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Mix tapes

 
 
zute_justzute
02:28 / 26.12.06
I love making mix tapes. People make me mix CDs a lot and since I don't have a computer, I usually return the favour by making a tape. But besides my technological disadvantage when making mix CDs, I just like making mix tapes better. With a mix CD, you just select the songs and burn them to a disc. Mix tapes are more of an art. You rewind them and find the spot to start recording the next song and you try to find a way to make all the songs fit. Also, you're listening to the tape as you make it, so you record songs that you feel like listening to, so when it's finished and you give it to someone, you're giving them the mood that you were in at the time.

So am I the only one? What do you like better, mix tapes or mix CDs?
 
 
calgodot
03:11 / 26.12.06
With a mix CD, you just select the songs and burn them to a disc. Mix tapes are more of an art.

I've gotten pretty "artsy" with my mix CDs. When I first began making them, I did just as you describe: select songs, burn disc. Later I learned to fade tracks into each other, mix spoken word into a song track, insert sound bites between songs, etc. Most recently I made a mix CD which was over a continuous hour of bebop mixed with Bukowski spoken word and interview excerpts. I am currently working on one which mixes a bunch of Hunter S. Thompson with various songs and snippets.

What do you like better, mix tapes or mix CDs?

I prefer making mix CDs since my computer is like a recording studio, and I can pretty much achieve whatever I can imagine. My first mixes were rudimentary; now I'm pretty much making "trance CDs" for my pals.

I admit a certain nostalgia for the cassette tape. Recently I found a box full of old mix tapes from college. Popped them into my Sony portable stereo cassette deck and listened. The sound quality was still good, the tapes still playable. Many of these were made in 1989. I wonder if I'll still be able to play my mix CDs in 15 years...
 
 
grant
18:36 / 26.12.06
There's a great interview in the latest Tape Op magazine with Chris Butler, the guy who did the album a couple years back on all the historical equipment -- Edison phonographs, wire recorders and the van the Rolling Stones used for one of their big albums.

He's got some interesting things to say about the way the medium affects what you're recording... kept talking about "antiqueness" of the sound, not the noisiness, but the physical presence of the machinery affecting the way musicians related to it.

I think that's also true of digital/analog media for making mix tapes. I can't do that thing with CDs where you wind the tape back a quarter-turn with your fingers when you absolutely need that second or so less space between tracks.

I miss making tapes.
 
 
TeN
18:49 / 26.12.06
I usually make mix CDs for the conveinance (although I usually spend a very long time on them... I don't just casually drag and drop tracks), but I like to make tapes sometimes too because it feels a lot more personal
 
  
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