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Am I getting old? The gruesomeness really bothered me.
Me too. I have had a really low tolerance for violence in movies lately - it took me a few hours to calm down from Sean of the Dead, and most of the night from American History X, so I wondered whether I was getting old, but... don't know.
I've been trying to pinpoint what I didn't-quite-like as much as usual about this book, and at first I thought it was that I missed the "Dennis Cooper" character (I love Guide). But then tangent pointed out that Dennis isn't in My Loose Thread, and I really love that one, so it can't just be that. Also, I think my favourite book in the George Miles cycle is probably Try (do I mean Try? Damn those one-word titles. The one with Ziggy in), which is also the funniest and also the one mostly from the point-of-view of the 'victim', which were two things notably absent from The Sluts - the former, I don't know why (did anyone else find it funny?); the latter, because of the, you know, clever structural thing it was doing. But I don't know whether that total removal of the central character from the story worked.
I mean, I think I know what DC was trying to do - leave that blank space for us to see our own reflection in, as it were; make us think about why we needed to hear from Brad, what we needed to hear from him, and all like that - and I think that was part of what made me so incredibly sad. Which is a good thing, I suppose, but... I don't know. You people talk more, and I'll see if it sparks anything else.
Have you talked more about the Lesley Anne book in the Sotos thread, person-whose-name-I-can't-remember, sorry? I was really intrigued by that, but I should go talk about it somewhere where it'll be on-topic, I guess. |
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