agent on one disc then I'd either include Porco Rosso (a lesser seen Miyazaki Ghibli, his most underrated work and much more complex than most people give it credit) or Otaku no Video (if you're interested in the whole film studies/cultural studies angle, as it's part silly but informative story and part series of live action interviews, both investigating the otaku phenomenon). This is not a list, because all my reasoning and sales pitch is already given on the above linked Primer thread (I also give links to other places on Barbelith where each series is discussed in a lot more depth).

Yes, those recommendations lean too heavily on the output of Studio Gainax over a lot of other creators. That's partly because of my own familiarity with their work (I'm a novice compared to some here) and partly because Gainax are one of the most influential studios in the business and regularly seem to come out with work that comments on everything that has come before and influences much of what is to come.

I've chosen each of these series because they not only each involve excellent and thematically complex stories told in extremely interesting and often innovative ways, well portrayed characters, fantastic design, animation and voice acting, but also because each is like a miniature Rosetta Stone for anyone who is interested in finding out more about anime and the audience and culture that surrounds it. Each is a proving ground for experimental techniques, references many other series in ways that is not too intrusive for a newcomer and each are by influential creators and studios. From a film analysis point of view each is a goldmine. For full reasoning, please see linked thread.

Another reason why I have difficulty meeting sleaze' request: almost all of my favourite recent anime is in series form, which might typically span six, thirteen, twenty six or fifty episodes to tell a complete and self contained story. In the case of Bleach we're at one hundred and seventeen episodes with no end in sight. These longer form shows are what I consider to be the most rewarding, in that they typically feature the best characterisation, the most interesting concepts, the most emotional payoff the most idiosyncratic touches and the most interesting storytelling conventions. They almost invariably require a good deal of investment, especially considering how most of them start with deceptive and sometimes childish simplicity and build up to become something rich and complex in the second half. In Eureka Seven's case, for example, you won't even really have a sense of what it's actually about until you've seen around three quarters of its fifty episodes (don't even get me started on Evangelion. That show is even more hotly debated than The Prisoner in my neck of the woods). I mention this here as – along with Daytripper's superbly made argument – it's primarily why I have difficulty condensing a representative sample of the anime that I love into four DVDs. I haven't been able to find the entirety of Eureka Seven on anything fewer than five discs, but there's not a lot in the world of film and TV that I would recommend more than sitting yourself down and watching the lot regardless.

By the way, any time someone watches dubbed anime an Eva loses its creepy spider-leg wings. If you've only watched it dubbed then I imagine that will account for ninety percent of why you might have had an issue with it in the past. For full reasoning as to why subtitles are the only way to watch anime, see the Primer thread.

I don't mean to come across as unhelpful here. Myself and many others have already done all of the things that sleaze and Boboss are asking for elsewhere, at length, and in such an exhaustively linked way as to put myself at least in HTML overload.
 
 
sleazenation
13:03 / 03.03.07
No worries Seth, it isn't unhelpful at all, quite the opposite in fact, but I'm butting up against practical considerations of needing to fill time slots that can't really exceed 3 hours (ideally closer to 2 or 2.5) and need to be relatively self contained.

I guess the comics equivilent would be finding single volume self contained graphic novels...
 
 
Seth
13:44 / 03.03.07
You're in luck with Gunbuster, FLCL, Porco Rosso and Otaku No Video then. They all come in at under three hours each, even the first two which are six episodes.

Although part of me pities any unsuspecting room that has FLCL unleashed upon them. It ought to be a controlled substance. The first time I saw it I had to go out drinking vodka and dancing in order to calm down.
 
 
This Sunday
15:49 / 03.03.07
In response to whomever above asked about low-budget or home-studio anime: There's stuff like 'Voice of a Distant Star' that was done relatively independent, as well as the very cool short 'Pale Cocoon', which was made on government grant. Both are available online and on DVDs, though I don't think either has had an official English translation.

There's a shitload of online flash animation from all nations. Much of it in English, or not requiring you to understand any language a random attacking Martian might not savvy. When it comes from Japan, it's anime.

And, it does well to remember what they're talking about in 'Otaku no Video' when they get onto the 'garage video' gig. A significant portion of our most beloved eighties anime came straight out of that. Gainax, after all, wasn't necessarily a real company, it was a front in many ways. This is what drove their earliest material (those great shorts where the little girl (who becomes their mascot magical bunnygirl) runs around with Darth Vader slashing up Godzilla in the background and Transformers fighting the Enterprise and Lum in the fore) from the DaiCon(ventions) and even 'Bubblegum Crisis' which is something you can actually sit down and plug out scenes or elements that are only there because of somebody involved's personal interest in trying to do X, which in a real studio, you - as an animator or writer - would probably be a lot less likely to get to do.

We don't see a lot of non-studio, non-professional anime, for the same reason we don't see a lot of non-professional animation from the States (or, anywhere in the English-Dominant Domain) unless we're specifically looking for it and hooked into something. There is a good amount of stuff, but it's hard to call it 'amateur' because the people usually have day-jobs in the field, to make ends meet while doing their own projects.

Hideaki Anno animated on a Miyazaki film and on 'Macross' while still doing 'amateur' projects. A director jumping ship from 'Sailor Moon' to do a smaller six-ep series (that spawned a whole twenty-six ep TV broadcast), in some ways counts as 'amateur' (because he put his own money up, for one thing, with no distributor) and in many ways, it's in no way amateur, because he's a professional and just got off making two or three seasons of big-money-making 'Sailor Moon'.

Real amateur stuff is hard to sell, because it's often short, and not too many people will by compilation/anthology videos or DVDs. Because sometimes it's great and you have a simple forty-second cartoon of a kid poking a snake with a stick and getting bit, or the further adventures of 'Tuna Sammich' and then maybe the thing climaxes with, I dunno, a semi-lengthy short where a spacer femme blows a kids' party whizzer thing out of her ass to seduce a clown of evil... and the whole thing may be shot for you right there and you ain't buying, even though you loved 'Tuna Sammich' and shit. I've seen it happen, with those specific examples.

Now, add subtitles or a foreign air. Harder sell.
 
 
This Sunday
16:21 / 03.03.07
I just want to add, 'Porco Rosso' is quite yes very excellent, indeed. I might've fallen away from animation in general, years and years ago, if the very kind Sergio Argones had not lent me his like third generation VHS fansub. Now it's a commercial english-lang release! And it has good dubs, which is a rare thing. The Disney release should have available on it, the Japanese, the English (with Cary Elwes) and the French (featuring, in the role of one red piggy, Jean Reno) and these are all top notch. Plus it's a good movie, feel-good, action-good, romancey-good, and it's got fascists being shot at which is almost as good as nazis getting shot at, but we can excuse because it's in Italy and they had more of one than the other.

(There is no Italian dub, that I've ever found, however. This is perplexing and ruins the chance to watch it in the language they *ought* to be speaking.)
 
 
Seth
16:23 / 03.03.07
By coincidence I popped over to Hunting Lodge/Boduf Songs/pin HQ yesterday and happened upon Matt tinkering with a home animation set up based around things he already owned or had cobbled together. My friend Ed Hicks is an animator who makes his own short films, my mate Claire is doing at course at the moment. There are tons of people making this stuff, I imagine it's no different in Japan (it's possibly even more the case), and as ever it's a matter of access to the material rather than it is whether this stuff even exists. It all stands and falls on the strength of the writing - I've seen some pieces that looked dazzling but were let down by a crappy premise, bad dialogue or poor storytelling.
 
 
Crestmere
10:24 / 05.03.07
Um...

1. Anything Miyazaki

2. Haunted Junction.

Now for 2 more.
 
 
Haloquin
13:04 / 05.03.07
What's Haunted Junction? Why do you recommend it? I'll admit to being entirely uninspired by your post, but the title sounded interesting... I am also a little bemused by the half a list, given the rules of this game.

As a complete novice to anime, I desire more info! If you loved it, please please... share the enthusiasm!!!

(I'm deliberately ignoring point 1... that Miyazaki is fantastic has been flagged plenty!)
 
 
thewalker
16:17 / 05.03.07
seth,

i agree with you basicly on the sub vs dub issue. must say the subs on the eurekaseven dvds are fucking useless, and although i cant think of any other examples there are many times i have had to rewatch scenes in other anime with english ON and found far better translations, for newbies this also allows better immersion into the visual aspects of the film...
 
 
Spaniel
16:38 / 05.03.07
Nolan, that's a list and as such it's completely bloody worthless and entirely againstthe spirit of this thread. Please refrain.

Okay. I thank you. Goodbye.
 
 
Spaniel
17:00 / 05.03.07
Conversely, thanks to everyone who has taken the time to put together a thoughtful post.

I promise I'll respond more fully a bit later
 
 
Seth
17:13 / 05.03.07
To save the wonderful and righteous Boboss and anyone else who correctly hates lists from wading through The Barbelith Anime Primer thread for my reasoning behind my above recommendations, here's the relevant sections (plus one for Porco Rosso):

Paranoia Agent. Massively multi-layered modular narrative experiment in which an investigation into a series of linked assaults committed by a kid with a baseball cap and bat becomes an endlessly surprising superflat odyssey in which the entire of post-war Japan is placed on trial. Like all the good bits of George Moribund with very few of the dodgy bits (ie; no sloganeering). Gets pretty damn emotionally affecting in the second half as well. A thirteen episode self contained mini-series, the first episode of which can be sampled here. Has its own Barbelith thread for discussion here.

Gunbuster/Gunbuster II. The first Gunbuster is like Orson Scott Card's Ender's Game, with child soldiers being sent to battle an inhuman insectoid menace light-years from home, sacrificing everyone close to them in the process as relativity means that they literally live in a different time to their loved ones. A classic series from nearly twenty years ago. It can be purchased here. Don't be fooled by the dated look, it's one of my favourite stories in any medium. The sequel came out last year and is just as good, a very brave way of continuing the series as it seems barely related to the original for the first half. It's probably the best pure sequel to anything I've ever seen and you can stream it here, but I really wouldn't if you haven't seen the first one. Both are self-contained mini-series of six episodes each and can be discussed in this brand spanking new Barbelith thread.

FLCL. Next to Evangelion this seems to be Barbelith's favourite anime. For fans of Grant Morrison/Peter Milligan and properly portrayed puberty parables. Insane gobbledygook fever dream akin to watching every other anime show at the same time, somehow still emotionally effecting. Great soundtrack, the best animation money can buy and extremely funny, with the best running eyebrow joke I’ve ever seen. A six episode self-contained story that can be purchased here. A very well loved Barbelith discussion can be found here.

Otaku no Video. This is Studio Gainax' examination of the otaku phenomenon, like a Trekkies for anime obsessives. It's format combines interview footage of a variety of real life fanatics (although some seem a little staged) and an animated through story about a guy ditches a promising tennis career and then gets dumped by his girlfriend when he gets subverted by an old nerd mate of his, and subsequently sets out to become Otaking, the greatest otaku of them all. With informative liner notes and packed with references to other films and shows, it's by turns very funny and cringingly uncomfortable when you recognise yourself and your mates in many of the characters depicted (don't pretend that you don't). Notable for the appearance of Misty May – a character whose name many have taken to use as the unit by which Gainaxing is measured (see the first page of The Barbelith Anime Primer) – as well as some lovely Gunbuster referencing at the end. Along with Mellow Maromi episode of Paranoia Agent it's a fascinating behind the scenes glimpse into anime and the culture that surrounds it. Can be purchased here.

Porco Rosso. Criminally dismissed as a *lesser Miyazaki* (yeah, right, is there such a thing?), this is the tale of the Crimson Pig, a psychologically scarred war veteran turned bounty hunter and sole talking animal in a marvellously detailed idealised Mediterranean at some point between the two heavily abstracted World Wars. It's an outrageously funny high adventure love story featuring spectacular aerial dogfights between bi-planes, a meditation on love stories, a ton of references to Casablanca and arguably Miyazaki's pinnacle of economy and elegance in storytelling before his tales started to burst at the seams with his abundance of imagination. Perfectly described when my mother saw it and commented, "How can something that seems so silly be so moving?" Angrily anti-war, it's a defiant statement of the right of the individual to be individual, the only villain of the piece being the encroaching regime that threatens those who love the freedom of the skies. There are two flashbacks in the latter half that invariably make me cry even though I've seen it countless times. Even the remembrance of them makes me misty-eyed. The fact that the main character – Marco – is a pig is a bone of contention for some, but anyone who has paid even the slightest attention to the story is left in no doubt as to the cause of the transformation. All this plus pirates. Buy it here, rent it here.

Please dig into the Primer for many more recommendations, links to much more detailed discussion, and debate on anime in general.
 
 
the permuted man
17:32 / 05.03.07
There's stuff like 'Voice of a Distant Star' that was done relatively independent, as well as the very cool short 'Pale Cocoon', which was made on government grant. Both are available online and on DVDs, though I don't think either has had an official English translation.

I've seen Voice of a Distant Star, super short, but good. Haven't seen (or even heard of) Pale Cocoon. English translation isn't a problem as I know Japanese.

There's a shitload of online flash animation from all nations. Much of it in English, or not requiring you to understand any language a random attacking Martian might not savvy.

Yeah, I see stuff like this every once in a while on some Japanese RSS feeds I subscribe to, like egone.org. This isn't really what I'm looking for though. I don't really like watching movies on my computer, and I can't at work anyway, where most my browsing takes place.

If there *definitely* is then you won't mind naming enough examples to support your case. Because right now Daytripper is rather running rings around you on the evidence side of things

I don't think you're going to like any answer I give. But, for example, you have harem anime like Love Hina or Tenchi or DNA^2, and drama anime like GTO or Kare Kano or Kimagure, magical girl like Sailor Moon or Ultra Maniac, shojo like Escaflowne or Utena or Saber Marionette or Fushigi Yuugi, shonen anime like Rave or Kenshin or Bleach or One Piece or Hikaru no go, magical girlfriend like Chobits or Mahoromatic, mecha like Eva or RahXephon or Dual or Gundam or Bubblegum Crisis, fantasy like Lodoss War or Scrapped Princess, music like Black Heaven, style anime like Bebop or Noir or Lain or Haibane Renmei or X (maybe), steampunk like Steam Detectives or Sakura Taisen or Last Exile or Nadia, gothic like Hellsing or Witch Hunter Robin, crazy like Excel Saga or FLCL, interdimensional exile like El Hazard or Nazca. I've seen all these in their entirity and this is off the top of my head. I'd call them all stereotypical animes. The genre lines are indistinct, the only real difference is whether it's primarily "serious" or "comical".

They all suffer the same voice acting restrictions and are drawn pretty much the same way (excluding Witch Hunter Robin's CG-style). They all appeal to the same audiences both here and in Japan from all I can tell despite their self-proclaimed genre distinctions.

I don't know. Maybe I'm just looking things from a too abstract vantage point. I mean, at a certain point everything's the same. Is the mold really any more constrictive or apparent here?

Sorry to detract from this thread as much as I have. I'd like to say I didn't mean to, but I obviously had some negative opinions pent up and this isn't the place for them.

I spent a great deal of time watching everything that was out there. I burnt out and still have a sour taste. I interact frequently with a lot of people who love anime and this spurns a number of negative emotions and reactions. I apologize for the spillover here.
 
  

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