Our Lady:
So, as I haven't actually picked up anything he's done since the end of Preacher has he actually managed to develop his L33T pencilling skills to maybe more than three basic types of face for all his characters?
I've never been much of a fan of Fabry's paintings in general, which are all the work he did for Peacher; though they stometimes strike me with the intensity he can bring to a composition with his odd color-choices (browns, greens, blues, oranges, all at once).
The first Kev story has some rough pencils in a more typical Fabry fashion of interesting but awkward facial expression, but they fit the more overtly shiteating tone of the writing.
The second one, 'More Kev', has some just fabulous facial nuances in a cast of characters who all look distinct and generally correlate to real-world faces. It's more refined than what I've seen of Fabry's pencils before, as if he had a great deal of time to work with it. His chapter in Neil Gaiman's largely puff 'Endless Visions' piece was appealing to look at as well, looks a lot like his More Kev work, with good nuance and shit-eats all around.
They're very sharp, very stupid stories.
>>I thought Carlos E was drawing the Kev minis
Carlos Ezquierra (mind the spelling) is pencilling the final Kev story that's upcoming in the fall, 'The Magnificent Kevin'. You can find a short preview here from DC's site. I get the feeling that he's a poorer match for the material than Fabry, who seems to know when and when not to take it very seriously, and gives equal visual credibility to the superheroe-y bits that he does to the guys-being-assholes bits. |