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New Studio Ghibli Film - Wizard of Earthsea

 
 
invisible_al
21:41 / 20.12.05
It's going to be directed by Goro Miyazaki, Hayao Miyazaki's son. Not much other info at the moment but check out the cool poster with a Dragon on it .
 
 
lekvar
23:38 / 20.12.05
Fuck, I'd heard the rumors and hoped it was true, but I expected this to be as true as most rumors you hear on the internet.

feetdoinghappydance!
 
 
Jack Fear
01:29 / 21.12.05
The film will open in Japan next Summer: God knows when it'll be out in the states.

Note, too, that this is NOT a film version of the book A Wizard of Earthsea. It's supposedly based on The Farthest Shore and Tehanu, so maybe not the film that casual Earthsea fans have been waiting for.

The Japanese title will be GEDO SENKI—"Record of the Gedo War," and I'm betting dollars to doughnuts that "Gedo" is simply the Japanese rendering of "Ged"—with the subtitle "Tales of Earthsea" for overseas consumption. Sort of a LAPUTA / CASTLE IN THE SKY thing, then.

Goro Miyazaki has never directed a film before. He's 38 years old, a landscape gardener by training and former director of the Ghibli museum. He also may or may not be feuding with his father. All very odd.

Wouldn't be surprised if it were true, frankly: Miyazaki-san comes off as a pissy, misanthropic bastard. He barely saw his two kids when they were growing up, because he was such a workaholic, but they both ended up working for the Ghibli organization. Which suggests to me that, for all the sensitivity of his films, Miyazaki has never been interested in flesh-and-blood children—or in anything but his work, and that his children—his own sons—could only get close to him by approaching him through the work.

Which seems, I son't know, kinda fucked-up to me. But then, I'm not the world's most beloved animator, am I? No. I am not.
 
 
Seth
04:41 / 21.12.05
Work obsessed man cannot relate to his own family. You heard it here first folks. Fuck Harry Miyazaki. Fuck him right in his naval, the crosspatch.
 
 
iamus
06:19 / 21.12.05
Nooooooo. He's just an irascible and idiosyncratic old man who looks like a tough nut on the surface but if you treat his pet cat to high tea or something he'll give you this enigmatic little smile and then pull you along with him on a magical adventure through the corners of the everyday world! He wiiiiilllllllllll.
 
 
STOATIE LIEKS CHOCOLATE MILK
06:25 / 21.12.05
D'you know, I actually don't care what Mr M's like. In fact, I prefer to ignore the fact that he's even a real person. I like to imagine that these films just pop into the world fully-formed and brighten my day.

DON'T SPOIL THE MAGIC!!!
 
 
Tryphena Absent
12:43 / 21.12.05
I probably won't be going to see this: Howl's Moving Castle just lost its lovely welshness and Tehanu is going to be far easier to mess up culturally despite the fact that it's all fictional. I don't trust Studio Ghibli, why can't they make original work?

*sccrrooooogee. scroooogggeee etc*
 
 
Seth
17:53 / 21.12.05
why can't they make original work?

How many of their films are you familiar with?
 
 
Mourne Kransky
19:35 / 21.12.05
Hope Ged is dark skinned or black, at least, unlike the Aryanised version I saw a year or so ago, perhaps on Channel 5, by the Sci Fi channel people (I think).
 
 
Tryphena Absent
21:06 / 21.12.05
Sorry wasn't focusing properly- I meant that their original films are better and I wish they'd make more of those!!!
 
 
Suedey! SHOT FOR MEAT!
22:37 / 21.12.05
Oh wow, that TV special thing was awful. Ged was played by Iceman from the X-Men movies.

One of the girls from Smallville was in there, too.
 
 
Seth
09:58 / 22.12.05
How many adaptations have Ghibli done? Howl's definitely, and I think I heard something along the lines that Grave of the Fireflies was based on a book. Pom Poko is based on a folk myth but not on on any one specific text to my knowledge. While IMHO Howl's is the weakest of the studio's output, the other two are stunners (although I can imagine the weirdness of Pom Poko might put off a lot of people. Come on, shapechanging racoons that fight with their testicles! What's not to love?). Do we have enough to establish a trend?
 
 
iamus
10:38 / 22.12.05
Kiki's based on the Japanese kids book "Majo no Takkyuubin" by Kadono Eiko.

If I remember right, I don't think she was too chuffed with the adaptation.
 
 
iamus
11:23 / 22.12.05
Aha. Here we go.

That one and the one below.
 
 
Seth
13:02 / 22.12.05
Cool, I didn't realise that. Kiki always struck me as a good but rather slight Miyazaki movie. It's probably the one I've seen least out of all his films.

You know, I've been increasingly thinking that I'd love to see a Ghibli take on Lord of the Rings. File under the list of things that will never exist but probably should. It'd be fun to see a really ruthless sideways take on the material, one that didn't feel the need to be hugely faithful.
 
 
gridley
14:06 / 13.03.06
Goro Miyazaki's production blog has been translated and put up on the Studio Ghibli website: http://www.nausicaa.net/miyazaki/earthsea/blog/

I've just started reading it, but it looks like he connects very deeply and personally with the books, which encourages me that this will be quite good.
 
 
Seth
16:32 / 13.03.06
I'm really glad about that. The world needs more evidence that the Cult of Miyazaki really should be retermed the Cult of Ghibli. Hoping this will be ace.
 
 
This Sunday
19:21 / 13.03.06
Miyazaki, the elder, has admitted in interviews and such that he has problems relating to flesh-and-present children, as well as a tendency to be kinda pissy and reactionary with them. When he had his one-of-a-kind three-wheel bright red car out on the street, some little kid touched it, and he went off on him. Felt properly sorry, later, apparently.
It happens. Wasn't the guy who started the gushy-gushy 'Rose is Rose' severely rightwing Republican? The 'Education of Little Tree'/white supremacist thing. And probably loads on the lesser scale(s).
Note, I'm not insinuating that Miyazaki's any kind of horrible monster, just that he, admittedly, hasn't always dealt with kids (and people in general), the best or kindest he could.
 
 
Elijah, Freelance Rabbi
15:38 / 15.03.06
While the director might feel a strong connection to the books, it looks as though the connection does not include any of the dark skinned people

It IS pretty, but very very white
 
 
Harold Washington died for you
17:28 / 15.03.06
Was that Tenar with red hair? Blasphemy!

Earthsea in Clorox pissed me off. But what pissed me off more was that the miniseries itsself sucked donkey balls. Too bad Le Guin can't mount her own production, really, but Ghibli could get a million kids to read these books...so mark me down for cautiously optimistic.
 
 
Jack Fear
12:26 / 16.08.06
EARTHSEA released in Japan: LeGuin finds much to admire, but is ultimately kinda bummed out by it.

In other news, don't expect a US release any time before 2009.
 
 
jentacular dreams
10:56 / 20.08.07
*bump*

So, this was finally given shown at cinemas in the UK recently - did anyone catch it? Apparently it's had something of a stunted release, wikipedia claims 23 cinemas nationwide.

I felt somewhat mixed feelings for it. Changes to characters and plotlines abound, and it took me a little while to mentally seperate the film from the books so as to judge it on it's own merit, but here goes.

The animation is lovely. As Jack's link above says, it's perhaps not always quite as good as some other recent releases, but still pretty breathtaking. However, some of the key characters seemed a little flat and underdeveloped (especially Hare, who seemed in many ways something of a annoying stock caricature, as did the women who came to buy from Tenar). Sparrowhawk seemed more open in many ways than I expected, and Therru seemed much more outgoing and almost too ordinary given her nature. I was also unhappy with some aspects of the film such as the way certain characters disfigurement was downplayed and how elements of trangenderism seemed to be treated as unnatural and evil. These aside however, I enjoyed the portrayal of the world, with its natural balance, and humankind's place and influence within it, something which LeGuin only starts to properly touch upon in The Farthest Shore and the books that follow it.

I was also disappointed at how any maritime aspects of the storyline were shelved, and how the dry land was anything but, but perhaps these are criticisms born more out of comparison with the books than anything else.

These criticisms aside however, I still found the storyline reasonably engaging and whilst I wasn't carried away by the film as I have been by many (most) other Ghibli productions, I would say it was worth watching, especially for the second act's farm setting.

One aspect of the book, the absence of which in the film made me reflect on it [+] [-] Spoiler
 
 
Seth
11:38 / 20.08.07
I'm hoping to watch this and several other movies over the next couple of days (The Girl Who Leapt Through Time, I'm a Cyborg, But That's OK) so I hope to report back soon.

It absolutely will not happen today though. Night shift last night, haven't slept in twenty four hours and won't do until tonight, and I've just mainlined about twelve hours of Revolutionary Girl Utena (plus the movie to finish) which has been some of the best and most brain melting televion I've ever encountered. I'm now resting my addled head with Munir Bachir until all the shagging siblings recede a little bit further into the background of my consciousness.
 
 
Bandini
11:55 / 20.08.07
(Sorry, off topic) Think you'll bloody love I'm A Cyborg, But That's OK. Let me know what you think.
 
 
Seth
12:04 / 20.08.07
Start a thread, sexy bum.
 
 
Seth
11:36 / 11.12.07
Finally got round to seeing this last night, and despite the generally poor to mediocre reviews I rather enjoyed it (note: I don't know the books and so I have no idea what was changed).

It seems quite clear now that HM's public hissyfit about GM as director was more about his inability to direct well than anything else. The film is flat and unimaginatively framed, sequences that should appear epic appear like a holiday scenic photograph taken by, well, anyone without a lot of talent. In Goro's hands the film loses Ghibli's hallucinogenic, absurdist and humorous elements, as well Hayao's concern to make the antagonist(s) complex and three dimensional, until what we're left with is a simplistic and fairly unearned super-earnest goodness. That GM chooses more often than not to tell rather than show doesn't help, which is a particular shame in a medium that excels in doing the exact opposite (when budget allows, of course. And often when anime does go into hyper-dialogue mode it is subverted by visuals that are doing something else entirely). There's a lot that is entirely left out that could have done with at least a flashback sequence, but this is a disappointingly linear affair that probably gains its degree of resonance through anchoring itself firmly in Ghibli's in-house style of design, animation, themes and soundtracking choices.

All in all it's a reminder of some of what's great about Studio Ghibli rather than a fresh instance of that greatness. It's a call-back to simpler stories after the overload of the last three Hayao Miyazaki films, something that I'm hoping the studio's main great director will do himself in his latest. What I want next from the man is something that captures the straightforward storytelling genius he displayed in Tororo or Porco Rosso. Early word on that front is quite encouraging.
 
  
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