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Go on a Friday, Nina. It’s open until 10 and it tends to be quietest then.
However, like most of the installations in the Turbine Hall, I think Shibboleth benefits from being populated. People cleave to the crack and it feels more ‘seismic’ the more people there are. I don’t think it particularly rewards an uncluttered view – and in fact it’s impossible to see the whole thing at once whether or not there are people there.
I’ve been to see it quite a few times and I’m still struck by how dangerous it is. No, it’s not cordoned off and if you wanted to design a large-scale, wide-radius ankle-twister this would pretty much be it. I can’t quite believe it passed a Health & Safety inspection or that there isn’t a prohibitive insurance liability. I’m pleased it has though because I think it’s great.
Because it rips through an established surface (rather than through a medium that had been brought into the space) it has an odd quality of being there and not being there at the same time; if you see what I mean. Something both installed and revealed. Similarly, it feels both passive and aggressive, natural and artificial, thrusting but also enveloping…
I also like that fact that the Turbine Hall will surely bear a scar from it forever. |
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