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David Foster Wallace and the Illuminatus vs. Bright-Eyed Undergraduates

 
 
ginger
19:20 / 15.11.06
In my capacity as the departmental wierdo, I've been asked to teach a student who wants to write an extended essay on David Foster Wallace's 'Infinite Jest' as part of his Finals in the new year, in answer to the American Epic Lit. paper. It sounded like fun, and no-one else'd do it, so I said yes; I then went and bought the book, which I'd never read, only to find it's thicker than I am.

There goes December.

Anyway, I'm currently ploughing through IJ at high speed, and whilst I suppose I would say this, the structural and stylistic similarities with the 'Illuminatus!' books seem so obvious that it'd be logical to get said student to read the trilogy over Christmas; however, I'm aware that I'm currently unduly knackered, and it's more than likely that I'm seeing footnotes and turning that into a Hugely Significant Link; it'd be a bit of a pisser to make the poor kid read 900-odd pages of smack-out conspiracy theories when he should be watching 'The Great Escape' on Boxing Day if that's the case.

So, Barbelith: does anyone have any experiance of teaching IJ, or any particularly strong opinions on either book, especially the Wallace? Any and everything you have to say on the matter'd be useful. Save a poor, trusting child from my potentially corrupting influence.
 
 
Dusto
21:31 / 15.11.06
Background: I've read IJ, and I enjoyed it but found it frustrating. I've started the trilogy a few times but haven't yet made it all the way through.

Infinite Jest is a book that is all about its themes. That's really the only thing that ties it together. Some characters are given many pages when they never interact with the other main characters in any meaningful way, and even though the "anti-confluential narrative" is theorized in the book, I didn't find it very satisfying in actual practice. Illuminatus, on the other hand, from what little I know about it, seems to be about drawing lots of things together. Since this is sort of the opposite of what happens in IJ, I'd say that the two could make an interesting contrast.
 
 
ginger
00:43 / 16.11.06
the anti-confluential thing's a wee bit joycian, innit, which is useful, because everyone's done some joyce by the time they're taking finals.

the thing that occurs in relation to the footnotes and appendices and suchlike is that for such massive books / series, they're both quite closely focused on details, and i'm wondering if there's something in that. i rather expect a broad-stroke, great-tracts-of-land narrative style in modern american novels, a kind of wide-screen road-movie effect, not obsessive cataloguing and scientific diagrams. i may sit under my tree and think about the place of detail in epic structure.

sometimes, i get this depressing feeling that i'm going to have to talk to people about walt FUCKING whitman in the next month or so, and it feels like an immodium advert.
 
 
ginger
00:49 / 16.11.06
sorry, dusto, on a more specific point, IJ's internal theorizing; whilst I have yet to hit any large chunks of it, did you find it convincing, both as an arguement and as a literary device? Was it the theorising you found unsatisfying, or the anti-confluential thing itself? And is it an extensive and intrusive element within the book?

Sorry, feels like I'm trying to get you to do my work for me. Which I am, naturally. I'm just trying to get as far ahead of myself on this bloody thing as I can before I talk to the poor lad in person. Turns out he hasn't finished IJ himself yet, though, which takes the foot of my head somewhat.
 
 
Dusto
20:52 / 16.11.06
No, I didn't find the theorizing itself to be too intrusive. It's not incredibly prominent, either, really. But I was frustrated by the fact that the ending of the book so blatantly denies you any sort of narrative satisfaction (which is sort of the point of anti-confluential narratives, I guess, but still it was hard to enjoy on any visceral level). If you're interested in the obsessive cataloguing and minute detail as opposed to the grand sweeping longshots of the traditional epic, you might recommend that your student pair IJ with The Mezzanine, by Nicholson Baker. It's another book I didn't find incredibly satisfying as a whole, but it's short and has some very entertaining bits (as does IJ). It's about a man taking an escalator from the lobby of a building to the mezzanine after buying aglets for his shoelaces and thinking about all variety of tangential details on his way up.
 
 
ginger
01:00 / 17.11.06
Point. In terms of direct stylistic comparison, IJ has more in common with Meezanine than with the appendices to the trilogy. Hmmmmm. And it's a much friendlier length...

That said, the tension between widescreen Americanism and pedantry in the Baker book's of a decidedly different; you don't have the cast-of-thousands element, for a start, and my Whitmanic bent in all American areas misses it. It's certinly something to mention, though; this poor lad's going to hate me.

I'd better watch this one, mind; in the light of the 'It Is Of These Insignificant Moments That Our Lives Are Made' Operaese I overheard last time I was in the same room as a student and a Nicholson Baker book, I'll probably end up chucking myself under a train after a week. It wun't exactly 'The Revolution of Everyday Life'.
 
 
buttergun
13:48 / 17.11.06
I've read both IJ and Illuminatus, Illuminatus multiple times. I can't say I've seen a similarity between the two, so I wouldn't recommend him/her reading it -- I mean, I WOULD recommend he read it, as it's my favorite novel ever, but not if he's just going to do so to add more fuel to his thesis fire.

Anyway, just have him pick up Stephen Burns' "David Foster Wallace's Infinite Jest: A Reader's Guide." Published by Continuum Contemporaries in 2003, it's short, cheap, and goes into the novel in depth.

Also, I'd say have your student read Hamlet, as it's the hidden underpinning of IJ, and has more resemblance than my beloved Illuminatus. Multiple references to Hamlet are both hidden and apparent in IJ (an example of the apparent -- the "Poor Yorick Productions" company of the elder Candenza), and stressing this would make for good paper material.

As for myself, I didn't care for IJ (lots of ego-stroking on Wallace's part, not much happening in the book), but I love, love, LOVE Illuminatus.
 
 
buttergun
14:00 / 17.11.06
Also, one of the more frustrating aspects of IJ is how the two "main" characters never interract within the narrative, yet we know from the prologue (which takes place after the events in the book) that they eventually do. There's also no resolution, whereas in Illuminatus pretty much everyone meets, and there is a definite resolution (I mean come on, the massive embodiment of Eris smashing down hordes of undead Nazi stormtroopers...what else could you ask for???).

The two books do share a high level of detail, and are very successful at juggling a large cast of characters. But when it gets right down to it, I think Illuminatus is just more fun. IJ is fun, and funny (Hal selling urine, for example), but in the end comes off more "funny in an intellectual way."

Wait, I just realized...if he does end up writing a paper noting the similarities between IJ and Illuminatus, one easy route would be the massive amounts of dope smoking in both books. There's a whole paper right there.
 
 
ginger
16:16 / 17.11.06
it's pretty hard to get to the third year of an undergrad english course without going near hamlet, so think he'll be OK there; i'm also pretty sure he's covered joyce, so he's used to characters not meeting.

i know it's cheap and obvious, but the dope smoking's really the thing that interests me. obviously, i'm an upstanding member of society and never touch the stuff myself, but Friends Have Told Me about the effects of narcotics on perception of detail, and i think that that's all quite interesting, even if, as i say, it's blindly obvious.

both books have this extreme focus on tiny things, set against a massive narrative sprawl, horse-frightening jazz-cigarette intake and a broke narrative line; crucially, as far as getting a good finals paper out of it goes, there's quite a decent body of secondary writing on stoned lit, even if a lot of it IS based on martin fucking amis, which gives us some good deep background to go at.
 
 
ginger
16:17 / 17.11.06
oh, and ta on that burns book, had a look earlier. bit of a labour of love, that. suspect he doesn't get out much...
 
 
Raw Norton
00:41 / 25.11.06
Never read the Illuminatus stuff, so I don't have much to contribute there, aside from the fact that my roommate at the time recommended the Illuminatus stuff on the basis of how much I enjoyed IJ.

However, I am very much the devotee of IJ & all things Wallace--apparently there's a piece in this month's OPRAH magazine of all places, btw--so I'll throw in my two cents w/r/t that angle.

A lot has been made in this thread about IJ's attention to detail, which seems to be a point of commonality between the two works. And but here's the thing, though: are you sure that attention to detail is being deployed for quite the same purpose in both works? Specifically, IJ seems to be making the point that attention to the minute levels of detail in a given matter does not equal control or mastery of that matter. Ie, you can tabulate your beer consumption in a little spiral-bound notebook; you can memorize whole medical dictionaries; but this does not bring you any closer to controlling your own addiction or body.

Also, it appears that you're on-board with Burns' book, which is good, and I'd just like to say that that particular book leant IJ some of the "narrative satisfaction" that I'd been too thick to get from my own efforts. Specifically, I'd read IJ twice without really having a very good idea as to what transpires in that "lacuna" set between the very end of the book and its first chapter. The Burns book showed me that there at least were hints as to the events of some narrative resolution.
 
 
ginger
20:08 / 25.11.06
apologies if this makes no sense, but i didn't have money for beer, books and food, so i've got barthes on barthes and drunk.

raw norton, on the use of detail, the fact that these authors aren't doing the same thing with it isn't a problem at all. what we need is some kind of commonality and a point of difference; god knows, if everyone wrote books like IJ, i'd give up and learn to fix boats. IJ's mass of detail straddles a wierd line between the obsessive list-making you mention and a wierd distracted-by-shiny-objects shandyism, where every detail's set down because there's no sense of what's important. it rests very nicely against the calmer detail work in the nicholson baker book, of which more later.

to be honest, i'm a bit nervous of the burns book. i thought it made the whole thing a bit straight-forwards; i may be odd, but the narrative disatisfaction was part of the kick for me. i mean, for academic purposes such as mine, it doesn't really matter what actually happens in the book, if you see what i mean, so it's not an issue in those terms; i just really got off on the fact that i spent quite a lot of the last week wandering around wondering what the fuck was going on, only to cease to care because some sexy wee footnote came flying by and flashed me. that said, i read the beckett trilogy on the bog, so i'm a bit of a glutton for intense mental and visceral pain.

by the by, having sat around and done Deep Thought on this, and realised that making the poor wee sod read the trilogy just because i like it'd be poor tutorial technique, i've dropped the 'illuminatus!' angle; though i still think there's something there, it's more a paratextual thing about footnotes and appendices than anything massively revealing, so many thanks to all for chewing that one over.

i went back and re-read 'mezzanine', and i think we'll be using that now, along with some salinger; working around the redefinition of epicness, and whether you need a huge book to be truly epic. footnotes (my new obsession) aside, the wierd scope of the baker book'll be very useful; it's at once extremely narrowly-focused and very broad. huge respect, barbelith, you've done me a favour here. this was a singularly wierd and skin-of-the-teeth teaching job, and i was a wee bit scared, but life looks much rosier. the poor bastards i'm teaching eliot in the tutes directly on either side of the IJ one may be faced with yoda-like syntax and constant unabashed farting, but it'll be character-building.

i'm even going to get bakhtin into it, and you know you're alright when you've got bakhtin on-side.

at risk of attempting to direct the thread, please, talk to me more about IJ. i hadn't read it before, and am now half way through on the second time; it gives me pants-joy, so prolong the pleasure.
 
 
Dusto
20:46 / 25.11.06
Topic for discussion re IJ:

What's up with the teeth theme? I never really managed to make much of that, but I've only read the book once, many years ago.
 
 
Mistoffelees
09:44 / 07.01.07
I´ve started IJ recently and I didn´t get far yet. It´s so unwieldy, I can´t read it while on the subway, and at home I can only read while hunched over it at my table, and not sitting comfortably and holding it, because it´s so damn heavy.

Advice please for the annotations:
After annotation 24 (several pages of short descriptions of a character´s movies) I´m really fed up with them. And with the book being so big it´s a real pain to stop reading, flip to the back, find and read the annotation, stick the bookmark back, etc.

So how important are the 388 "notes and errata" for reading enjoyment and understanding of the story?
 
 
ONLY NICE THINGS
12:14 / 08.01.07
Isn't "I'd like to read David Foster Wallace, but do I really have to do the footnotes?" a bit like "I'd love to hear more by They Might Be Giants, but bugger me if charming whimsy doesn't make me want to eat my face off"?
 
 
ginger
19:14 / 08.01.07
Sorry, just have to get this bit out of the way:

‘... hunched over it at my table, and not sitting comfortably and holding it, because it´s so damn heavy.’

aaaaand relax. Filth-switch disengage.

You’ll gather from my comments above that I effectively read IJ for the endnotes (not footnotes, as I’ve been saying, which’d actually make the whole thing much easier to read, a la Mezzanine), so I’m perhaps a teensy bit biased on this one, but if you’re not reading the notes, you’re not reading the book.

If they’re pissing you off that much, try different ways of approaching them. Whilst it seems wrong-headed to me, a friend of mine dealt with them by getting to a note, reading it, and then reading several notes ahead, so he didn’t have to keep flipping back and forth; marvellous way of ruining the book, if you ask me, but he seemed to enjoy it. The two book-marks approach sorted me out; keep one in the notes and one in the main text, and life’s easy.

I’d say the notes where central to my enjoyment of IJ. I'm with Haus on this; learn to love the notes, or save yourself the trouble of carrying the bloody thing around and read something else.




All that said, if you fancy offering yourself up as a sacrificial goat, care to read it without looking at the notes and tell us how it goes? Might be interesting...
 
 
Raw Norton
01:20 / 09.01.07
Yeah, me too: you really ought to read the endnotes, as they contain, not just supplementary details, but narratives, whole subplots in their tiny-print pages. I guess I would have to qualify my opinion by saying I'm not 100% positive these narratives end up getting referred to in the main body of the text, so an experiment like Ginger suggests might work out.

I also employed two bookmarks, and from time to time I did end up reading a few endnotes at once, generally if I could see that there were several notes coming up in the next half-page or so (which happens from time to time), and when those notes were also very short.
 
 
Mistoffelees
19:19 / 09.01.07
Thank you all for your feedback. I will give the notes a second chance. If the next 25 add more to the story than the first, who didn´t add much and just broke the flow of reading the main story I´ll be convinced. But so far, I really don´t see the necessity for the author´s indulgence with these extensive annotations. Hopefully further reading will give me more of an insight into his decision!
 
 
Dusto
20:22 / 09.01.07
Just a warning: trying to focus on a "main story" is probably the wrong way to approach the book. Not only the endnotes, but several of the extended subplots within the text proper of the book bear at best tangential relevance to the plots of Hal and Gately (which bear only passing connections to each other). If you don't enjoy the book precisely for the sake of its self-indulgent digressions, then this might not be the book for you.
 
 
Jesse
01:09 / 24.01.08
Thread necromancy!

If the next 25 add more to the story than the first, who didn´t add much and just broke the flow of reading the main story I´ll be convinced. But so far, I really don´t see the necessity for the author´s indulgence with these extensive annotations.

I just finished up with DFW's sprawling novel and quite liked it. I think the footnotes are what end up turning a lot of people off about the novel. Rather than approaching them from a functionalist point of view, however, think of them as a stylistic choice by DFW. Essentially, a major theme within the book is the entertainment culture that America has become/is becoming. Given the nature of "disruptive technology" and all those other fun buzzwords, I think he was basically trying to achieve a similar feel within his narrative. By disrupting it with some rather extensive footnotes, the narrative is broken down and given a disjointed feeling.

I maintain that it's a stylistic choice. Other people think it's intellectual dickwaving. I'm not sure who is right.
 
 
Mistoffelees
06:13 / 14.09.08
I just read, that he killed himself. link

That´s really sad. The article doesn´t mention, why he might have done it. His wife found him, when she came home. He must have been in a very bad place, putting her in the position of discovering his body.
 
 
pony
07:56 / 14.09.08
I'm surprised by how much this feels like a punch in the stomach to me. I picked up a copy of Infinite Jest when it first came out because I was 15 or 16 years old and it was gigantic and I was looking for something interesting to break the monotony of the Connecticut suburbs. I slogged through it over the course of a year, finally finishing it on my third attempt, and then promptly read his first novel and the first short story collection. His work was my gateway into literature and critical theory as living adventure, and most of my real education in 20th century creative endeavor can be traced back to reading his first three books.

For all his sometimes overambitious reaches, he never truly disappointed me because I could always feel a very tender human touch under all the formal experimentation. While there was a deep melancholy in a lot of his work (especially Infinite Jest), it was always paired with an awe of the human experience and a playful sense of humor. Every time I pick up IJ and read a page at random, I'm impressed by the way that he intertwined the most serious longing and the most frivolous jokes in such startling combinations, both matter-of-fact and completely off the wall, but they never felt contrived.

I'm sorry if I'm a bit rambl-y, I was just about to go to bed and figured I'd see what had happened on the internet today. I wasn't figuring on anything like this...
 
 
Janean Patience
15:55 / 14.09.08
Horrible. Though I've actively hated some of DFW's work, there was a huge relief in discovering him and having this voice to listen to, a commentator and decoder of contemporary life. I thought he'd be around, talking over my shoulder as I read newspapers or watched TV or saw lobster in a restaurant tank, for decades to come. I wondered, frequently, when he'd write another novel so I could devour and adore it as I did Infinite Jest. Now never. He's gone.
 
  
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