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A Real Death In the Family

 
 
Hieronymus
08:59 / 20.07.05
One of my favorite Batman artists has passed on.

Mr. Aparo, who was 72, died from complications relating to a recent illness. All Funeral arrangements will be a private ceremony for Family and Friends of Jim.

Aparo, born in 1932, was primarily self-trained as an artist. After years of working in commercial fashion design in Connecticut, his first break in the comics field was with a comic strip called "Stern Wheeler," written by Ralph Kanna, which was published in 1963 in a Hartford, Connecticut newspaper for less than a year. In 1966, editor Dick Giordano at Charlton Comics hired him as a comic book artist, where his first assignment was a humorous character called "Miss Bikini Luv" in "Go-Go Comics." Over the next few years at Charlton, Aparo drew stories in many genres--Westerns, science fiction, romance, horror, mystery, and suspense.

Aparo was notable for being one of the relatively few artists in mainstream comics at that time to serve as penciler, inker, and letterer for all of his work. These tasks were typically divided between two or more artists.

In the late 1960s, Aparo moved on to National Publications/DC Comics, which is where he came to fame in the Comics Community. Originally starting at DC on the Aquaman title, he then moved on to also work on the Phantom Stranger and DC's horror titles.

In 1971, Aparo worked on his first Issue of Brave & The Bold. Issue 98 featured the Phantom Stranger teaming up with Batman. Beginning with Issue 102 Jim was then the regular artist on the series and provided pencils & inks on almost every issue from 102 until the end of the series with Issue 200. Jim's work on Brave and the Bold was his favorite work of his time at DC as he truly considered the series his "baby." Also during this period Jim did one of the seminal runs on The Spectre, where his realistic style made the Ghostly character truly come to life.

After the end of Brave and the Bold, Aparo was co-creator for Batman & The Outsiders and also worked on the regular Batman and Detective Comics Series throughout the 1980s and early 1990s. most notably doing the Pencils on the "Death in The Family" storyline, which featured a phone-in vote deciding the fate of Robin II, Jason Todd.

Following a run on the regular Green Arrow Series, Aparo moved into semiretirement, contributing an occasional special or cover and doing a few private commissions before he eventually decided to move into full retirement.

He is survived by his wife Julie, his 3 children, his 4 Grandchildren and two step-grandchildren.


He and Norm Breyfogle were the Batman guys when I was young. I always thought Aparo had a knack of giving his characters a kind of Olympian stature, in the way they stood and moved. Tall. God-like. Powerful.

And his work in the Death In The Family arc still contains, in my opinion, one of the most haunting images of a fallen superhero ever drawn. I remember seeing that and thinking, jesus these guys aren't fucking around.

 
 
Solitaire Rose as Tom Servo
12:02 / 20.07.05
Aparo's work was some of the first I read from DC, and he was one fo the few artists who could work in any genre and still keep his "look". He did a lot of horror work for DC, as well as all of his super-hero stuff.

He also only worked for two comics companies, as far as I know, starting with Charlton and then moving to DC and staying there until he retired. There's also a nice part of his life story...

He was a fan turned pro, one of the first. He showed his work around for years, supporting himself with advertising work until he got on at Charlton, doing Hot Rod comics, ghost comics and the like, until Dick Giordano brought him over to DC in 1968 (as he did most of the talent he worked with at Charlton), and Aparo worked at a page a day for the rest of his career, pencilling in the morning; inking and lettering in the afternoon. He was a rare exampole of an artist you went to and he could get it to on on time and good, rather than one or the other.
 
 
+#'s, - names
12:05 / 20.07.05
oh bummer, that guy was cool. growing up in the 70's & 80's his batman is the definitive one for me.
 
 
Jack Fear
12:47 / 20.07.05
For me as well. And his Joker—cadaverous, etiolated, angular—remains for me the most terrifying vision of the character.

Funny what you say about the Olympian stature he gave his characters, though: for me it was just the opposite. Aparo's line didn't have the slick confidence of, say, a Neal Adams—there was always a slight tremor, a scratchiness, that made the art seem (to my untrained ten-year old eye) seem grounded and believable. This wasn't the JLA Batman, out-thinking darkseid: Aparo's was a street-level detective, punching out dealers and diamond smugglers.

It's a shame he's mostly being eulogized for A DEATH IN THE FAMILY, which was far from his best work—his powers were starting to fail, and the book suffered additionally from poor inking—and THE OUTSIDERS, a team book of which Aparo himself was never terribly fond. For me, it was his BRAVE & BOLD work that cemented him in the ranks of the greats.

B&B, above all, showed off Aparo's versatility. The guest-star format meant that, month in and month out, he got to draw the greats of the DC Universe—and he made each of them his own.

He was old-school—solid and steady, cranking out his quota every month, never less than workmanlike, occasionally inspired; he never tried to change the industry or the artform, but he took that traditional visual vocabulary and made it work about as well as anyone ever did.

God bless.
 
 
FinderWolf
19:02 / 20.07.05
Aparo dies and James Doohan/Scotty just died...are we due for a third sci-fi/comics/genre entertainment death?
 
 
Billuccho!
22:18 / 20.07.05
Aparo is not my favorite Batman artist, but I loved his work as a kid and he probably drew what I consider to be the definitive Batman. He'll be missed.

Today, in his memory, I purchased a nice Detective Comics back issue, one that Aparo pencilled, inked, and lettered, with Peter Milligan scripting: "The Library of Souls."

It was good.
 
 
Benny the Ball
22:25 / 20.07.05
Not my favourite either, he was the other artist that I grew up with on Batman, he was my mates favourite though - but his Joker was fantastically unnerving, and I loved all his ninja stuff on the Vibrating Fist storyline.
 
 
Jake, Colossus of Clout
00:22 / 21.07.05
I always thought he did the absolute best bat-cape. I second the Brave and the Bold run- as I recall he did a mean Deadman.
 
  
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