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Aah, actually that was a general point, and more based on UK companies.
In Asia, I can split out the countries into suit-wearing and non suit-wearing nations.
Suits:
China, Hong Kong, Japan, Taiwan, Korea, India, Singapore
Not suits:
Philippines, Thailand, Indonesia, Malaysia
In Japan, suit-wearing is virtually an art-form. I can't read all the subtleties but you could probably write a three-volume text on the semiotics of it all.
I personally use suits as a blunt instrument. If I want to really brow-beat a provincial client with my superior western knowledge and skills, on goes the suit. Worn with unironed, untucked, artfully crumpled vintage shirt.
More sure of myself, more professional and far far more authoritative.
But the interesting thing about the suit is that it has to be done right to achieve the power effect. Fuck it up and you look like an awkward student on his way to an interview. It must fit beautifully. You must look comfortable in it. The tie and shirt must scream "money" or "taste".
So the suit is a two-edged sword. If you're seen to be dressing up for someone, it's a placatory, submissive gesture. It says "I bend my will to the ways of the corporate sphere and hope that one day I may be at home here".
What do P Diddy's suits mean? The ultimate response to accusations of being a sell-out?
What about the "Nigerian suit" as I call it? The flashy, shiny type that can be picked up in hackney for around 60 quid...
I thought the piece was interesting, but it felt like you hadn't quite figured out your conclusion when you wrote it - the topic seems like it needs more space I guess.
The area I'd love for you to expand on is the transition from 1940s (suit as universal clothing for all) to 1970s (suit as the uniform of business/politics).
Also, it occurs to me that the suit having progressed from dandy-->utilitarian-->traditional has now come full circle through to "dandy" again. |
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