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I half have a feeling that the bad acting is intentional, actually—if you read STARSHIP TROOPERS as a meta-movie, which is tempting.
I'll give you an example: Quentin Tarantino claimed, in an interview, that KILL BILL is supposed to be a movie that the characters from PULP FICTION might go to see; it's a fiction that characters in another fictional context would recognize as fictional. (For more, see here.)
Just so, I think that STARSHIP TROOPERS the film may be what successful commercial filmmaking looks like in the STARSHIP TROOPERS universe. This is their CASABLANCA, their SAVING PRIVATE RYAN, their A BRIDGE TOO FAR.
So of course it's a hacky, lurid, senselessly violent, appallingly acted glorification of the State. Look at the culture that spawned it.
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