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Master of disguise

 
 
Gypsy Lantern
12:08 / 09.09.04
This is how it works. You can make all manner of things into magic if you look at them from the right perspective and engage with them in a certain way. This thread aims at developing a form of magic based on the art of disguise. The occult master of disguise does not spend his/her time learning the correspondences of the Quabala, practising the LBRP, internalising the methodolgies of sigils, invocation, evocation and so forth. They seek to learn everything that they can about the mysteries of disguise. This is their magical journey and it provides them with all the tools they will need.

How do you become a master of disguise? That's why this thread has been created. A place for trainee occult masters of disguise to swap ideas and compare notes. Various aspects of a disguise curriculum spring to mind, you could do a course on theatrical makeup to create your own disguises, a good solid grounding in body language and observing human behaviour will be necessary, an acting course and a thorough study of method acting theory and physical theatre are probably essential.

You would need to assemble a full wardrobe of costumes for the various characters that you have in your repetoire, always seeking to add more personalities to your arsenal of disguises. You would observe people around you constantly, attempt to imitate their characteristics, carry a note book to write down ideas for disguises that might come to you through daily interaction with people you encounter. Check out local colleges that might be running courses where you can pick up additional skills that will assist you in developing and perfecting your disguises.

This thread is about learning practical disguise skills that can then be used in magic. What skills should a trainee master of disguise try and learn? Are there courses on practical disguise? Do you first have to become a 'batchelor of disguise' before you get to be a master?

It's a lot of work, but that's the point. Nowt for nowt. There's no shortcuts in the world of disguise, and your ability as a magician is only as good as your skill at adopting convincing disguises. If you are accomplished at disguise, you can forget about the other branches of magic in anything other than a theoretical sense. All operations of sorcery can be accomplished through the medium of disguise. It is a spiritual journey in itself. What is the history of disguise? Who were the great masters of disguise that we can learn from? Who are the Patron Saints of Disguise? What is the mythology and hidden esoteric mysteries of the art. This thread exists to seek an answer to those questions. It is place for the serious study of the art of disguise.

So how can disguise be used in magic? The possibilities are endless and only limited by the imagination of the "guiser".

If you wished to lay a curse on someone or perform dominating or controlling magic, you might disguise yourself as a burly, sullen, bullying "moustached braggart" character and attempt an encounter with the target of your curse. Perhaps threatening or intimidating them, or aggresively passing them an envelope containing a black spot, or similar tactic. The magic is only effective if your ability at disguise is so well honed that they don't at all recognise or even suspect that it's you interacting with them. I think the magical clout generated by being able to pull off something as audacious as that would be phenomenal.

For a love spell you could perhaps adopt drag and attempt to flirt with and maybe seduce the object of your affections. Calling on the mysteries of Jack Lemmon and Tony Curtis to watch your back.

To heal someone, you could adopt the disguise of a preacher or holy man, contrive a chance meeting with the person in question, get them talking about their illness, then suddenly perform a theatrical blessing or faith healing on them before vanishing into the crowd.

You could influence a business or corporation by disguising yourself as a maintenance person or salesperson, and entering their premises under false pretenses to plant some strange object in the heating system or deliver a bizarre sales performance geared towards certain occult ends.

The ability to effectively convince other people that you are something other than what you are, is the mechanism by which the medium of disguise produces sorcerous results. It's a form of sympathetic magic, not dissimilar to hoodoo, that takes place in real time, enacted face-to-face as a psychodrama. Without the target of your magic knowing that its you or having a clue what's going on. Disguise gives you the power to step into someones life for five minutes, work powerful magic on them directly and physically, and then disappear without a trace, leaving them confused as hell but deeply affected.

Imagine any of the above scenarios actually happening to you. Some angry, almost cartoonish, figure with a moustache who you don't recognise coming at you at the train station on a morning when you're half asleep, knowing your name, yelling weird stuff, handing you a sinister envelope and then dissapearing again.

What are the spiritual and psychological aspects of walking the path of a master of disguise? Terms and ideas bandied about in contemporary occultism, such as fluidity of identity, fictionsuits, memeplex consciousness, and so on, cease to be empty buzzwords and become the physical fact of your existence. Disguise as a spiritual journey. Disguise as a religion. Disguise as a path to enlightenment.

Of course, for any of this to be effective, it's best that nobody actually knows about your skill and mastery at adopting disguises. So you have to develop all of these skills in secret. Sneak off to evening classes to learn your art, pretend that you're going somewhere else, the subterfuge begins from day one. If someone knows about your talent, they will immediatly suspect you and the disguise/magic will be inneffective, embarassing and potentially dangerous. To keep silent, is the watchword of the master of disguise.

I'm not a master of disguise myself. Not at all. This is all just speculation. I have absolutely no disguise skills whatsoever. Honest.
 
 
Bear
12:20 / 09.09.04
Love it...

I can see a London night out based around this as part of the training where each person is given a persona to adopt for a night out in a club, it's up to the person to create the disguise and become the person for the night, seeing how many people they can get to believe the act.

Also I put forward Jeremy Beadle as a Patron Saint of Disguise.
 
 
_Boboss
12:23 / 09.09.04
what a great post. only thing that comes to mind straight away is doyle's moriarty as an effective 'type' - his first appearance in study in scarlet he is utterly anonymous, the one thread of the crime that holmes can't unpick, nameless, an old lady. the misdirection is total, and holmes just hints that he already understands: this guy, his mind, is the only real crime that needs to be solved.

and the comic 'human target', which is surely to the immersive art of disguise what invisibles was to late 90s chaos, promethea is to babalon, sandman was for goths.
 
 
Sekhmet
19:02 / 09.09.04
What a fascinating idea...

Do we need to make a distinction here between "disguise" and "costume"? I presume the former is being used to denote the fact that the practicioner can't be readily recognized by his target/patient/client, even if they are already acquainted, whereas a "costume" may not conceal identity at all. Costume definitely does have magical applications, but probably isn't applicable to this type of practice.

There's a precedent for this, I think, in some traditional tribal rituals, particularly initiation rites, in which the initiate is abducted from his home by unrecognizably disguised tribe/family members. That practice carries over into some modern secret society initiations, where participants are hooded or masked to conceal their identities. The mystery and terror of confronting unknown beings in this context places the initiate in an altered state and primes him to receive instruction.

The master-of-disguise is obviously a broader, deeper application of the principle. Change is effected in the practicioner as well as those he interacts with...

What about fictional associations? Lord Fanny? Masked superheroes? Batman, in particular, springs to mind...
 
 
All Acting Regiment
19:59 / 09.09.04
A good (fictional) text in relation to this is The Magus, by John Fowles. It features a number of disguises and fiction suits, with a kind of crowley figure controlling the whole thing (or *is* he? etc etc)
 
 
Colonel Kadmon
22:29 / 09.09.04
I've always enjoyed the disguise element of magic, but in a less direct way. For instance, adopting a different walk when I'm in a dangerous part of town on a Saturday night, or using slightly different body language at an interview with a bank manager than with my friends. The secret of becoming invisible, is looking like you're meant to be there, and no-one will ever click. If you choose appropriate dress, you can go anywhere. Suit, briefcase, smart phone, laptop - you won't be stopped in a conference center. Long hair, battered ex-army bag, doc martins - you won't get stopped from going into the University library.
 
 
Colonel Kadmon
22:31 / 09.09.04
I've always enjoyed the disguise element of magic, but in a less direct way. For instance, adopting a different walk when I'm in a dangerous part of town on a Saturday night, or using slightly different body language at an interview with a bank manager than with my friends. The secret of becoming invisible, is looking like you're meant to be there, and no-one will ever click. If you choose appropriate dress, you can go anywhere. Suit, briefcase, smart phone, laptop - you won't be stopped in a conference center. Long hair, battered ex-army bag, doc martins - you won't get stopped from going into the University library.
 
 
Chiropteran
02:06 / 10.09.04
Perfect.

There is a nice little page here about "Observing People," with some specifics about disguise (it's from a Traditional Scouting manual, Baden-Powell style - the whole thing is actually worth looking through for "practical skills," especially in the areas of tracking, stalking, etc.).

I have a lot more to say about this, but I don't have time to organize my thoughts right now. Great thread, Gypsy.

~L (or is it?)
 
 
trouser the trouserian
08:23 / 10.09.04
Following on from Adam's post. When I worked as a student nurse in a big teaching hospital, one of my mates used to disguise himself as a doctor. Wearing a white coat, stethoscope, and his pockets stuffed with a drugs formulary guide he found he could wander in and out of areas he wouldn't normally have been able to access, as other staff naturally assumed he was a doctor. If challenged, he just muttered "Doctor Rogers" in a pissed-off, how-dare-you-speak-to-me-like-that, manner, and no one dared to challenge him further. Just an example of how playing "high status" in a situation can contribute to people's perception of you.
 
 
Skeleton Camera
02:29 / 11.09.04
Disguise is a wonderful tool and, in my rapidly evolving understanding, one of the essentials for a magician. And the *ease* with which disguises work is constantly astounding. Both examples of businessman and doctor work flawlessly. Grab yerself a set of Dickies and a reflective vest and you can do just about anything, anywhere, under the banner of construction worker.

And this brings up the power of image. I've ne'er heard of "glamours" until Promethea (book 1) but this thread brings them into the light.
Disguise segues very well into the fictionsuit discussion. Turn up your disguise into a persona and Doctor Rogers becomes a functioning entity. When Dr. Rogers talks to someone, it is a "glamour" of sorts - a facade, driven by purpose, being employed by the magician.
 
 
BARISKIL666
04:39 / 11.09.04
"The Occult master of disguise does not spend hir time learning the correspondances of the Caballa"etc...
This figures as they wouldn't have an idea of what they're trying to disguise themselves as beyond the superficial.
"Occult Master" then,I think not...
 
 
Gypsy Lantern
20:38 / 11.09.04
This figures as they wouldn't have an idea of what they're trying to disguise themselves as beyond the superficial. "Occult Master" then,I think not...

Any chance of explaining what you're babbling on about?
 
 
gravitybitch
23:19 / 11.09.04
Well, there's half a point there... My first thought when skimming through this was to wonder what was under the various diguises... Some revolving around whether or not there's a core identity at all, some about how much of what does the "trainee" cover?

As a skill-set, I think I'd rather opt for camoflague and passing un-noticed than simply not being identifiable.
 
 
trouser the trouserian
10:32 / 13.09.04
Myths in which disguise features...

In Greek myth, Zeus uses disguise quite a bit. It was through the art of disguise that he was able to slip a mickey finn into Cronus's bedtime cocoa, causing Cronus to spew up Hestia, Demeter, Hera, Pluto & Poseidon - the children Cronus had swallowed to prevent them supplanting him. Of course, Zeus is also well-known for seducing various mortal women via taking on various 'disguises' - a swan for Leda, a bull for Europa, etc.

Other disguise-related themes in Greek myth include: the respective 'returns' home in disguise of both Odysseus and Orestes - and the ensuing mayhem. Achilles spent part of his early life disguised as a girl at the court of Lycomedes. In a Laconian version of the Daphne myth, Leucippus a son of king Oenomaus, falls in love with Daphne, and, in order to be close to her, disguises himself as a girl in order to join her all-female retinue.

Themes relating to disguise also feature in Norse myth, particularly relating to the trickster Loki and all-father Othinn - one example being Othinn's use of disguise in order to win the mead of inspiration from the Giants. One of Othin's titles Grimner specifically relates to his practice of wandering Midgard in disguise - giving rise to the laws of hospitality, which had to be strictly kept, as who could be sure whether or not the old man or beggar-woman who comes knocking at one's door in the dead of night is not a god or goddess in disguise?

more to come...
 
 
Lord Morgue
13:43 / 13.09.04
Other great fictional masters of disguise-
The Saint, Darkman, The Avenger, the Stainless Steel Rat, The Chameleon, and of course, Yankee Doodle.
Real disguise masters- Lon Chaney Sr. and Jr., the Chevalier DeEon.
Aleister Crowley had a cloak and hood covered in little silver stars and moons that he swore made him invisible, but I suspect it was more a case of "don't make eye contact with the loony".
 
 
trouser the trouserian
14:30 / 13.09.04
Aleister Crowley had a cloak and hood covered in little silver stars and moons that he swore made him invisible...

There's a story (probably apocryphal) about that, actually. I first came across it in Keith Waterhouse's history of the Cafe Royal. From what I recall, Crowley came striding majestically through the main doors of the Cafe, resplendent in his robes and a pointy 'wizards' hat, walked across the Cafe, and out through its back doors. Afterwards, he would not accept that everyone had seen him, saying "If you saw me, why didn't you speak to me, then?"
 
 
Joetheneophyte
19:17 / 13.09.04
just thinking about the Promethea comment above

So do you think with all the various Moore vs Morrison threads that it is possible that they are one and the same person?

Does Alan rip off his wig and reveal a shaven headed Glaswegian?

(he'd have gotten away with it to....if it hadn't have been for you pesky Barbelither's!!!!)

I love the post by the way....the thought of walking up to somebody and laying some preaching healing on them really excited me. Reminded me (though not the same thing) of the story Richard Bandler told of a guy who was desperate to meet him

Richard said he was tired and couldn't be assed and as the guy raced to the lift (elevator) where Richard was standing, Richard let the doors close in the guys face

a year later Richard said the fella walked up to him and was convinced that Richard had somehow knew what therapeutic intervention was required just by looking at the man and as a result, the man had gotten over his hang ups all by himself!

Not the same thing but a similar example of how the power of belief change can achieve the desired result. The movie Holy Man with Eddie Murphy hits on this point. All through the film, you are uncertain whether he is charlatan or prophet
A true master of disguise would have a similar effect or even moreso

Great post as always GypseyLantern
 
 
Perfect Tommy
09:58 / 14.09.04
The most useful bit of disguise information that I have is the use of what I believe are called 'signifiers'. The idea is that if you have something somewhat outlandish or memorable on your person (anything from a distinctive hat to an unfortunately placed mole to unusually large breasts), observers are less likely to really concentrate on your actual features.

I'm in an unusual reversed position: I wear a couple of signifiers every day, with the result that if I wore a different pair of glasses, and wore a t-shirt and a baseball cap, I would become invisible to everyone I know in this town. I mean, of course my friends know what I look like, but they recognize me by my ever-present tie.
 
 
Unconditional Love
10:55 / 14.09.04
disguise is very much internal, burroughs agent comes to mind as does the confidence trick, the external is just as important, but the formation of personality is very important, i dont think acting covers it. more an acknowledgement from a starting base that there is no real you. no self, just a collection of memories, language etc etc, bladerunner comes to mind and alot of philkdicks stuff.

disguise as an acknowledgement of the fluidity of the non self, shaktis dance upon shiva, the maya the thugee were fond of exploiting, the confidence trick as a cosmic kick up thee arse.

no offense to anyone but buddhism has all the right teachings about consciousness to create very serene confidence tricks, on the self and others. but of course thats bad karma man.
 
  
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