|
|
Lewis's "Cosmic Trilogy" was one thing i was going to mention, but i'm not sure if it's strictly "sci-fi" at all (tho, of course, the usage-meaning of the terem "sci-fi" has changed several times, and arguably most of what is now called "sci-fi" wouldn't have been in its original sense) - yes, it involves technology and extra-terrestrial discovery, but science isn't really the point of it, and arguably it's even anti-science in implication...
it's interesting in that it uses an unashamedly Christian cosmology (which, of course, is its point, like that of everything Lewis wrote), but at the same time works in classical and Celtic myth (the Greek planetary deities, King Arthur/Merlin, etc) by identifying those characters with characters/concepts from, or finding those characters roles within, a Christian cosmological framework* - of course there are very strong parallels there with what his friend Tolkien (who, IIRC, was the "model" for Ransom, the hero of the Cosmio Trilogy) did with the Christianisation of Anglo-Saxon and other myth in the Silmarillion/LOTR mythos, and i believe i actually read somewhere that the Trilogy came out of a conversation between Lewis and Tolkien about exactly those themes...
I liked the books, but IMO they're curiosities rather than "classics". The first one (Out of the Silent Planet)pretty much does the cosmology job by itself, and also has a very funny bit where Ransom has to translate a speech by the "representing-Western-imperialistic-science" character to an "unfallen" race who have no need for or knowledge of commerce or capitalism. The second (Perelandra aka Voyage To Venus) is interesting in a fantastical way, and kind of scary in parts, but kinda misogynistic, and the third (That Hideous Strength) (which is set at an Oxford-spoofing uni, and features a Satanic science instutute performing unnatural reanimations and the return of Merlin and the Pendragon) is just really weird...
Re "twilight Zone-ish" revelations: there's a short story by Isaac Asimov (annoyingly i can't remember the name) where, basically, "Man" (sic) invents bigger and bigger computers with the intent of answering the question "Is it possible to reverse the Second Law of Thermodynamics?" (the entropy thing), and evolves into more and more advanced forms, until eventually the bodiless, unified-into-one-being spirit of "Man" merges with the beyond-imaginably-powerful computer "AC", escapes the universe as entropy leads to absolute zero, and meditates in hyperspace for eternity until ze finds the Answer: then, AC says "Let there be light"...
(i've often wondered if that story was the inspiration for Douglas Adams's "Deep Thought"/42 thing...)
I've also read (a very long time ago) a couple of sci-fi novels in which the Church evolves into new forms after humanity "conquers the stars" and comes into contact with other sentient lifeforms, creating new versions of Christianity and new "missions" to the new "unsaved", with interestingly problematic results, but annoyingly i can't remember the titles or authors at the moment... it's definitely an area worthy of exploration...
of course, it's worth drawing parallels with the DC and Marvel comics universes, in which (in the former at least) there are multiple alien races, interplanetary contacts, pantheons of "gods", aliens worshipped as gods, and beings with godlike powers, yet also there seems to be an "ultimate", genuinely omnipotent Christian-style big-G God, and associated concepts of angels, demons, heaven and hell, etc... in Marvel, it's a bit vaguer and more polytheistic, but i think there's an "ultimate omnipotent Creator" "God" there as well...
Overall i certainly think science fiction can be compatible with "faith" (as long as it's not the really crazy fundamentalist breed of "faith" where, pretty much, anything fictional is blasphemous to the big-T "Truth" of "God"), but that faith is likely to limit the ideas being explored in certain directions (which, of course, any belief/viewpoint of any writer will inevitably, and IMO rightly, do... since the whole point of fictional speculation is, at least in part, to convey some sort of ideological "judgement" (even if that's very vague and open-ended) about possible worlds). The use of religious themes doesn't necessarily mean the author is religious, if you see what i mean...
(sorry, very long and vague post which probably didn't actually make a point! there was going to be one there, honest...)
*(i particularly like, from a gnostic-ish point of view, his identification of the Greek/Roman planetary deities with the "governing angels" of each planet, and then making Earth's "planetary deity" Lucifer...) |
|
|