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STMTCG: The Star Spangled Banner

 
 
Aertho
17:08 / 30.01.06
I know what STMTCG stands for. Irony noted, and on with the show.


"In 1991, in the midst of the Persian Gulf War, Whitney Houston was called upon by the NFL to sing the national anthem at Super Bowl XXV. Emotions were extremely high that evening as she took to the field to sing. Her rendition of the song brought the crowd to it's feet with many in attendance and at home to tears. In what may be the classic rendition song Whitney shows how the Star Spangled Banner can and should be sung." —dl257, Philadelphia PA

(emphasis mine)

I was 11 during the initial Gulf conflict, and luckily have fuzzy memories surrounding my entire childhood. I can't say I watched Superbowl XXV, but I can say that both my parents watched it.

Legend has it that tensions were incredibly high preceding the events of the game, and several artists that were asked to perform the National Anthem declined. The Superbowl was feared to be too high of a risk as a target for the enemy. And whosoever chose to sing the Star-Spangled Banner would be standing, dead center, in the bullseye. At the last minute, Whitney Houston was asked to perform by NFL officials. She accepted, and joined the Florida Orchestra in delivering the best performance of the song ever.

Hm. Really?

For those who need the words:

Oh, say can you see by the dawn's early light
What so proudly we hailed at the twilight's last gleaming?

Whose broad stripes and bright stars thru the perilous fight,
O'er the ramparts we watched were so gallantly streaming?

And the rocket's red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there.

Oh, say does that star-spangled banner yet wave
O'er the land of the free and the home of the brave?


The track begins with the expected drum flourishes of any capable orchestra, and Houston joins in with her own pipes when the trumpets chime in. She strides powerfully strong alongside the percussion for the first verse, but then seems to drag the band into a land entirely her own for the second set. As delicately as can be imagined for a Superbowl performance, Houston sings accompanied by woodwinds, eliciting images of Disney animation ...and sounding utterly too feminine for a battlecry.

By the time Houston makes it to the third verse, she's taken complete control of the orchestra, and honors them by taking the song back up to its voluminous stature. But it's hardly theirs any longer. Houston commands the rest of the song, singing, acting, embodying the defiance of the lyrics.

Houston continues to raise and amplify the anthem throuigh the fourth verses, using characteristically Houstonesque tones to heighten "wa-a-ave" and "freeeeee", but then does the song justice by allowing "brave" to be strengthened by the orchestra she left behind, as well as the audience -who by now are whistling, clapping, cheering and gushing in awe.

YouSendIt song here.

Released in 1991, Houston's version of the Star Spangled Banner released as a single and quickly becomes Arista's highest selling single. I would assume that many people felt the same way as my father: He believes even today that they should play Houston's Superbowl XXV track instead of having talented kids sing at high school games.

I'm no singer, and know precious little about music, but I'd been told that the National Anthem is difficult to properly sing. Judging from Houston's performance, one can easily hear the "octave and a half" range necessary to do so.

That bring up another thing about what makes this version so exemplary: Houston's restraint. The range that the song requires is a challenge to many artists, and too often those with the ability to sing it go overboard. While I acknowledge that the strength of the anthem is that it is open to individual interpretation, several younger vocalists add what seems to be too much of their personal flavor. Be it a country twang, too-cool crooning, or gospel leanings, it seems to be another tradition that the singing is the worst fitting part of the song. And then there are the controversial iterations.

Is Houston's the best ever? That's relative, to be sure. Is there a better version out there? Is it just around the bend?

During my assembling of this thread, I read that Houston performed a pre-recorded version of the song. Does that mean she lip-synched? Was it all a televised hoax? Was she even at Superbowl XXV? What's the true account of events in '91?

And finally, do other states have a similar "epitome" of their national anthems?
 
 
grant
20:01 / 30.01.06
This is more note than a response, but has anyone here ever heard the Stravinsky arrangement? I've only heard it once on the radio -- somehow that mad Russian turned it into (or made it sound like) a song in a minor key, which I think is truly amazing.
 
 
Ganesh
23:37 / 30.01.06
Hmm, interesting choice. Even considered in abstract, without listening to Whitney Houston's particular version, The Star Spangled Banner throws up all manner of questions about the cultural associations of certain songs - or national anthems, I guess.

Some stupid questions first. Am I right in thinking US schoolchildren pledge allegiance to the flag on a daily basis? And The Star Spangled Banner itself, how often is it sung, and in what circumstances? Is there a prescribed way of 'observing' it (as with the now almost obsolete expectation that one should stand up when God Save The Queen is played)? The British national anthem used to be played every night at the end of televisual transmission; the advent of 24-hour programming put an end to that.

If one is taught, from an early age, to attach a whole load of positive feelings (loyalty, pride, respect, etc.) to a piece of music, to what extent is it possible to listen to it as just a piece of music? Is there a Pavlovian emotional response? I ask because I find it quite hard to divorce the stuff I feel when I listen to The Star Spangled Banner from my complex feelings about America as a nation and a concept - and I'm not even American...

Only listened to Whitney's version the once tonight (hey, it's late) but I've heard it before. I don't really warm to it, but then I'm not a huge fan of that warbly note-splitting technique; through Pop Idol, Fame Academy, X-Factor, et al, it's become a sort of cliched shorthand for "I'm really technically good at singing". In Whitters' case, she obviously is technically impressive... but all that tune-from-a-single-note stuff grates.

Will have another couple of listens and see whether it grows on me, or whether I can criticise it in more details.
 
 
Aertho
01:01 / 31.01.06
I'm not certain US students still pledge allegiance to the flag. I believed that was done away with while I was still in grade school, but I'm in the liberal side of Michigan. The pledge of allegiance is probably something under the jurisdiction of the states, and may be found recited in the South. In any case, the Pledge of Allegiance is a completely different string of words.

I sincerely don't expect you to enjoy Whitney's vocal stylings, but when you've heard it butchered at as many sporting events as I have, you kind of have to admire what Houston did accomplish with this performance. While her warble is distinctive, and impressive in that clichéd way, what struck my parents was the way she commanded her accompaniment. For me, it's the singing of this and her stage presence at the second Divas Live that allows her image to remain clear of her current antics in Being Bobby Brown. Others aren't so lucky.
 
 
grant
01:26 / 31.01.06
Having heard the thing, I think I have a vague, familial memory of it -- my parents being pleasantly surprised Whitney didn't "go in for all that frilly frou-frou stuff." There's a real trend in singing the anthem with *as much ornamentation as possible*, which I suppose goes right along with America's status as Empire (we're oh so rococo). It's kind of strange, the anthem -- not only did America choose an anthem based on an old drinking song, but also one with a nearly impossible-to-sing range.
"America the Beautiful" is a far nicer song, with a melody that anyone can hum and lyrics extolling our natural resources and not bombs bursting in air.
The Whitney version seems to be trying to distract you from the meaning of the words by dressing them up pretty -- the orchestration is very Disney, and Houston's showing off the strength of her voice by eschewing the frou-frou. Taking it to the next level, I suppose.
Still, it's no "Nkosi Sikelel'i Afrika." Then again, what is?
 
 
Ganesh
22:32 / 01.02.06
See, to me, all that vocal flutteriness - why sing one note when you can sing five? - is "frou-frou"...
 
 
grant
01:34 / 02.02.06
Oh, there are *much* worse ones out there. Houston's making a genuinely subdued performance here, compared to the standard "let's get a Real Professional Singer!" national anthems. It turns into a real grandstanding, self-indulgent whoa! who's got the range? I've got the range! spectacle most of the time.

Like this or, more than likely, any of these (excepting the brass bands). (Maybe.)

That's sort of alluded to in this wikipedia page about public performances (difficulty thereof).
 
 
grant
11:54 / 02.02.06
For sake's sake, there's a sample of the Stravinsky version on Amazon and on the Sony Music Store (scroll to disc 6).


Or you can listen to the June 14 episode of "Compser's Date Book".
 
  
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