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Poetry of your life

 
  

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Shrug
00:08 / 01.09.06
With the almost indomitable success of The Lyrics of your life thread a similarly themed poetry thread might be of use and/or enjoyment. So poetry that articulates your place, thoughts, actions at any given time of your life whether it be past, present, possibly future. With an added caveat to detail just why this poem is an apt entry. And lithers please feel free to discuss the other posted poetry: plaudits, critiques, +1's. Also, if at all possible, be wary not to post multiple poems and wait until the discussion of one poem seems to have petered out before posting a further entry. (Suggestions not rules however.)But, also, let's let the thread evolve as organically as possible.

Without further a do, and immediately contradicting one of my previous suggestions (as I'm exquisitely tired though I will post thoughts/reasons/etc later)

The Sixth

Memories have three epochs.
And the first is like yesterday.
The soul is under their blessed, protective skies
and the body basks in their shadow.
Laughter has not died down and the tears stream,
the ink stain is unwiped on the table,
the kiss is imprinted on the heart,
unique, parting, unforgettable...
But this does not last for long...
The protective skies are no longer overhead, and somewhere
in the dull suburbs there is a lonely house,
where it's cold in winter and hot in summer,
where a spider lives and the dust is everywhere,
where passionate letters burn to ash,
portraits change stealthily,
and people visit it as though a grave,
and wash their hands when they get home,
and shake off a fleeting tear
from tired eyelids, and sigh heavily...
But the clocks tick, one spring
replaces another, the sky turns rose-pink,
names of cities change,
and eye-witnesses of events are no longer,
and there is no one to cry with, no one to reminisce with.
And shadows pass slowly from us
which we no longer call upon,
whose return would be terrible to us.
Once awake, we see that we have forgotten
and choking with anger and shame,
we run to it, but (as in a dream)
everything is different there:
people, things, walls;
and nobody knows us; we are strangers.
We went to the wrong place...Oh God!
Now comes the most bitter moment:
we realise that we could not contain
this past in the frontiers of our life,
and it is almost as alien to us
as to our neighbour in the flat;
we could not recognise those who have died,
and those whom God parted from us
got on fine without us - perhaps
everything's been for the best.

Anna Akhmatova
 
 
Shrug
00:17 / 01.09.06
I know nothing of the poet but stumbled upon it a little while back, never post break up has something appeared so appropriate. There's a number of grander themes played with, I realise, but nevertheless it resonated.

So what do you think of it?
 
 
All Acting Regiment
16:28 / 04.09.06
I think

Things fall apart, the centre cannot hold

is a line for all of us to linger on. I wonder if I will still think so when I'm older. I rather think that I will.
 
 
elene
18:38 / 04.09.06
Thanks for posting The Sixth, Cat. It's wonderful. I have in fact read a selection of Anna Akhmatova work in German, years ago, but for some reason I don't remember this poem.

Trying to think of a poem to post in return, I too thought first of Yeats, Legba Rex, and then I thought of Ono no Komachi, of Gertrude Stein's I Love my Love with a V, and some others, 'til I settled on Auden's Shield of Achilles.

    She looked over his shoulder
    For vines and olive trees,
    Marble well-governed cities
    And ships upon untamed seas,
    But there on the shining metal
    His hands had put instead
    An artificial wilderness
    And a sky like lead.
    
    A plain without a feature, bare and brown,
    No blade of grass, no sign of neighbourhood,
    Nothing to eat and nowhere to sit down,
    Yet, congregated on its blankness, stood
    An unintelligible multitude,
    A million eyes, a million boots in line,
    Without expression, waiting for a sign.
    
    Out of the air a voice without a face
    Proved by statistics that some cause was just
    In tones as dry and level as the place:
    No one was cheered and nothing was discussed;
    Column by column in a cloud of dust
    They marched away enduring a belief
    Whose logic brought them, somewhere else, to grief.
    
    She looked over his shoulder
    For ritual pieties,
    White flower-garlanded heifers,
    Libation and sacrifice,
    But there on the shining metal
    Where the altar should have been,
    She saw by his flickering forge-light
    Quite another scene.
    
    Barbed wire enclosed an arbitrary spot
    Where bored officials lounged (one cracked a joke)
    And sentries sweated for the day was hot:
    A crowd of ordinary decent folk
    Watched from without and neither moved nor spoke
    As three pale figures were led forth and bound
    To three posts driven upright in the ground.
    
    The mass and majesty of this world, all
    That carries weight and always weighs, the same
    Lay in the hands of others; they were small
    And could not hope for help and no help came:
    What their foes liked to do was done, their shame
    Was all the worst could wish; they lost their pride
    And died as men before their bodies died.
    
    She looked over his shoulder
    For athletes at their games,
    Men and women in a dance
    Moving their sweet limbs
    Quick, quick, to music,
    But there on the shining shield
    His hands had set no dancing-floor
    But a weed-choked field.
    
    A ragged urchin, aimless and alone,
    Loitered about that vacancy; a bird
    Flew up to safety from his well-aimed stone:
    That girls are raped, that two boys knife a third,
    Were axioms to him, who'd never heard
    Of any world where promises were kept,
    Or one could weep because another wept.
    
    The thin-lipped armourer,
    Hephaestos, hobbled away,
    Thetis of the shining breasts
    Cried out in dismay
    At what the god had wrought
    To please her son, the strong
    Iron-hearted man-slaying Achilles
    Who would not live long.
 
 
ONLY NICE THINGS
20:53 / 04.09.06
Love that final line. Will return to this when rested. Great idea for a thrad.
 
 
Shrug
00:53 / 05.09.06
I've also been thinking on that one, Legba.

Interesting(or banal)-ly enough I just saw an extracted part of the lliad (called "Myrmidons") played today. It really amounted to the tale of Achilles and Patroclus and their tragic love (as it was portrayed) but did, at least, give me some capacity with which to appreciate the above poem.
So, thanks also, elene. Plus, I've just discovered Anna Akhmatova, I feel a little lucky somehow!
 
 
StarWhisper
18:07 / 15.09.06
I love Akhmatova. Have you read Poem Without a Hero? It took her twenty years to write. Her history is fascinating and makes me ashamed to sing Lazarus. The Bloodaxe Books translations I find are the best I've come accross.The poem you posted is very beautiful. It is good to feel the comfort of how beautiful pain can be, how something desolate as this can be adorned by such language. It is alchemy. A poem of a desperate war torn land and yet I can relate to it...
 
 
redtara
18:23 / 15.09.06
A politician is an arse,
Upon which everyone has sat,
Except a man.

e e Cummings
 
 
StarWhisper
18:26 / 15.09.06
Strictly speaking, this is not a poem. May I bestow upon it the authority and grace of the title of poetry? If not for what it is but what it means.
When I lost the person I loved I thought it would drive me to insanity. Hir walked out of my life without a second thought. Cold, pragmatic as ever said it was nothing.I was lost, and no one would accept my greif. I felt like a ghost. And then I read this:

...all this was only possible at 'the moment of truth', during the madness which afflicted people when it looked as though time had stopped, the world had come to end and everything was lost forever. The collapse of all familiar notions is, after all, the end of world.

N. Mandlestam

Appologies if I have presumptuous and pushed this thread off topic.
 
 
redtara
18:28 / 15.09.06
Strictly speaking, this is not a poem

Yer wha?
 
 
Kiltartan Cross
18:46 / 15.09.06
I think of Ralph Waldo Emerson's "Brahma" often:

"If the red slayer think he slays,
Or if the slain think he is slain,
They know not well the subtle ways,
I keep, and pass, and turn again.

Far and forgot to me is near,
Shadow and sunlight are the same.
The vanished Gods to me appear,
And one to me are shame and fame.

They reckon ill who leave me out,
When me they fly, I am the wings.
I am the doubter and the doubt,
And I the hymn the Brahmin sings.

The strong Gods pine for my abode,
And pine in vain the Sacred Seven.
But thou! Meek lover of the good,
Find me, and turn your back on heaven."

It could be more stylishly written, I think, but not more effectively.

In a spirit of competition with the doom-mongering Second Coming above, I suppose I have to nominate those lines from the "Voluspa" - well-travelled readers will catch me referencing it twice in one day - , which come to my mind these days more readily even than the falcon/falconer thang:

(roughly)
"An age of axes, swords and cloven shields,
Of wind and wolves and a broken world."
 
 
StarWhisper
09:47 / 16.09.06
Yer wha?

How eloquent a phrase, redtara. I complement you on your masterful grasp of the English language. It is so wonderful to come accross another individual who is sensitive and respectful of other peoples feelings and has opened their mind to the possiblities of a language in all the strange, trangressive, fractured forms it may possess its definitions. Here is a POEM by Zbignew Herbert:

Conch

In front of the mirror in my parents' bedroom lay a pink conch. I used to approach it on tiptoes, and with a sudden movement put it against my ears. I wanted to supprise it one day when it wasn't longing with a monotonous hum for the sea. Although I was small I knew that even if we love someone very much, at times it happens that we forget about it.
 
 
ONLY NICE THINGS
12:15 / 16.09.06
Redtara, I assume you thought that eirdandfracar meant that your poem was not a poem. Ze was, with reference to the text, more likely saying that the thing ze was about to quote was not a poem. There are enough fights on Barbelith happening organically without trying to hothouse them. If the two of you want to take this one further, be so good as to do it elsewhere - perhaps in a new thread on what poetry is.

Anyhoo. Given recent events, I've been thinking of Colombine, and pulled out this extract from "Killing Time", by Simon Armitage:

Meanwhile, somewhere in the state of Colorado, armed to the teeth,
With thousands of flowers
Two boys entered the front door of their own High School
And for almost four hours
Gave floral tribute to fellow students and members of staff,
Beginning with red roses
Strewn amongst unsuspecting pupils during their lunch hour,
Followed by posies
Of peace lilies and wild orchids. Most thought the whole show
Was one elaborate hoax
Using silk replicas of the real thing, plastic imitations,
Exquisite practical jokes,
But the flowers were no more fake than you or I,
And were handed out
As compliments returned, favours repaid, in good faith,
Straight from the heart.
No would not be taken for an answer. Therefore a daffodil
Was tucked behind the hair
Of a boy in a baseball hat,
And marigolds and peonies
Threaded through the hair
Of those caught on the stairs or spotted along corridors,
Until every pupil
who looked up from behind a desk could expect to be met
with at least a petal
or a dusting of pollen,
if not an entire daisy-chain,
or the colour-burst
of a dozen foxgloves, flowering for all their worth,
or a buttonhole to the breast.
Upstairs in the school library, individuals were singled out
For special attention:
Some were showered with blossom, others wore their blooms
Like brooches or medallions;
Even those who turned their backs or refused point-blank
To accept such honours
Were decorated with buds, unseasonable fruits and rosettes
The same as the others.
By which time a crowd gathered outside the school,
Drawn through suburbia
By the rumour of flowers in full bloom, drawn through the air
Like butterflies to buddleia,
Like honey bees to honey suckle, like hummingbirds
Dipping their tongues in
Sun to soak up such over-exuberance of thought, others
To savour the goings-on.
Finally overcome by their own munificence or hay fever
The flower-boys pinned
The last blooms on themselves,
Somewhat selfishly perhaps,
But had also planned
Further surprises
For those who swept through the aftermath
Of broom and buttercup
Garlands and bouquets were planted in lockers and cupboards,
Timed to erupt
Like the first day of spring into the arms of those
Who, during the first bout,
Either by fate or chance had somehow been overlooked
And missed out.
Experts are now trying to say how to apparently quiet kids
From an apple-pie town
Could get their hands on a veritable rain-forest of plants
And bring down
a whole botanical digest of one species or another onto the heads
of classmates and teachers,
and where such fascination began and why it should lead
to an outpouring of this nature.
And even though many believe that flowers should be kept
In expert hands
Only or left to specialists in the field such as florists,
The law of the land
Dictates that God, guts and gardening made the country
What it is today
And for as long as the flower industry can see to it
Things are staying that way.
What they reckon is this: deny a person the right to carry
Flowers of his own
And he’s liable to wind up on the business end of a flower
Somebody else has grown.
As for the two boys, it’s back to the same old debate:
Is it something in the mind
That grows from birth, like a seed, or is it society
Makes a person that kind?


I have such a man-crush on Simon Armitage, it's actually not true.
 
 
StarWhisper
13:35 / 16.09.06
Appologies. I have no sense of humour at all when it comes to that time in my life.
A what is poetry thread is a good idea
Maybe I should start a did you fall in love with Seamus Heany? support group.


The days are not full enough
The nights are not full enough
And life slips by like a field mouse
Not shaking the grass.

- Ezra Pound

I find the sobering effect of this poem never seems to wear off.
 
 
StarWhisper
13:47 / 16.09.06
But the flowers no more fake than you or I,
And were handed out
As compliments returned, favours repaid, in good faith,
Straight from the heart.
 
 
StarWhisper
13:48 / 16.09.06
Who said sarcasm was the lowest form of wit?
 
 
Kiltartan Cross
15:21 / 16.09.06
lay a pink conch. I used to approach it on tiptoes, and with a sudden movement put it against my ears

Sorry, but... shouldn't that be in SBR?
 
 
StarWhisper
15:36 / 16.09.06
Maybe. I'm not sure what SBR is.
 
 
Ticker
16:16 / 16.09.06
And he’s liable to wind up on the business end of a flower

that was lovely and has given me a rather strange idea.
 
 
electric monk
15:52 / 19.09.06
Bright moonlight shines through the trees.
In a rich brocade, the flowers bloom.

How can I not think of you-
alone, lonely, working at my loom.


-Tzu Yeh (4th Century)

I found this in a recently purchased book of erotic poetry. I take in freelance design work and sometimes spend late hours in the home office working at the computer while wife and son sleep just feet away. On those nights I think of this poem, and of my wife, and identify closely with Tzu Yeh's two little stanzas that say so much. Wifey found this poem on a scrap of paper taped to the bathroom mirror one morning. It's still there.
 
 
nighthawk
19:04 / 22.09.06
What a fantastic idea for a thread...

This is by Emily Dickinson:

Safe in their Alabaster Chambers -
Untouched by Morning -
And untouched by Noon -
Lie the meek members of the Ressurection -
Rafter of Satin - and Roof of Stone!

Grand go the Years - in the Crescent - above them -
Worlds scoop their Arcs -
And Firmaments - row -
Diadems - drop - and Doges - surrender -
Soundless as dots - on a Disc of Snow -


Its worth reading it a few times. The dashes are breaks in the rhythm of the line, but not as emphasised as they seem the first time you read it. I think the last two lines are probably my favourite from any poem.
 
 
nighthawk
19:37 / 22.09.06
Oh yeah, I forgot the explanation. I found this at a point when I was very wound up and edgy about something that, at the time, seemed overwhelmingly important, and that I felt I was completely fucking up. I'm not sure why exactly, but I found that poem very reassuring.
 
 
Blake Head
17:25 / 11.12.06
One of Their Gods

When one of Them, about the hour of nightfall,
passed by the agora of Seleucia,
in likeness of a tall ephebe of perfect beauty,
the joy of incorruption in his eyes,
and with his jet-black, perfumed hair,
the passersby would stare at him
and one would ask the other if he knew him,
or if he were a Greek from Syria, or a stranger.
But a few who might have observed with greater care
had understanding, and they stepped aside;
and though he vanished in the porticos
amid the shadows and the evening lights,
proceeding toward that quarter which comes alive
only at night with its debaucheries and orgies,
and all intoxications, every form of lust,
would wonder who among Those he might be,
and for what form of suspect pleasure he
had descended to the bystreets of Seleucia
from the Revered, Most Venerated Mansions.

Constantine Cavafis
 
 
Blake Head
17:34 / 11.12.06
Not sure quite why this short poem has stuck with me; I got it from a collection I picked up in Crete a few summers back and it always brings to mind the tanned faces of men in the Mediterranean twilight. It probably has something to do with that combination of the pursuit of suspect pleasures and the "joy of incorruption", pleasures linked with freedom and difference and a lack of guilt. So maybe it's an aspirational figure as well as a divine or mythological one, and in any case it still say something to me even if I can't quite articulate it.
 
 
Hallo, Paper Spaceboy
23:35 / 11.12.06
A single flower he sent me, since we met.
All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet--
One perfect rose.

I knew the language of the floweret;
"My fragile leaves," it said, "his heart enclose."
Love long has taken for his amulet
One perfect rose.

Why is it no one ever sent me yet
One perfect limousine, do you suppose?
Ah no, it's always just my luck to get
One perfect rose.


Dorothy Parker, "One Perfect Rose." One of my favourites.
 
 
Papess
18:22 / 09.01.07
Nice thread.

The Touch of the Masters Hand

Twas battered and scarred, and the auctioneer
thought it scarcely worth his while to waste much time on the old violin,
but held it up with a smile; "What am I bidden, good folks," he cried,
"Who'll start the bidding for me?" "A dollar, a dollar"; then two!" "Only
two? Two dollars, and who'll make it three? Three dollars, once; three
dollars twice; going for three.." But no, from the room, far back, a
gray-haired man came forward and picked up the bow; Then, wiping the dust
from the old violin, and tightening the loose strings, he played a melody
pure and sweet as caroling angel sings.

The music ceased, and the auctioneer, with a voice that was quiet and low,
said; "What am I bid for the old violin?" And he held it up with the bow.
A thousand dollars, and who'll make it two? Two thousand! And who'll make
it three? Three thousand, once, three thousand, twice, and going and
gone," said he. The people cheered, but some of them cried, "We do not
quite understnad what changed its worth." Swift came the reply: "The touch
of a master's hand."

And many a man with life out of tune, and battered and scarred with sin,
Is auctioned cheap to the thoughtless crowd, much like the old violin, A
"mess of pottage," a glass of wine; a game - and he travels on. "He is
going" once, and "going twice, He's going and almost gone." But the Master
comes, and the foolish crowd never can quite understand the worth of a soul
and the change that's wrought by the touch of the Master's hand.


~Myra 'Brooks' Welch
 
 
Shrug
18:52 / 16.11.08
Meditations In An Emergency

Am I to become profligate as if I were a blonde? Or religious as if I were French?

Each time my heart is broken it makes me feel more adventurous (and how the same names keep recurring on that interminable list!), but one of these days there'll be nothing left with which to venture forth.

Why should I share you? Why don't you get rid of someone else for a change?

I am the least difficult of men. All I want is boundless love.

Even trees understand me! Good heavens, I lie under them, too, don't I? I'm just like a pile of leaves.

However, I have never clogged myself with the praises of pastoral life, nor with nostalgia for an innocent past of perverted acts in pastures. No. One need never leave the confines of New York to get all the greenery one wishes--I can't even enjoy a blade of grass unless i know there's a subway handy, or a record store or some other sign that people do not totally _regret_ life. It is more important to affirm the least sincere; the clouds get enough attention as it is and even they continue to pass. Do they know what they're missing?
Uh huh.

My eyes are vague blue, like the sky, and change all the time; they are indiscriminate but fleeting, entirely specific and disloyal, so that no one trusts me. I am always looking away. Or again at something after it has given me up. It makes me restless and that makes me unhappy, but I cannot keep them still. If only i had grey, green, black, brown, yellow eyes; I would stay at home and do something. It's not that I'm curious. On the contrary, I am bored but it's my duty to be attentive, I am needed by things as the sky must be above the earth. And lately, so great has _their_ anxiety become, I can spare myself little sleep.

Now there is only one man I like to kiss when he is unshaven.
Heterosexuality! you are inexorably approaching. (How best
discourage her?)

St. Serapion, I wrap myself in the robes of your whiteness which is like midnight in Dostoevsky. How I am to become a legend, my dear? I've tried love, but that holds you in the bosom of another and I'm always springing forth from it like the lotus--the ecstasy of always bursting forth! (but one must not be distracted by it!) or like a hyacinth, "to keep the filth of life away," yes, even in the heart, where the filth is pumped in and slanders and pollutes and determines. I will my will, though I may become famous for a mysterious vacancy in that department, that greenhouse.

Destroy yourself, if you don't know!

It is easy to be beautiful; it is difficult to appear so. I
admire you, beloved, for the trap you've set. It's like a
final chapter no one reads because the plot is over.

"Fanny Brown is run away--scampered off with a Cornet of Horse; I do love that little Minx, & hope She may be happy, tho' She has vexed me by this exploit a little too.--Poor silly Cecchina! or F:B: as we used to call her.--I wish She had a good Whipping and 10,000 pounds."--Mrs. Thrale

I've got to get out of here. I choose a piece of shawl and my dirtiest suntans. I'll be back, I'll re-emerge, defeated, from the valley; you don't want me to go where you go, so I go where you don't want me to. It's only afternoon, there's a lot ahead.There won't be any mail downstairs. Turning, I spit in the lock and the knob turns.

Frank O'Hara

I like this poem and alot of Frank O'Hara's work for its effusiveness and its positivity, and its wit. It seems so anchored in the moment occurring with ever whirling present thought.
 
 
DavidXBrunt
20:42 / 27.11.08
Well I hate to say it but I actually do wish I'd looked after me teeth.
 
 
museum in time, tiger in space
06:57 / 29.11.08
I like Frank O'Hara a lot. Someone (possibly the man himself) talked about him writing 'I do this, I do that' poems, and I think that actually describes a lot of what I like about him - the immediacy, and the self-involvement. All of his poems seem to be very much about being Frank O'Hara. Have you read Joe LeSueur's Digressions on Some Poems by Frank O'Hara? LeSueur was his flatmate and boyfriend for a while, and he takes a bunch of the poems and just kind of chats about the people and places they mention.

I think my favourite of that group of poets, though, is probably James Schuyler. This one is calledOctober:

Books litter the bed,
leaves the lawn. It
lightly rains. Fall has
come: unpatterned, in
the shedding leaves.

The maples ripen. Apples
come home crisp in bags.
This pear tastes good.
It rains lightly on the
random leaf patterns.

The nimbus is spread
above our island. Rain
lightly patters on un-
shed leaves. The books
of fall litter the bed.
 
 
COG
19:47 / 29.11.08
St Paul's

Pressed with conflicting thoughts of love and fear
I parted from thee, Friend! and took my way
Through the great City, pacing with an eye
Downcast, ear sleeping, and feet masterless
That were sufficient guide unto themselves,
And step by step went pensively. Now, mark!
Not how my trouble was entirely hushed,
(That might not be) but how by sudden gift,
Gift of Imagination's holy power,
My soul in her uneasiness received
An anchor of stability. It chanced
That while I thus was pacing I raised up
My heavy eyes and instantly beheld,
Saw at a glance in that familiar spot,
A visionary scene - a length of street
Laid open in its morning quietness,
Deep, hollow, unobstructed, vacant, smooth,
And white with winter's purest white, as fair,
As fresh and spotless as he ever sheds
On field or mountain. Moving Form was none
Save here and there a shadowy Passenger,
Slow, shadowy, silent, dusky, and beyond
And high above this winding length of street,
This noiseless and unpeopled avenue,
Pure, silent, solemn, beautiful, was seen
The huge majestic Temple of St Paul
In awful sequestration, through a veil,
Through its own sacred veil of falling snow.

William Wordsworth

I've been on a total Wordsworth bender lately. They just hit the sweet spot between old fashioned and modern and his pacing and jumps of intensity are spot on. This poem is for all you Londoners out there. The final feeling ofbeeing on a silent, snowy street is fantastic.
 
 
Alex's Grandma
23:56 / 01.12.08
The whole of 'The Waste Land'
 
 
Milky Joe
10:52 / 08.12.08
The More Loving One
by W. H. Auden

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
 
 
Alex's Grandma
02:35 / 10.12.08
'The Glory Of The Liffey'
By Brendan Behan;


Give me another drink,
Or I'll kill you
The Coleens have drained me,
In this bloody town
Where is it?

Tell them all, dear barkeep
That my soul is not for saving
That my heart is raging at the moon
And the English
(That also, I'm not paying)
 
 
Milky Joe
15:04 / 15.12.08
I know it's silly but I love JCC:

Kung Fu International - John Cooper Clarke

Outside the take-away, Saturday night
a bald adolescent, asks me out for a fight
He was no bigger than a two-penny fart
he was a deft exponent of the martial art
He gave me three warnings:
Trod on me toes, stuck his fingers in my eyes
and kicked me in the nose
A rabbit punch made me eyes explode
My head went dead, I fell in the road

I pleaded for mercy
I wriggled on the ground
he kicked me in the balls
and said something profound
Gave my face the millimetre tread
Stole me chop suey and left me for dead

Through rivers of blood and splintered bones
I crawled half a mile to the public telephone
pulled the corpse out the call box, held back the bile
and with a broken index finger, I proceeded to dial
I couldn’t get an ambulance
the phone was screwed
The receiver fell in half
it had been kung fu’d

A black belt karate cop opened up the door
demanding information about the stiff on the floor
he looked like an extra from Yang Shang Po
he said “What’s all this then
ah so, ah so, ah so.”
he wore a bamboo mask
he was gen’ned on zen
He finished his devotions and he beat me up again

Thanks to that embryonic Bruce Lee
I’m a shadow of the person that I used to be
I can’t go back to Salford
the cops have got me marked
Enter the Dragon
Exit Johnny Clarke
 
 
treekisser
01:33 / 27.12.08
Millay isn't my favourite angsty female poet, but this poem of hers always stayed with me.


Wild Swans

I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more;
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!


Edna St. Vincent Millay



Maybe it's the idea of words just vanishing in the face of a moment's glimpse of these swans. Maybe the idea of the swans, their freedom, the speaker's yearning. A sense of transition? The ambiguity of 'crying'? No idea. Maybe that's what it is, that I can't settle on its meaning -- even as it unsettles me.
 
  

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