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Cutting and folding, with a bit of glue for the more large-scale structures, seems like.
I think that the thing that gets me is his use of the negative shapes and "waste" produced by the process...
And I like his take on what he's doing too:
"Most recent I have started to make white paper cuts/sculptures inspired by fairytales and romanticism exploring the relationship between two and three dimensionality, between image and reality. I find the materialization of a flat piece of paper into a 3D form as an almost magic process - or maybe one could call it obvious magic, because the process is obvious and the figures still stick to their origin, without the possibility of escaping. In that sense there is as well an aspect of something tragic in most of the cuts." |
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