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Something I've been playing with is what I call, for lack of a better term, 'signal syllabification.' What I'll do is isolate a certain monosyllable that is in some way representative of my desire or aim. I set the stage, so-to-speak, by emphasizing this syllable musically- strongest beat in the measure, distinct musical 'trick,' (I personally can't sample, but I could see where it would appy dead-on here), often a strong key tone for the signal. I work this up almost monotnously- aim being to associate the syllable with it's representative sound(s). Then, if you've bdone it enough, the listener will read the syllable into the sound, even when the syllable will is not there. Sure- this is musical, but what I also do is use that syllable- back when it still was a verbal element, and find it in as many words as I can, emphasising that syllable- especially when it violates the normal accenting of the word.
Poorly explained, but hey... |
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