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The potential for pathos in HMHB is often overlooked, but such classics as "The Light at the End of the Tunnel (is the Light of an OncomingTrain)", "Soft Verges" and "Turned Up, Clocked On, Laid Off" are strangely touching. In one sense, "What is Chatteris?" is a standard patter song, but it does feel unusually wistful and indeed romantic. It also shows HMHB's interest in the way emotional landscapes are created throught the municipal landscape - in a similar wise to "Letters Sent", which collages letters to a local paper, as also features in the inlay card:
Keeper, you've just made a decent save,
Why'd you feel the need to rant and rave?
Shouting at defenders makes you look dead stupid,
Specially when they haven't done much wrong.
Please cease this trait.
Blackwell's interest in Thomas Hardy, whom he seems not to be referencing in this album (can anyone spot a quote?) makes sense in these terms - there is a real sense of the locality, the parish as an expression of Englishness (and HMHB, I think, are a very English band, but feel free to disagree), but expressed with some ambivalence... |
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