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Cee-lo Green...is the Soul Machine!

 
 
Haus of Mystery
10:48 / 27.07.05
You know, there's nothing better than an unexpected pleasure.
Having heard appreciative mumblings about Cee-Lo on the grapevine, I picked this album up (cheap too!) on a whim. And it blew me out of my shoes. Simply put, it's the best hip-hop/soul album of the decade, and a new entry into my Desert Island Discs canon.
Cee-Lo hails from the Goodie Mob originally, and shares more than a few similarities to O***kast. But in breaking away from them he's forging a a far more interesting solo career. He's 5'6, with a voice that can switch from speed rapping to soul crooning that would make Uncle Al Green proud, he's come up with a perfect record - sprawling and ambitious, but coherent and beautifully realised. It's funny and serious, inventive and respectful, cerebral and booty shaking.
The opener has Cee-lo delaying the start of the album, so he can play with his son, before launching into a bombastic theme song, complete with female backing trio singing his praises. Before you can blink he's into the first track proper, 'The art of Noise' a typically skillful Neptunes grinder. From there on the album goes all over the place, from the breezy 'All Day love affair' that channels daisy age early 90's hip-hop into a joyful celebration of relationships, to the fearsome gring of 'Glockapella' a masterful battle-rhyme to shame all pretenders, set over a staccato gun clap beat.Ludacris turns up on 'Childz Play' and for once does something worthwhile, with the two trading impeccable double-time verses. Or we have 'I am selling Soul' a two part meditation on his own inclusion in a canon that includes Curtis, Marvin, Al, Shuggie and the rest. Or 'Sometimes', a swirling piece of almost spoken word, that rests over a sprightly flute loop that could come from 1972.
It's basically a condensation of everything I love about hip-hop and soul music into just over and hour of music, from a performer who's versatility and basic likeability is astounding. It's a one-disc take on the overrated Love Below/Speakerboxx album, and, to me at least, is a far more coherent and ultimately interetsing piece.
It is, quite simply, the best thing to come into my life for a long time, and everyone should own a copy. Really.

Oh yeah, and it ends with his two year old son doing a drum solo. What's not to love.
 
 
Benny the Ball
06:17 / 31.07.05
I added this to my i-tunes on a friends recommendation, and never listened to it all the way through - only getting the odd song come up during random shuffling, and everytime a song would come up, would suddenly go 'ooh, that's good, who is that' - it's a fantastic album, and, yeah, Cee-Lo's voice is amazing, it could so easily be annoying, so easily sound strained, but he rolls out raps with a wonderful sing-song-soul style, I'd liken him more to Solomon Burke. Almost every song stands alone as brilliant, but I really like 'I'll Be Around', 'Evening News', 'When We Were Friends' and 'Sometimes'. But, yeah, it's a great great album.
 
 
Haus of Mystery
17:18 / 31.07.05
'Evening News' has a deeply pleasing slink to it, don't it?
 
 
Haus Of Pain
09:42 / 02.08.05
MacVulva

Have you heard the first Nerd album? It is good rap. You like Rap. It is Rap. Do you like?

Hello.
 
 
haus of fraser
17:01 / 28.05.06
Bump,

I was going to talk abou this in the Gnarls Barkley thread- but then its got its own thread for a reason.

This album is awesome.

For those of you that have been enjoying St Elsewhere- take MacReady's advice; get this record!

It's Cee-Lo, so its got a similar feel to Gnarls Barkley- but the songs are more fleshed out with an awesome lush soul-tastic production.

If Gnarls Barkley is Cee-lo with The Go! Team producing then imagine what it would sound like with Sly Stone at the helm. Yes, its that good.

I really like st Elsewhere- but i am falling in love with this record- and i only got it on Friday.

Big horns, gospel choirs, Cee lo slipping from rapping to crooning to sounding like Barry White's hipper younger brother.

Awesome. Thank you for telling me about it Mr Macgyver.
 
 
Haus of Mystery
17:07 / 28.05.06
That's alright. It is lovely.
 
 
Hydra vs Leviathan
17:45 / 28.05.06
Have heard this name mentioned quite a lot, but the only thing i've actually heard featuring his voice was one track on Santana's "comeback-with-lots-of-moderately-famous-guests" album which someone (possibly my mum) bought me as a Xmas or birthday gift once (one of about 3 good tracks on it, in my estimation)... can't remember the name of the track, tho it also featured (IIRC) Lauryn Hill (rapping rather than singing), but i do remember that the bits of it with Cee-Lo singing on them sounded exactly like an out-take from Marvin Gaye's "What's Going On" (ie, i was pretty impressed)...

of course, this was in the period (1999-2001ish) when i was fairly excited about the whole "neo-soul" thing (when i was still listening to the likes of Trevor Nelson, and hadn't got into the darker, deeper and trippier sides of hip hop and dub, or discovered jungle/drum'n'bass), and tbh i got fairly bored of that, mainly because it seemed at one point to be moving towards a new political/spiritual/sociological radical funk/soul music, taking its key from early 70s Marvin, Curtis, Gil Scott Heron etc, but then seemed to get sucked back into the standard "R'n'B" (modern definition) thing of songs about love, sex and hetero/mono relationships, which just doesn't interest me much really... the only albums i actually got round to buying from that "movement" (which i still occasionally listen to) were the first solo albums each by Lauryn Hill and Erykah Badu... the rest just sort of fell down my priorities list, and i ended up never buying them because i fell out of a social crowd of people into that sort of thing...

so, that was a long-winded way of saying that Cee-Lo Green vaguely interests me, but i'd like to know what kind of lyrical concerns he's primarily into, and also people's opinions on the whole "neo-soul" thing and whether it actually did have a radical impact or just disappeared after the point (round about the end of 2001) when it dropped off my radar...
 
 
haus of fraser
18:08 / 28.05.06
Sound like your radars on the blink... Gnarles Barkley are doing alright these days, 9 weeks uk number 1....
 
 
haus of fraser
00:03 / 29.05.06
Whether this is a current or old release i don't really see as a problem- more that it's bloody great- and has become relevent with the success of Gnarles Barkley the band that Cee Lo is curently the singer for...
 
 
_Boboss
11:33 / 14.06.06
ah look at that! two glowing recommendations from my two favourite men (dad not included) - how could I not? only a fiver in town, this record is a total humdinger, powerful enough to actually make the sun shine all last week. it will be my album of the summer because it has a sunny slinky wink and marvellous hangin-on-the-porch feel to it. i didn't realise cee-lo was the one with the dick-tracy baddie voice from the goodie mob either - it was always his bits on their stuff that was most listenable.

so yes, thanks chaps for the advice, and for a great fucking record for the coming summer fun.
 
 
Goodness Gracious Meme
13:41 / 15.06.06
Gumby: where in town can I get Cee-loveliness for a fiver?
 
 
haus of fraser
14:09 / 15.06.06
I got it from amazon for about a fiver- (inc postage) but if there's a shop selling it for a fiver down in Brighton its probably easier.

Just to reiterate this is a bloody good record- its way way outlasting St Elsewhere in terms of playability- the tragedy of the whole gnarles barkley success is that we probably won't get to hear these tracks live or even their like again (assuming that he continues to collaborate with Danger Mouse).
 
 
_Boboss
11:26 / 16.06.06
in fopp pal, next to the pound shop down from the clock tower, in the hiphop section. it's really marvellous in there for we cheapies.
 
 
lord nuneaton savage
12:41 / 16.06.06
And putting independent record shops out of business at a rate of knots....

...oh, look third Roxy album for a fiver.

*buys. hangs head in guilt*
 
  
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