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There really has been so much appalling dross in "the AD" ~ I wonder if it outweighs the considerable good stuff.
Did anyone mention "Below Zero"? (I'm not sure if there was also "Beyond Zero" or if that was some fever-nightmare of my own). Why such a criminally dull and generic story deserved two sequels, I can't guess. It was the comic book equivalent of straight-to-video, pirate-copy market-stall SF action. In a bad way. You could watch it post-pub with a bunch of SF action movie fans, and still turn it off after ten minutes.
And like Dry Run, that utterly indifferent epic, it seemed to run for months.
I found Mean Team and Moon Runners utterly ghastly and embarrassing too. And the revamped Sam Slade, with a gay robot spider sidekick who wore a biker cap with a pink triangle, and pink lipstick, was pretty unspeakable. Simon Harrison's Strontium Dog was so ugly I couldn't bear to read the story. Simon Bisley's Slaine was pretty if you like heavy metal art, but just seemed to drift smugly, trailing its references to genuine Celtic myth. And yes, Simpson and Gibbons' "Friday" Rogue was way too proud of itself for what it was ~ indulgent, pretentious and aimless as I remember, with art that looked like he should have let one colour dry before starting with the next. |
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