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Patrick Wolf

 
 
Tom Tit's Tot: A Girl!
18:41 / 19.09.05
I'm pretty useless when it comes to labelling music: is it folktronica, electro-folk, or what? What, really is the difference? Honestly, I couldn't care much, because after I picked up Lycanthropy, (named because a psychic in Paris told him once he changed his name to Wolf things would start to go right) his first album, I was hooked. Patrick Wolf has the unnerving ability to take beats and melodies and make them dance to his will, and I almost feel like I can't overstate how brilliant his musical talents are. His emotional depth might not be on the level of some of my other favourite music, but he is very young, and that said, he's by no means shallow.

He's admittedly heavily influenced by Bjork and Kate Bush, and it shows, but he manages to make these influences into something entirely novel and eminently listenable.

Ok, Ok, I could go on, but just go find some, listen, and let me know what you think. I'll post a bit more, later, when (if) I have some more time.

I particularly reccommend the tracks London, The Libertine, Pigeon Song, Paris, Don't Say No, and This Weather.

Ganesh, as a Kate Bush fan, I expect to hear your reaction. (if you manage to read this) Or, at least, Nobody's Girl said you were...
 
 
Tom Tit's Tot: A Girl!
18:47 / 21.09.05
Someone? Anyone?

Do I smell bad or something?
 
 
Shrug
19:20 / 21.09.05
Er I've nothing to add as I've never heard of him. Although your enthusiasm is both palpable and infectious. You've made it sound most appealing. The Bjork/Bush citing adds further intrigue. Will check it out.
Mayhap in a month or so I'll be giving you a thousand thank yous on this thread
Nothing some deodorant couldn't solve
 
 
Chiropteran
16:13 / 22.09.05
I think, from the little bits I've managed to hear, that I'm going to like this...

Not much more to add, 'cos I've yet to hear a complete song, but I'll be looking out for more.
 
 
*
21:49 / 04.10.05
Ah, I missed this.

I'm fond of Patrick Wolf's stuff. I got into it while looking for music which made me think of Victorian decadents and libertinism, and so he's in one of my highly annoying thematic playlists along with a lot of Nino Rotas, Tiger Lillies, baroque, Wocjieh Kilar, and Momus. None of these other artists tell you anything about what he sounds like, of course.

"The Libertine", from Wind in the Wires, has some very pleasant strings/synth, and showcases Wolf's warm vocals well. The beat is catchy but not exactly danceable, although I'd be tempted to suggest a fast four-beat ballroom number if it were in a playlist of mine and someone complained.

"This Weather", also from Wind in the Wires, is jazz influenced; starts off with pleasant keys and the odd sound of something like a power screwdriver in the background. It makes me think of some structure being dismantled. The imagery involves a circus closing at the end of summer, so I think that effect is successful. His vocal stylings don't seem to quite fit the dramatic instrumentation very well in this particular example, but otherwise I quite liked it.

The storm blows around
This harbour town
I listen to its wind as a choir
The shipping forecast
Is crackling
Like wet wood upon a fire

And time slows and slips away
The tourists come around in May
'Till August when the clouds roll in
The pier cracks, the awnings fade
The Ferris wheel spins slowly in the rain,
The day is gone...


If you don't mind my asking, from a position of general ignorance about genres, why is "folk" considered a good descriptor for Patrick Wolf's songs? Is it something about subject matter, or just because the vocals are sometimes comprehensible and the lyrics convey some sort of narrative? or possibly the occasional quite weird instruments/synth sounds he integrates?
 
  
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