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A Very Nice Story Which I'm Sure You'd All Be Delighted to Read And Critique

 
 
TeN
15:40 / 09.06.04
The man in the apartment next to Billy masturbated to war films. Every night he could clearly hear the sounds of explosions and moaning through the wall. Every time a building fell, every time a tank burst into flames, every time a prisoner was shot in the head for stealing a scrap of stale bread, every time a volley of bullets ripped through the thick jungle, every time the poison gas spread gracefully like a cloud over the battle field and men clutched their throats a writhed on the ground like worms in the sun, the man would roar and shout and grumble, and the floor would pound in rhythm with the rocking of his armchair.

Occasionally there would be a narrator describing the various atrocities in grim monotone. At this he would become even more aroused – grunting like an ape and screaming things at the television set… things like, “yeah, baby! That’s just how I like it!”

Billy supposed it was easier to come by than traditional pornography, as all one needed to do was flick on the History Channel or A&E or Biography, and find the screen filled with the fast, vigorous workings of war. Even now, at one o’clock in the morning, such programs were readily available for consumption by anyone who was willing to consume such things at such a late hour.

But the only thing Billy desired at this late hour was a little shut eye, and with the groaning and exploding going on next door, that was a bit harder to come by. So Billy stuffed cotton in his ears, and the screams of dying soldiers and the whimpers of perverted men were transformed into a peaceful droning that lulled Billy to sleep.
 
 
autran
08:40 / 11.06.04
Critiqual notes:

Good concept, but

Mixed point of view, and

The concept is fully described in the opening sentence and not really developed in the rest of the story. How about describing the things the man watches in a way that makes them seem masturbatory?
 
 
Whisky Priestess
21:37 / 13.06.04
I think that's a great, well-written, interesting, hooky start to a story and I reckon you should continue it. And I don't say that often. Check my record.
 
 
TeN
23:10 / 13.06.04
thanks for the feedback.
I'm glad to know that you enjoyed it.
keep the criticisms coming, everyone.

autran, what exactly do you mean by "Mixed point of view?" sorry, but I don't quite follow you there.
 
 
autran
07:04 / 14.06.04
Point of view is the sort of thing critiquers pull me up on all the time.

Your story is mostly told from Billy's point of view. However, there's no way he could know all the details that are in the opening paragraph.

For example it's OK PoV-wise to say "he could clearly hear the sounds of explosions and moaning through the wall."

But how would Billy know about "every time a prisoner was shot in the head for stealing a scrap of stale bread" ?

They tell me it distances the reader from the story. I guess it's just a convention.
 
 
ONLY NICE THINGS
08:59 / 14.06.04
For example it's OK PoV-wise to say "he could clearly hear the sounds of explosions and moaning through the wall."

Except that the subject of the previous sentence is Billy's neighbour, not Billy, which means there is a bit of a "wha-" moment which again separates the reader from the action.

The lengthy "every time" repetition I think, conversely, can be justified by deviant focalisation - that is, Billy is *imagining* what is going on on screen, and we are inside his head, so we get that presented as omniscient narration. On the other hand, I found that sentence too lenghty - the stylistic device doesn't support the weight. I'm not sure about the repetition of "late hour", either - it's a tired phrase to be asked to do that much.

Otherwise this is an enjoyable drabble - how were you planning to continue it?
 
 
TeN
17:51 / 14.06.04
"Your story is mostly told from Billy's point of view. However, there's no way he could know all the details that are in the opening paragraph."
Well, I was trying use a sort of omniscient narrator - he would know what was going on everywhere, even if Billy didn't, but could only get inside Billy's head, not his neighbor's.

"Except that the subject of the previous sentence is Billy's neighbour, not Billy"
Oops. Yeah, I oughta fix that.

"how were you planning to continue it?"
That's what I'm having trouble deciding on. I know I want to follow the character of Billy, but to where I'm not sure. Any suggestions would be helpful.
 
 
Sax
18:58 / 14.06.04
Wherever it goes, we need to find out why Billy's neighbour masturbates to war movies.
 
 
autran
10:40 / 15.06.04
Any suggestions would be helpful.
I suggest you decide on the theme of the book before going any further.

we need to find out why Billy's neighbour masturbates to war movies.
Perhaps we'll find out that it's really Billy doing it himself? That would explain how he knows all the details too.
 
 
TeN
17:34 / 15.06.04
"I suggest you decide on the theme of the book before going any further."
Well the theme of this short part of the story is: there are many parrallels betweeen sex and war, and both respond to the same basic, primal instinct in men. I'm not sure I'd be able to carry this through an entire story, it's already used up pretty much all of it's energy. But some varient on that same theme, might work.

"Perhaps we'll find out that it's really Billy doing it himself? That would explain how he knows all the details too."
Nah. Billy's supposed to be the innocent one, and his neighbor is kind of like "the evils of humanity trying to corrupt him..." sort of. I was thinking about extending that to apply for the rest of the characters too, so Billy is the only innocent one, and every one else has a violent, sexual, or otherwise vulgar aspect to them. You think that would work?
 
 
autran
20:15 / 15.06.04
Billy is the only innocent one, and every one else has a violent, sexual, or otherwise vulgar aspect to them
This sounds like a theme. Everyone wants a piece of Innocent Billy.
 
 
40%
18:17 / 16.06.04
Very, very well written.
 
 
Tryphena Absent
14:47 / 17.06.04
How about describing the things the man watches in a way that makes them seem masturbatory?

But surely the point is that Billy doesn't think of war films in that way and this is his story, not his neighbours.

I like this, it reminds me of the beginning of Annie Ernaux's 'Passion' ("This summer I watched an X-rated movie for the first time"). Perhaps you should fill in the middle rather than stick stuff on the end, it seems to come to a natural ending and I think that's one of the most difficult things to do with a short story.

In the first sentence do you want to say Billy or Billy's?
 
  
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