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One Playwright in Search of a Theater

 
 
Grendel's Mother
00:28 / 24.02.05
A few years back, before I began teaching full time, I wrote a play entitled Dead Parents: A Revenge Comedy. The play was staged initially in Lawrence, Kansas and received excellent reviews, and a couple of years later Dead Parents was awarded one of two annual awards for drama by the Ohio Arts Council.

The problem is, I simply haven't had the time or the energy to do much with the play since then. I'm hoping that somewhere out there in Barbelithland there is a theater person desperately seeking new material for a full production.

Dead Parents: A Revenge Comedy is a play about the events surrounding the sudden death of the mother of six children and the subsequent death, more spiritual than physical, of the father. The play centers around the youngest of the children, Frank, who finds himself feeling obliged to narrate these events.

But rather than dwell in what could be a quagmire of sentiment and remorse, the drama quickly shifts into a meta-dramatic gear and begins playfully to take on theoretical issues, such as the natures of autobiography and drama, the revision of history, and the responsibilities and ramifications of being a narrator. Ultimately, the audience and the characters realize that the play is actually about Frank's narrative itself, as well as his motivations for creating it the way he did.

As the title indicates, the play fiddles witht the Renaissance revenge tragedy tradition to the extent that Frank sees his vengeful portrayals of his siblings as morally and ethically justified. What is important, however, is that Frank possesses basically all of the shortcomings he so eagerly points out in his brothers and sisters.

The play has sixteen speaking parts, but can be performed by as few as twelve actors.

If you would like to know more, please contact me.
 
 
Mike Modular
13:46 / 25.02.05
Whilst I hold no sway in comissioning or anything, you could always try sending the script, unsolicited, to an established producing theatre or theatre company. A minimum of 12 actors is quite a lot these days. Certainly in the UK, anyway. And they'll all want paying. And so will the director, designer, sound designer, lighting designer, stage managers, operators, set builders, rehearsal space owners... and you! In other words, if you want the production you feel it deserves then aim high, because you'll need some money behind it. I wouldn't know where to start in the US, but there's no harm in trying one of the new writing theatres in Britain. So, why not send it to:
Royal Court
Bush
National Theatre
Soho Theatre
Hampstead
The Gate
The Traverse

Or, you could try and get it published, which will raise its profile.

Just some thoughts... Good luck!
 
 
Whisky Priestess
09:56 / 26.02.05
Samuel French don't pay much, but they will get your play in front of a pretty large amateur/semi-pro audience of actors and directors, if puclished. Methuen also publish plays but I'm not sure they have a US operation.

On the other hand, if it's only professional production you're after, do what the poster above sez. They are all good theatres with good reps for presenting new writing.
 
 
wembley can change in 28 days
07:22 / 02.03.05
Can I at least read it? I know of one company that'll be looking for a new play for fall 2005 or spring 2006... although we're all stuck in helsinki. all the companies i work with here (in english, bien sur) are amateur/very poor, so no helicopters getting mucked up in the fly. But I'm still interested in reading it.
 
 
Rev. Orr
22:23 / 02.03.05
Can't add much to the above posts, but they're right about the number of parts. It's an arse, but you greatly increase your chances of professional production by tailoring your dramatic imagination to practical, financial considerations. Sadly, from talking to commissioning and script editors, some won't even consider a script requiring more than four or five actors. Of course with amateur productions, all bets are off...
 
  
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