BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Did Star Trek: the Next Generation fail as science fiction?

 
  

Page: 1(2)3

 
 
Ganesh
15:16 / 14.11.05
Could someone more familiar with the franchise enlighten me: has any episode featuring the meta-Club 18-30 "hedonism planet" ever depicted the fantasy hijinx thereupon as anything other than vanilla heterosexual in flavour?
 
 
This Sunday
15:23 / 14.11.05
Anybody else remember Worf throwing a fit over being put in a dress? I agree with Riker; he looked good in a dress. So does Riker, whose uber-hetero stance can only be one of those so-straight-they've-gone-round-to-queer deals. Law of slash fiction and Trek. Look at Kirk.
I think the fundamental break of mentality between Borg and Federation is that the Borg represent a fulfillment of fascism in the corporate sense. The Borg are a corporation. The Federation, having supposedly evaporated money and thereby corporate standards... are a corporate-less brand. They're a commercial that sells the commercial.
Neither gives a choice to the consumer/victim. And neither has money, for the very reason that - even taking the queen/president into consideration - no one individual is prized above others by the whole. Kill the queen, another rises, and kill the president, they just vote another in. Borg technology resurrects Captain James T. Spaceslut, in some Trek novel, after all. And, V'ger stands, reasonably, as an example of the Borg fucking us through our technology. The thing to see would be the two pitted right against each other with no running away and see who absorbs who and what the survivor claims happened. Queered through cultural breeding and assault. Yes.
Federation/Borg, Federation/Cardassian (did their name come from Card Masters/CardAss?), Federation/Dominion, Bashir/Garek... They're all going to be federated, and the Federation is going to be slightly mutated by the connection. Look at what happened with the Klingons, and tell me Spock and Bones aren't pretty much "that's just what the kids are into, these days" by the end, while Kirk is very, very "When I was young and hip we never..." and surely somebody on that ship was just, "Maybe we can cure their Klingonness, or they could just try hard to - be Klingon - but not act on their Klingon urges."
Inalienable human rights, indeed! Alienation of EVERYTHING is the problem, there. Geordi gets cool vision 'cause he's a pitiable cripple? The light-gravity people have to march about in a brace or wheel-chair because to fit with humans? Q can't do anything fun without everybody getting all bent out of shape and "that's just not right, so stop it now," and all? Why? because suffering to fit the mid-road - because, suffering, in general - is admirable. Apparently.
Do they shoot all the perverts at age seven, in the Federation? Body perverts, the lazy, artists and explorers... there's no room to grow old and comfortable in your own way. But every time they absorb another culture, a little more room is afforded.
Deep Space Nine, as an outpost, very much resumed the old school Enterpise's Temporary Autonomous Zone status at times. Worf could never shack up with Dax on the Entertprise he served on. Quark's bar, Jake Sisco's fuck the military industrial complex I'm going to be the one human not wearing one of those jumpsuits and shooting random aliens who disagree with my boss, Rom and Lita, Vic's very existence and permanence, Bashir and Garek... could never be allowed to perpetuate on the Next Gen. Enterprise or any other Federation ship.
Worf's discomfort when he first shows up on DS9, demonstrates this shift, nicely. And, Garek and Bashir get very much the old couple by the end of DS9, so I'd be immensely disappointed if their actors and writers were unaware of that subtext.
 
 
Our Lady Has Left the Building
15:39 / 14.11.05
Can't remember Worf in a dress, there was the episode 'Fistful of Datas' which has ends with a Wild West woman turned into Data giving Sherrif Worf a smack on the cheek for saving them, and one of the Q episodes has him in tights as Will Scarlett.

Risa, a planet only for the real men who like real ladies. Never any hinting of anything else.

And we've talked elsewhere about the Mirror universe and it's tight-clothes-and-alternative-sexualities-eviiilness.

My calling Dax a 'slut' on the last page was probably a bad choice of words, by the last season Ezri and Worf make it seem that she slept with everyone outside of the command staff and Quark.
 
 
Regrettable Juvenilia
15:45 / 14.11.05
The most recent Goldfrapp single was about Riker.
 
 
matthew.
04:39 / 15.11.05
Anybody watch the Discovery Channel special on Shatner, Trek and its influence on modern technology. I thought it was little bit too cutesy. And holy shit, Riker is fucking fat and Walter Koenig hasn't aged.
 
 
All Acting Regiment
06:14 / 15.11.05
Good points, Daytripper.

You know what I always thought about Trek- all of Trek? Too much continuinity. In the sense that it had to be a saga, and a close knit one at that. I can only really explain this in terms of Doctor Who, so bear with me. One of the reasons I think Doctor Who was so good was that it overall didn't rely on continuinity, whisking the characters away to new and fresh places every few episodes. Yes, you had the Daleks and other baddies (and goodies) built up over the series- but there was planty to distract you.

It charted the individual exciting bits, not all the in-between stuff- and when continuity was relied on it was generally weakest. I suppose Doctor Who could do this, being a time as well as space show- they had the entire universe from start to finish to play with- but even so, taking into account the more limited context of millitary spacecraft as opposed to maverick time machine, Trek just seemed to roll on so long sometimes, travelling all the way down the excitement curve and chugging along at zero for episodes at a time.

Another issue is the way in which Who adressed the issue of aliens, technology, the distant future, the distant past- all the things that the viewer could have found hard to understand- by having the Doctor know everything and be able to transfer that information to his assistants whilst at the same time seeming as alien as this would logically make him.

Whereas on Star Trek, everybody seems to jabber away in tech jargon- right from the start of the original series, with no explanation. Which often simply works against the show: having a plot device (engines stop working) described by such bizarre technological metaphor (warp fluctuation matrix and so on) that it's like watching a Kabuki play without any translation or guides.

And I think this issue- the cast needlessly talk in ways that less than 100% of the audience can understand- reiterates with every individual show, every new season, ultimately every new series. And it reiterates exponentially- that is to say that the percentage of the audience who don't feel welcome and thus go rises all the time, and the more Trek did it's thing the more obscure and fannish it became. A big slippery slope, basically.
 
 
Seth
07:15 / 15.11.05
Is anyone able to give a good working definition of sci-fi? Something by which we'll be able to determine whether Trek fails?
 
 
ONLY NICE THINGS
07:57 / 15.11.05
Fair point. The question Lord Morgue seemed to be asking was closer, I think, to "Did Star Trek lose its way as a socially progressive piece of popular media?"...
 
 
Evil Scientist
08:57 / 15.11.05
"Did Star Trek lose its way as a socially progressive piece of popular media?"

I think it had in the last two series. Neither Voyager nor Enterprise managed to do more than re-hash subjects which had already been sufficiently covered in the first three.

Out of all of the Trek canon, it was DS9 that managed to push the boundaries of social comment out futhest. For me anyway. It's criticisms of Federation policy and ideology were what the show needed. The society wasn't perfect, there were massive flaws in it's, supposedly utopian, lifestyle.

But when it came to the subject of sexuality, Trek was never particularly experimental. However, I think that applies across the board to sci-fi programs. I can't really think of a show that dealt with anything other than hetero relationships in a mature way.
 
 
Cat Chant
09:05 / 15.11.05
The question Lord Morgue seemed to be asking was closer, I think, to "Did Star Trek lose its way as a socially progressive piece of popular media?"...

I have to say I really appreciated the question being posed in the way that it was, because there's often a covert assumption that the worth of 'science fiction' is to be judged, not on the plausibility of the social structures it depicts given our current knowledge about the organization of human subjectivity and society, but only on the plausibility of the shiny tech. To bring in Evil Scientist's point:

I can't really think of a [sci-fi] show that dealt with anything other than hetero relationships in a mature way.

one of the ways in which Babylon 5 failed as science fiction (that is, as fiction set in a coherent and plausible future universe), for me, was the way in which, although gay marriage was legal, there were almost no visible out queers (the Ivanova/Winters relationship was secretive and angst-ridden to the point that some viewers don't think there was a sexual element to it), there were no transpeople, and binary gender was as strongly enforced in the Babylon 5 future as it was in 90s America. It seems to me unlikely that a deprivileging of heterosexuality on the scale of legalizing gay marriage would have no visible effects on a society's gender/sexuality regime.
 
 
ONLY NICE THINGS
09:22 / 15.11.05
And Ivanova has to be rescued from queerness by the sacrifice of beard-boy Marcus. Put like that, the question makes a lot more sense (more, I suspect, then when it was first conceived) - in which case, yes, we do have this weird situation where inter-species relationships sort of take the place of queer relationships - they happen, and are often shown as loving and fulfilling, but those who practice them openly (Delenn, Sheridan, Worf) are subject both to external suspicion (and at times outright hostility) and doubts about whether what they are doing is right or natural.
 
 
Cat Chant
10:39 / 15.11.05
inter-species relationships sort of take the place of queer relationships

And mixed-race relationships, too, of course: there's an episode of DS9 where a few of the crew get shipwrecked and thrown into an alternate future, so you get to see what a society bred entirely from, say, 5 of the DS9 regulars would look like, several generations down the line. The thing that's really striking about that is that there's a lot of mixed-species (human/Klingon) people, but all the unmixed-human characters are either really white or really black: there's clearly been no children born from mixed-race couples.

Which raises some interesting questions about metaphoricity in science-fiction, I think: when you're using a 'science-fiction' concept (the diversity of alien species, cross-species sexual relationships) to stand for a mundane concept (the diversity of race and ethnicity among humans, mixed-race and/or queer human sexual relationships), the 'tenor' of the metaphor - the mundane concept - has to be erased from the future. Again, this is a point at which Bablyon 5 nearly broke under the strain: there's an episode where each of the alien species gives an explanation/demonstration of the religion of their own culture, and Sinclair (for it is he, at that point) doesn't really know what to do for human religion: eventually he decides he has to introduce a representative of every religion and denomination on earth (This is X, an Orthodox rabbi... this is Y, a Mormon priest... this is Z, an imam....) and the episode fades out on the long line of people in different costumes. It's a sort of content-free 'diversity' reminiscent of the stupidest discourses of multiculturalism, which serves only to highlight the unlikelihood of the monolithic 'cultures' all non-human species represent in B5 - a confusion of the metaphorical and the literal...
 
 
ONLY NICE THINGS
10:49 / 15.11.05
Oh, God, yes - I was waiting there for one of the ambassadors just to snap and bellow "'Kinell, Sinclair - just because we represent simplified versions of archetypes from human history, culture and fiction, you don't have to be a dick about it. You know who's gonna be tappin' your girl? Tron's gonna be tapping your girl. How's your Sufi priest like that?"
 
 
grant
11:51 / 15.11.05
Ganesh: has any episode featuring the meta-Club 18-30 "hedonism planet" ever depicted the fantasy hijinx thereupon as anything other than vanilla heterosexual in flavour?

Wasn't there some kind of group thing going on there?

(This would loop back to ideas about the Borg/collectivization/breakdown of individual roles.)

I have a vague memory of implied orgies.

Legba: You know what I always thought about Trek- all of Trek? Too much continuinity.

Yes. That's my "weird fuckin' alien" rant, put nicer. Strength of the original series -- no continuity, just a new weird alien every week. We didn't care about galactic politics, we didn't care about inter-crew relationships (except as subtext -- SUBTEXT).
 
 
Ganesh
18:33 / 15.11.05
Within those superbly implicit "implied orgies", was there any indication that anything other than vanilla heterosexual liaisons might be happening?
 
 
grant
21:09 / 15.11.05
Well, the groups I remember walking around in the background of scenes had males and females in them, but I don't think they were all in the same proportion. So I don't know how vanilla hetero that'd be -- less than 100% but not by too much. Nothing you wouldn't see in het porn, I don't think.
(Although I really don't remember things that clearly -- there may have been a troupe of George Michael-lookalikes walking through one scene, but I genuinely can't tell if my brain is making that up.)
----

I'm trying to remember now something from the original series episode "Turnabout Intruder" (last show of that series) where Kirk and Dr. Janice Lester switch bodies. I have a vague memory of Lester (with Kirk's brain) checking out Yeoman Rand. I may be making that up, too. I know there was some kind of something between Lester (in Kirk's body) and her boyfriend. It wasn't anything too visible, but in the 60s, not much *was* visible, vanilla or not.

Oh, Google is my friend. "Turnabout Intruder: A Queer Critique" says there's a moment between Kirk and Coleman. Hand on a shoulder, smoldering glance.

----

This discussion is now making me very sad about American popular culture.
 
 
Ganesh
21:50 / 15.11.05
Indeeeeed.
 
 
Evil Scientist
12:46 / 18.11.05
Did Star Trek: The Next Generation fail as science fiction?

OH HELL NO!
 
 
Mister Six, whom all the girls
13:10 / 18.11.05
That link scares the crap outta me.

The one ep of ST:TNG that still impresses ne is the one where Ryker has appparently been committed to an institution for having a fantastic delusion that he's a space adventurer.

The ep flits back and forth around Ryker's inability to cope by using the device of a play that Ryker was putting on at the old Enterprise coffee house theater.

I used to be furious about the ending where Ryker just casually dismisses the whole experience with a beardy grin whereas Picard had become such a rich character from similar experiences, but the more I think on it it makes sense in regards to Ryker and that century's mindset.

But how many episodes had that much thought put into them, like three?? Mostly the series was board meetings and talking heads when you get right down to it.
 
 
sleazenation
13:11 / 18.11.05
the horror, the horror.
 
 
Seth
21:55 / 18.11.05
Mister Six: you're kidding me right? Since when can Frakes carry an episode, let alone an *it was all a dream* episode? Badness.

Yesterdays Enterprise on the other hand is a contender for the best single episode of any TV series, period. And it managed to make the reset button work, while simultaneously paving the way for some way dumb continuity.
 
 
Seth
21:58 / 18.11.05
That's now possibly my favourite link ever, BTW.
 
 
Kirk Ultra
00:37 / 19.11.05
On the topic of sex in Star Trek, one aspect I haven't seen talked about here yet is holodeck sex. It's hinted at in TNG, and in DS9 it is very openly talked about and accepted that people get up to very dirty things when they're in the holodeck. Most of it seemed to involve s&m with Orian or Vulcan slave girls, but it wasn't restricted to this. I seem to remember Dax having some interesting holodeck programs.

The more I think of it the more it says about the star trek universe and the creative forces/culture behind it. Its strange to think about these going around being uptight all day, and then turning a corner and walking into a room where you can make any crazy weird fantasy they've ever had come true.

The holodecks only just showed up during TNG if I remember right, some good stories could be done using the holodeck as a catalyst for social change in the Federation.
 
 
matthew.
03:52 / 19.11.05
Whathisfoot - Barclay or something - had a huge holodeck addiction. Not only in ST:TNG, but in Voyager, too.

In an episode of Voyager that was too cutesy, Deanna Troi is therapist to Barclay who is working on finding a way to communicate with the lost Voyager. He spends his free time in the holodeck simulating Voyager and its crew, so he can bounce ideas off of the engineering crew. Of course, Barclay has programmed Voyager to be especially nice to him. He's the most popular crew member. While in the real world, he works on creating on a chisel to poke a hole in quantum/Planck space and poke out where Voyager is.

Since Troi and StarFleet know of Barclay's holodeck addiction, they monitor him fiercely. Once he stops going home and sleeping in Voyager, they confront him. Of course, the evil StarFleet chooses to take him off the project, but - lo! - he manages to make contact with Voyager for half a minute, and Janeway sends her "blackbox" info back home. So Barclay triumphs after all.

I find this episode to be interesting because I think this an effective commentary on the state of fans and Trekkies. The holodeck addiction is an allegory for the obsessive fanbase and the constant desire to hide from reality in a world of utopian perfection (according to Roddenberry). Barclay is representing the common fan (from the production company's POV, by the way): nervous, socially awkward, easily influenced, prone to phobias, and easily addicted to fantasy -> Star Trek.

I mention this episode of Voyager in this thread about sexuality and Star Trek only because it highlights that sometimes, in a cutesy fashion, that Star Trek hit the nail once in a while.
 
 
This Sunday
14:53 / 19.11.05
Of course, the message of that Barclay ep, seems to stem from that he finally does contact Voyager and they're all happily-ever-after recognized for their achievements. That is: Sleep and live in our fantasy and our fantasy characters completely intangible to you, will validate your existence by popping through the veil and approvingly vindicating. Or the clause called, "I knew it was all real! I knew it!"
The non-Trekkie's biggest fear of Trekkies. Complete schism from reality.
Sisco's wormhole alien fantasies was a lot better than that.
 
 
Seth
15:39 / 19.11.05
There's a similarish DS9 episode called It's Only A Paper Moon in which Nog retreats to the holodeck to recover from having his leg blown off in an outpost siege. He has a lot of his illusions about Starfleet, the war and his own mortality shattered and can't face reality, a reality in which he or any of his friends might die.

In the process he gets Vic Fontaine's program turned on 26/7, allowing Fontaine to effectively become *real* - whereas Vic's apparent sentience was previously only for the amusement of Bashir and a few other notables, running for as long as they chose to stay in the simulation, he now gets the chance to rest, read the paper, fret over finances, watch telly, sleep and dream.

So Nog veers dangerously close to losing himself in fantasy while Vic gets a taste for what it must be like to be a real person... leading Vic to realise what Nog is doing to himself and making the decision to kick him out, cold turkey, back into the real world of the station. So it kinda has the opposite message to the Voyager ep: tough love, quit whining and adapt, get on with your life kinda stuff.

Also a lovely episode in that James Darren and Aaron Eisenberg get the chance to sell their very unlikely characters in three-quarters of an hour that focus on them to the exclusion of the whole regular cast.
 
 
This Sunday
16:44 / 19.11.05
Comparing Vic to Moriarty is where DS9 had it all over Next Gen. Moving away from 'Oh, he's sentient, isn't that so cute? Let's lock him away forever, in a prison.' Moving into 'Oh, he's sentient and we were kinda bastards for locking him away in a prison we could shut off at any moment. Let's buy him a holosuite and let him live, sleep, shit and sing.'
Moving away from 'Klingons must die!' and 'Bloody Cardies, even if the war's over I still don't trust'em' to 'I don't trust my enemy, even if they aren't the enemy any more, but I can still drink with them, and after a few Romulan Ales and a some batted eyelashes and bon mots, Garek looks really sexy and maybe I'll take him to bed and we can be enemies in the morning.'
Just a general move into (a) open sexiness, (b) open and rational sociability, and (c) and ability to admit that you/I and your/my bosses might not always/ever be right. Which the Kirk-helmed Enterprise had quite a bit of, but seemed to get lost on Picard's ship and re-lost for Voyager.
 
 
Tom Tit's Tot: A Girl!
17:12 / 19.11.05
And Ivanova has to be rescued from queerness by the sacrifice of beard-boy Marcus.

Except, y'know, as early as first or second season we knew all about her failed relationship with one man in particular, and it was hinted at fairly heavily that Ivanova and Talia were physically intimate (ie Ivanova spending the night at Talia's, and in the morning they are both towelling off and wearing bathrobes at the same time) not to mention that Claudia Christian has repeatedly referred to Ivanova as bisexual when interviewed.

Let's not forget that love overcomes racism/bigotry in B5 when it comes to Sheridan and Delenn, as well.

I don't think that B5 fails in this fashion, because even when it is subtly mentioned that homosexual marriage is legal in B5's future, words used to define sexuality (bi/homo/hetero) are never used in the show. Perhaps because it's no longer a point of contention.

I doubt that the above comments are as bi-phobic as they felt to me, but they are also innaccurate. Ivanova is bisexual, and therefore queer.
 
 
Lurid Archive
20:15 / 20.11.05
Again, this is a point at which Bablyon 5 nearly broke under the strain: there's an episode where each of the alien species gives an explanation/demonstration of the religion of their own culture, and Sinclair (for it is he, at that point) doesn't really know what to do for human religion: eventually he decides he has to introduce a representative of every religion and denomination on earth

True, and early Babylon 5 was cringemaking at certain points. But that episode stands out as a significant success for me, even though the religious theme was weak (despite the surprising inclusion of an atheist in that line) because the real climax is where Jkar gets beaten up by his aide to their mutual enjoyment. Its kinda sweet, if you ask me.
 
 
matthew.
21:55 / 20.11.05
Sleep and live in our fantasy and our fantasy characters completely intangible to you, will validate your existence by popping through the veil and approvingly vindicating

See for me, this tacked-on happy ending is an appeasement for the Trekkies. They don't like to be told that they are susceptible to holodeck addictions. What would have been a more interesting ending, IMHO, is if Barclay really didn't make contact with Voyager at all, if he failed completely and utterly in his task, and then sunk further into holodeck addiction. Or alternatively, if the tacked-on happy ending was simply a simulation in the holodeck programmed by Barclay. Then the episode could have ended on an ambiguous note: did he succeed or fail? I could have happily never figured it out.
 
 
ONLY NICE THINGS
09:14 / 21.11.05
Except, y'know, as early as first or second season we knew all about her failed relationship with one man in particular, and it was hinted at fairly heavily that Ivanova and Talia were physically intimate (ie Ivanova spending the night at Talia's, and in the morning they are both towelling off and wearing bathrobes at the same time) not to mention that Claudia Christian has repeatedly referred to Ivanova as bisexual when interviewed.

Indeed, as mentioned by Deva above. It is hinted but not stated that Ivanova and Talia were physically intimate. Why is this, when for example there is no such coyness in admitting that, say, Sheridan and Delenn are making with the sex? Deva's charitable reading on this one is that the light touch with which T and I's relationship was treated meant that some viewers did not notice that it took place. I would say that a directorial decision was taken to provide grounds for speculation by those interested in doing so, and then to let Claudia Christian talk about her character's bisexuality in interviews which will be seen only by the fan community. That doesn't make Ivanova canonically bisexual - it means that there is a possible interpretation of her as bisexual.

Let's not forget that love overcomes racism/bigotry in B5 when it comes to Sheridan and Delenn, as well.

Hmmm. Would that be the heterosexual Sheridan and Delenn relationship? I think you might want to read Deva's post above, without knowledge of which my response to it is likely to make less sense. Deva's contention was that when you use human-alien relationships as metaphors for intolerance of non-traditional relationships, you tend to efface the relationships you are using as your basis - so, for example, Sheridan has a Mimbari wife, with lots of metaphors involving intolerance, fitting in, being introduced to his parents &c., but the price of this is to suck the possibility of anyone having the kinds of relationships which are providing the metaphorical petrol - most obviously, interracial (in a more conventional sense) or queer relationships.

I don't think that B5 fails in this fashion, because even when it is subtly mentioned that homosexual marriage is legal in B5's future, words used to define sexuality (bi/homo/hetero) are never used in the show. Perhaps because it's no longer a point of contention.

Or perhaps because there is never any need, because nobody needs to describe a relationship which is not between a man and a lady because nobody has one - barring a few nebulous comments by Ivanova about how much she liked Talia Winters.

I doubt that the above comments are as bi-phobic as they felt to me, but they are also innaccurate. Ivanova is bisexual, and therefore queer.

Most obviously, Ivanova is not identified as bisexual or queer - looking at the text available to us, there is a potential queer reading of her relationship with Winters which the text decides for some reason to treat entirely differently from the physical and emotionally-partnered relationships of every other character in the series by not allowing anybody, even the participants, to refer to it in anything but the most oblique terms. This reading of Ivanova as bisexual may be asserted in the hors-texte, but in the text itself it is first obscured and then quashed by the power of Marcus Cole, who functions perhaps as both a physical and metaphorical beard. When we get to "Sleeping in Light", we discover that Cole's body is still in suspended animation at Ivanova's request in hope of the resurrection - his sacrifical reinscription of Ivanova as the recipient of heterosexual love has been enshrined as her romantic arc.
 
 
Cat Chant
09:38 / 21.11.05
This reading of Ivanova as bisexual may be asserted in the hors-texte

But... but... il n'ya pas de hors-texte!

Sorry. Carry on.

I take your point about the lack of words for homo/hetero/bi in B5, Tom Tit Tot, and there is a possible pro-queer reading of that, but taken in conjunction with the general lack of queer visibility that Haus mentions (there's about three episodes with never-quite-explicit references to Talia & Ivanova's sexual relationship, and one mention of same-sex marriage. That's four. Compare that to the number of episodes with visible heterosexual relationships), I'm inclined to be a bit less forgiving. I mean, lack of specificity about homo/hetero/bi is a symptom of raging heterocentrism as well as of queer utopia, isn't it?
 
 
Tom Tit's Tot: A Girl!
21:16 / 21.11.05
I want to keep discussing this, but feel we've somewhat strayed from the topic... might there be an appropriate thread for us to run off to and discuss further?
 
 
ONLY NICE THINGS
21:31 / 21.11.05
Have we? In the sense that we're talking about Babylon 5 rather than Star Trek, yes, but I think it fits reasonably comfortably within the scope of the thread. If you'd be more comfortable starting a thread on queer identity in Babylon 5, go for it.
 
 
Tom Tit's Tot: A Girl!
23:25 / 22.11.05
Cool, just wanted to make sure we aren't stepping on any toes here.

Indeed, as mentioned by Deva above. It is hinted but not stated that Ivanova and Talia were physically intimate. Why is this, when for example there is no such coyness in admitting that, say, Sheridan and Delenn are making with the sex?

Apparently TNT refused to broadcast a same-sex kiss. This was meant to be in "Divided Loyalties" where Talia and Ivanova "sleep over" but JMS couldn't get TNT to agree to it. Still, in that episode, after awakening Ivanova rolls over and reaches for Talia in the other side of the bed, only to find it empty. While some might rationalize that away, anyone with a modicum of sense can see what's going on there.

On an interesting note, originally Takeshima (Lt. Cmdr. from the pilot movie/episode) was supposed to be not only Ivanova's long-time partner and boss, but also the traitor that shot Garibaldi. Unfortunately the actress pulled out of the series after the pilot, so that plotline sunk.

Sheridan and Delenn doing the "Head-Ridge Hump" was primarily used as comic relief, due to the rituals etc. of her people. But I do take your point, adding only that we never see Ivanova sleep with anyone in the series, even though we know through inference that she has had sexual relationships before - still, no fans are claiming that she's a virgin.

Ultimately, I think that it's a question of the less savvy, more conservative fans wearing blinkers to something that clearly happened.

That doesn't make Ivanova canonically bisexual - it means that there is a possible interpretation of her as bisexual.

Most obviously, Ivanova is not identified as bisexual or queer

The writer of the series and the actress that portrayed Ivanova seem to have a different interpretation than you, Haus, both speaking about Ivanova as bisexual. When asked by fans "Did Talia and Ivanova have a sexual affair?" JMS responded simply "Yes."

It could have done with being more explicit in the show, but JMS did what he could, and making it even more clear when asked after the fact should remove the doubt here.

but the price of this is to suck the possibility of anyone having the kinds of relationships which are providing the metaphorical petrol - most obviously, interracial (in a more conventional sense) or queer relationships.

Except for Talia and Ivanova, who had a same-sex (although short-lived) relationship. But yes, I was also disappointed with how few of this sort of relationship we saw.

Actually, we did have one human interracial relationship - Sinclair and his long-time girlfriend - but because Sinclair is such a horrible thing to remember, perhaps we should pass on that.

barring a few nebulous comments by Ivanova about how much she liked Talia Winters.

She said "I think I loved Talia" and in the context, it's difficult to construe this as platonic love, although not impossible.

it is first obscured and then quashed by the power of Marcus Cole, who functions perhaps as both a physical and metaphorical beard. When we get to "Sleeping in Light", we discover that Cole's body is still in suspended animation at Ivanova's request in hope of the resurrection - his sacrifical reinscription of Ivanova as the recipient of heterosexual love has been enshrined as her romantic arc.

I disagree. Even after Marcus's sacrifice, Ivanova never gave any indication that she had been in love with him. Certainly they became close over that story arc, but Ivanova herself said that his love was unrequited, and her statements after his death "I should have at least boffed him once" are more about her inconsiderate and hostile attitude towards him most time, I think. She felt regret for not being more kind to him, and felt unworthy of his sacrifice, perhaps. Obviously the opinions that you state above are also something that is inferred, not something explicit. How the arc manages to override an intended sexual relationship with Talia through an explicitly non-sexual relationship with Marcus, I don't know.

But this is the problem, isn't it? The assumption that once a bisexual is romantically linked with someone of the opposite sex they are now hererosexual. Obviously I have a personal stake in this, but as a bisexual man that is in a monogamous relationship with a woman, too often people assume that somehow makes me heterosexual. It doesn't, and neither does it similarly make a fictional character magically heterosexual.

Compare that to the number of episodes with visible heterosexual relationships), I'm inclined to be a bit less forgiving.

I take your point here. I gather that a lot of queer content fell out of B5 for a number of reasons, for example, I just found this:

"Delenn was originally going to be a male character. The "transformation" at the start of season 2 would have been from a male character to a female character - both incarnations were to have been played by Mira Furlan. This is why, in the pilot, Delenn's appearance is much more severe and masculine than in the first series. The plan was to electronically modulate Furlan's voice into a lower register, so her voice would sound male. JMS wasn't happy with the results, so the male-to-female idea was dropped; Furlan's unaltered voice was used for the pilot, and her makeup was made more feminine for the series."

The more I read about this, the more disappointed I am that so much of this stuff didn't make it through to the actual show.

But yes, I also think that TNT has a lot to do with changes made in this respect. I don't know if either of you spent any length of time watching horrible US cable TV in the 90's, but I did. Not something to be proud of, I know, but I was young. TNT is/was an impressively mundane channel, carrying little in the way of home-brew programming and repeating the most dire TV shows of the past decade. I think they showed "Wings" if that means anything to you. As a result I never saw B5 when originally aired, as I assumed that any sci-fi show TNT made (or in fact anything the aired) would be cack. No surprise that they pussied out of some of this stuff, then.

I mean, lack of specificity about homo/hetero/bi is a symptom of raging heterocentrism as well as of queer utopia, isn't it?

Really? I tend to find most heterocentric types feel the need to constantly and loudly proclaim their hetero status. But this is my personal experience.

Now I have to wonder, since people are seeing B5 as a failure in this sense, what about Buffy? There is one "main" character from a racial minority in the entire run of the show, not a single hispanic character (Kennedy? Who's Kennedy?) even though the show is set in California which has a sizable hispanic population. I also have problems with how Willow's sexuality is approached, but that's a whole other kettle of fish.
 
  

Page: 1(2)3

 
  
Add Your Reply