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Dreamworking

 
 
iamus
22:26 / 16.12.04
Monster Post Alert

Last night, I went to sleep after writing for a good few hours and reading other Temple stuff. I've recently been experimenting with communication through dreams. It had a whole other intent, but unexpectantly threw up this experience, which I want to describe and then use as a springboard for general discussion on working with dreams (Couldn't find any other dream threads save interpretation and stuff, but I could be wrong). I thought the meaning was clear to begin with, but after a bit of thought, I think it may be telling me something different.

Anyway. Here it is. I'm splitting this post into the dream and the resulting thoughts and questions because it's so big:

The world was ending. It was birth into the supercontext a la Invisibles. It was time for us all to move from the physical world into the realisation of everything being the same thing. But instead of us all doing this simulataneously, it was more of a gradual migration. I had to move across, which meant abandoning the physical world.

I understood it to be death, but nothing to be scared of, because death only looks scary from the physical side. I had to pass through an entrance that reminded me a bit of the moving wall scene in the movie "Time Bandits". I knew that we would eventually have to grow beyond the things that were important to us in this world, and that saddened me a bit because I like those things. I asked a guy from my work if he would miss movies (a slightly mentally disabled guy who only ever talked about movies and WWF). He said he really would.

I crossed over. At first I was hanging on the other side of the barrier, where everything was dark, still in my physical body. I had to change to move around. It wasn't so much like abandoning the body, but more like switching its mode. I went up to a different energy level, still looking exactly as I had but resonating at a different pattern. I went from being solid to floaty, able to swoop and soar.

This world was made of floating islands. Just floors and walls, no roofs. Like gutted houses. The houses were like thought imprints of what we had held onto from the physical world. They were filled with boxes with rolled up posters, different sofas, desks and stuff, laid about as if we had just moved in. Everything in this world was thought.

But we hadn't yet made the full jump. This was purgatory, but we were staying there not to burn away sin, but to prepare our minds from the level above, to gently remove our attachment to our physical selves and things. We were waiting there while our minds adjusted.

At some point in the dream, I went to the next level up and came back. I don't remember what it was like, but I knew that it was full experience of God. Not where we realise we are branches on a tree, but where we are the tree.

What I found was that I was able to move between the three planes. I decided to return to the physical world to help the last people make the move. There weren't that many people left, and this plane had become emptier and more like the plane above with every person that moved out. It was like uploading. As people left, they uploaded themselves, their things and their acheivements for conversion on the next plane. Somebody was releasing the last ever videogame in human history (Definate Invisibles hangover here). I could see it’s main character like a 2D cartoon standing in front of me before it faded up a level.

Back in the purgatory, I floated around checking places out. Memory was incredibly visual. Thinking about something brought the image of it straight to my eyes, but things faded fast. I thought about the teddy that I had as a kid. I could see him in front of my eyes but he was blurred and faded. I couldn’t make out the texture of his fur or the scratches on his nose. I found him in a box at my side, amongst the things I had uploaded, and picked him up, letting my fingers rediscover those textures. As I did, the mental image of him filled back out again.

I decided to find where the last Videogame had been uploaded to. After a little searching, I found it. It was in a room that looked exactly like a messy teenager's bedroom. The whole room was complete and unfaded, like it had just been uploaded from the physical realm. I remember thinking I was glad I got to play this in the purgatory because I didn't have to do so in the real, smelly, physical room. The game was a retro one on the Sega Master System with Bruce Lee in it. I thought at the time that there was some meaning to this (I'll be fucked if I know what though).

Back outside, amongst the islands, I was floating around, looking at the island I shared with others, and all it’s roofless, incomplete walls from a top down view.

Somebody was solving puzzles. She was phasing through solid blockages that clogged up corridors, getting to inaccessible points and then making herself more solid. When she did this, she could clear these blockages away simply by walking into them. I think she was clearing up inconsistencies of thought. Hang-ups from our physical days.

Back in a main room, I helped line somebody else’s desk up in the corner of the room as they moved in too. The place still looked just moved into. The room shape was very irregular and lots of different people's stuff was placed all over the floor in boxes. Couches sat in akward places, because we hadn't had the time to find a good location for them amongst all the crap.

I was ready to move on and merge with the level above, but I wanted to help people move in here, to help them acclimatise to the change. I also wanted to experience purgatory (what it meant to be human, but with no barrier between imagination and its manifestation) while it lasted, before we all moved on and a stage of our growth was gone.

I told them about the disappearing memory of the teddy bear. I told them about how actual things would disappear too if left untouched or unthought of for too long. I thought that this was because there was too much information in the universe, and this was a way of conserving it’s “processing power” while also being it's way of gradually weaning us off these things.
 
 
iamus
22:26 / 16.12.04
When I woke up, my head was still very much in this space. I didn't move for about ten minutes, because as soon as I did, I knew the feeling would fall away. So I lay there burning it into my memory.

I had a Bill Hicks line running over and over in my head.

“We’re not supposed to age and die, we’re meant to be in a garden right now naming animals. And the reason we don’t know the name of every animal tells me something. We left the garden too soon”

Sounds a little cheesy now, but there it was, stuck on a loop.

I was disappointed that the screenplays I'm writing would become redundant in the new world. But then I got the feeling that after a time, we would split off again. Leave the garden and found a new physical world. I thought that even though I loved the garden, I would possibly go with them, to offer what I knew and to help make it a good place to be.

Now the first thoughts I had regarding what this all meant were the typical 2012 supercontext meaning, but although I think the concept of the supercontext has value, I don't lend much credence to the "suddenly evolving into the superbeing" school of thought. Besides, my dreams rarely if at all talk in anything but metaphor and that seems like too obvious an interpretation.

What I think it may be about is shamanic practice in dreamstates.
I take the bottom level to be physical reality, the top level to be the Everything. The middle level is the dreamstate. It takes its imprints from the physical reality whenever you move into it, but it is far more malleable. It's a mix of the top and bottom. It puts you into contact with the Everything using the symbol systems our brains are capable of interpreting.

The moving back and forth through worlds, bringing back what you've learnt is classic shamanism. The first thing I thought of was Hero's Journey (Hero? Inflated self-opinon? Moi?), but that's pure shamanism anyway, is it not? The only thing that struck me about this interpretation was how effortless the whole thing was. In the dream, the whole process of shifting up and down was as painless and natrual as tying my shoes. That's not something I would come to expect from any sort of shamanic work. Then again it was just a dream.

Also, the image of the teddy bear has me thinking. Immediate impressions of this on waking were that when we are born, we are brought into the physical plane from the higher ones. The teddy bear is, I suppose, a link between worlds. It provides security on a base mammalian level of being something to curl up with, giving that furry kick of physical, maternal comfort. But it's also one of the first things we will give a personality to (being a passive object, we create our own personality for it, instead of having its personality imposed upon us). This could be seen as one of our first acts of creation and therefore our first attempt at engaging with the energies of the higher level. In the dream there is a feeling of surrendering that back. I now think that the teddy bear could be an extremly potent focus for working with creative dream energy.

Gak! Fuck! Let's wrap this up...

I'm interested now in taking the model laid out by this dream and working with it to truly get a grip on the dreamstates. I've always wanted to get a proper handle on working with my dreams as they have always seemed to give the most potent feedback on magical progress, but up until this point their usefulness has been sporadic.

The first thing I may take to trying this out is the uploading model. Using real world anchors to make definate imprints on the dreaming states. For instance, constructing minature representations of an astral temple to impress upon the dream. Also (being a compulsive hoarder) I still have the teddy-bear kicking about. I'm now convinced of its power and usefulness with this sort of thing as a magical fetish.

As I mentioned at the start of the thread (and if you still remember that far back, or indeed even made this far then well done!) I've been experimenting a little with imprinting intent onto dreams. I think this may have been a trigger, but it's thrown me in a whole other direction.

So, yeah! Dreams, eh?

Who here uses dreaming directly in their magical work? How do you approach this interaction? Do you use it for divination? Spirit communication? Do you impose intent upon dreamspace? Or do you let these things work their own way to you?

What do you have to say about this particular model? Any thoughts or musings? What models do you use and how did you arrive at them?
 
 
*
01:32 / 17.12.04
I have trouble dreaming lucidly, or even intentionally-- or lately even recalling my dreams, which is a sure sign I'm not sleeping enough (as if there were any doubt). But now and again I have a dream where I'm convinced I've Gone And Done Something. Last night wasn't one of those, but it was close.

Here is a description of last night's adventure, the first dream I've fully recalled in weeks, in case anyone is curious.

I think my general model for understanding dreamspace is that dreamspace is a different way of experiencing the same set of realities one experiences when one is "journeying" or "astral traveling" or "faring forth" or however one calls it. Any effort to map these realities is of course a metaphor and a projection of one's own psyche onto the experience, and I won't venture to guess how much these projections have to do with the actual source of the experience, if any. That said, my understanding is the more lucidly I dream the more the rules of the dreamspace start to act like the rules of the space I encounter when I "fare forth". It is actually in the half-waking, when I'm barely lucid enough to realize the reality I am encountering is non-ordinary, that I have the most tangible experience-- faring forth is primarily an intellectual process for me, while this borderline state is much more visceral. So for me dreamwork would be useful in learning to access and control this borderline state at will, so as to be able to operate effectively in the ordinary and non-ordinary realities at the same time.

Since you've brought it up at roughly the same time that I was thinking about it (because of the experience last night), I'm going to make an effort to access this state for the next few nights and see what happens. Once there, I'll see how my mental map of dreamspace unfolds, and compare it with the one you've developed here. Maps are useful things, even if subjective.
 
 
iamus
03:15 / 17.12.04
Errrm, entity... I just read your blog entry and here's something a bit odd...

I went back to sleep after writing my dream down in the morning and had another dream. I don't remember much of it but there are two parts I do that you may find interesting.

I was in a sort of Manor gardens, gravel paths, immaculate hedges. At one point I was walking along the path between two hedges. On the path were about five or six lines of snakes, going from hedge to hedge continuously, like traffic. When I walked up to them they would disappear in front of me and then reappear behind me, letting me pass.

And in the gardener's toolshed and stables I was getting hissed at by three different reared-up snakes. I hissed back and two of them backed off, scared. The third was a Cobra and it didn't back down, but it didn't attack me either.

Strange.
 
 
*
12:58 / 17.12.04
I think Freud sits around in the afterlife and sends people dreams to try to back up his psychoanalytical theories, so he can feel like he accomplished a lot with his life.

Snakes are pretty common dream symbols, seems like. I wonder if the fact that the snake in my dream wasn't a real snake has anything to do with my gender variance...

Nothing to report for last night.
 
 
Joetheneophyte
13:10 / 17.12.04
Meludreen, your first few paragraphs remind me of the movie What Dreams may Come, especially the purgatory, half way house feel of the afterlife

Haven't had time to read all your post yet as I am in work and time is very constrained


Great post
 
  
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