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'Masked and Anonymous', the Dylan thing, is totally a hypersigil and magicky whether he, or anyone, will admit to it or not.
'Hedwig and the Angry Inch' is pretty much a gnostic passion play with a nice rebis rebus endnote.
'Pi', 'The Man Who fell to Earth', 'Adolescent Apocalypse' (AKA 'Utena: The Movie), and, I'd argue, much of David Lynch's catalogue are up and magickally operative, most certainly. And no, I don't draw a line between obliquely psychological, physical, or 'other' manipulation/alteration/mutilation either. They are all instructional and demonstrative of reality realisation, which, far as I'm concerned, is what magick is centrally concerned with. Being as you be, whether you were to being that before, sometime in the future present. Ack! Sorry for that.
To preface - after the fact - I'd like to point out, just how suspect my opinion is: If you combine the films (and/or books) of Ed Wood, specifically 'Glen or Glenda', 'Plan 9', and say, any random third masterpiece, you get the Invisibles. Yes, you do. Fic suits, fetishes, reality manipulation, alien encounters as attempt to help/doctor, violence of these encounters, stupidity of the continual military industrial nonsense, and you know, the bomb to end all bombs and wipe it all away is the hand of glory (our hand touching the page and moving things along) and the 2012 end of it all beginning, birth to the supercontext. |
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