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Me and You and Everyone We Know

 
 
nighthawk
15:47 / 05.09.05
Has anyone been to see this? It won a couple of prizes and seems to be getting quite a good critical reception. Its quite hard to describe, certainly not an out and out romantic comedy but quirkier than your average drama. I've heard it compared to Happiness by Todd Solonz, and Napoleon Dynamite, but neither are particularly similar - Happiness plays up the dark comedy much more effectively, and every slightly odd American filmed released in the next year will be compared to Napoleon Dynamite.

I was suprised by how much I enjoyed it actually. Overall the film lacked consistency and felt more like a series of shorts weaved together rather than a fully realised feature, but then that complimented the tone. Some scenes really didn't work for me (the goldfish on the car for example, and a lot of the stuff about the art world), and about a third of the way in I thought it was going to become a fun but unoriginal romantic comedy. Thankfully it doesn't (the conversation they have in the car marks the break from normal romcom I think), and ends up being quite a poignant exploration of the various ways the different characters connect with each other.

Having said that though, I did feel that if I'd seen it in a different mood I would have been much less sympathetic. Anyone else have any opinions?
 
 
FinderWolf
15:30 / 06.09.05
I've heard very polar opposite reviews about this - some saying it's terrific and some saying it's pretentious pointless and just bad. (Mostly people who I know & trust have said it isn't very good, but I've read many reviews in reputable publications praising it all over the place.) Haven't seen it yet, am curious to see what my own take on it will be when I do...
 
 
Sean the frumious Bandersnatch
19:50 / 06.09.05
))<>((
 
 
FinderWolf
14:50 / 07.09.05
what is that all about, then?
 
 
nighthawk
15:56 / 07.09.05
Reference to something in film, not really worth explaining as it won't make much sense out of context.

I think its interesting how polarised reviews have been. I certainly wouldn't describe it as terrific, but I do get the feeling that if I'd seen it on a different day in a different mood I'd have a much less affection for the film.
 
 
Yotsuba & Benjamin!
15:22 / 31.01.06
That must have been the day I saw it then.

I finally caught this on Netflix and was quite surprised by it. When I saw the trailer I said, "Oh, Miranda July went and made your typical indie film." This coming from someone who has quite enjoyed a lot of her recorded material (that one piece about the three robot children on Binet/Simon is still one of my favorite things ever).

It turns out she actually just turned her album-type stories in filmed vignettes. And pretty much none of them worked. There was absolutely no character dynamics, every single person was either Miranda July, Jiranda Muly, or Rimanda Lujy; all of whom spoke in the exact same way.

The one youngest son was quite endearing but that almost seemed accidental, a freak bit of casting. Not surprisingly, he's the character who had the fewest amount of words to string together, thus saving him from July's tin ear for dialogue spoken by humans.

Maybe I shouldn't have put Junebug in the same shipment, as seeing that the day before really put this film and its inadequecies into stark relief. Because Junebug is/was the exact opposite of MYAEWK in every way. And Matt Besser is in it.
 
 
X-Himy
22:17 / 31.01.06
I saw this after losing an argument at a video store. Take every indie cliche, stick em in a blender with some sickly sweet rotting fruit, and you might have this film. Completely underwhelming, yet leaving you with a bad taste in your mouth.
 
 
Mr Tricks
22:29 / 31.01.06
Utterly annoyed with this flick...

not sure were to start.

an ending that makes little to no sence unless you watch the deleted scenes.

The presumption that those er . . videos she was creating are Museum worthy.

The "profound" realization that internet porn (pr the internet on a whole) is nearly a direct result of AIDS.

Revealing the established Artiste Museum Curator's "dark secret."

Leaving kids alone with a father who'd set his hand on fire.

The other bored Perv.

I'd rather watch 40 year old Virgin!!!
 
 
PatrickMM
02:26 / 01.02.06
I enjoyed the film, but you can definitely see the indie comedy becoming codified as a genre. Episodic narrative, "wacky" characters, indie rock soundtrack, simultaneous poking fun at Hollywood cliches and indulging in them. So, I'm a fan of the genre, but this isn't a movie that's particularly groundbreaking or original.
 
 
Yotsuba & Benjamin!
17:03 / 01.02.06
Really?

The first film I thought of when I read that was The Baxter, which in many ways is similar to MAYAEWK, in that it features stilted dialogue and mounds of quirk. However, the stiltedness was more of a homage to Wilderana and the quirk never really dictated too much of the plot. Also, it had Mike Show in it. I found The Baxter to be wildly more entertaining than July's movie. You could probably also throw Junebug and/or Thumbsucker into that pool but, again, both actually felt organic and allowed me to empathize with their protagonists. They all form a similar category though, previously established artists (Mike Mills: Design, Mirandy July: Audio, Phil Morrison: The Engaging And Lovely Videos Of Yo La Tengo, Michael Showalter: The State, Stella) creating feature length motion pictures with narrative drive. It seems that out of those four movies, though, it's July's that shows the least interest in creating anything remotely organic and relatable. Again, comparing it to Junebug makes this blazingly obvious. That movie is pretty damn remarkable in its versimilitude.
 
  
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