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PAD is one of those writers who can be both good and horrid, and sometimes in the same story.
He has a great way of putting together long term plotting, is able to use characters in new ways, and can write some really good stories. Right now, I'm liking his "Fallen Angel" and "X-Factor" a lot, and his Spider-Man is above average for a mainline Marvel book, although it's showing a LOT of problems with dragging in 10 year old continuity stuff that I barely remember. I've also like his fantasy novels as nice throw-away reading to keep me amused on a lazy afternoon.
When he's bad, however, he gets overly cute and in-jokey, almost to the point of ruining a story just to toss in a pop-culture reference that points out to the reader that they are reading a story in a goofy comic book. Young Justice was the worst offender in this. He can also get so wrapped up in the complexity of a story that doesn't need it, that you have to wonder if he just doesn't know what he's goign to write next, so he keeps going at the same plot as long as he can. The Captain Marvel series he did showed this tendancy, with the never ending Rick Jones stuff that never seemed to go anywhere, and the two year long plot that Captain Marvel might be crazy, but then again maybe he isn't. The ending of that plot was so bad, I wondered if he even understood the "twist" he was trying to write.
He's one of the few writers from the early 80's who is still writing regularly, and seems to be able to escape the trap of writers who started back then: Thinking that they are writing a never ending soap opera to keep people buying the next issue. You have to give him props for longevity, at least. |
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