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Please read & critique my short story

 
 
TeN
02:09 / 01.05.04
I've been a member here at Barbelith for about a month now, and I'm an active participator, contributing to as many topics as I can. I write a lot, but up until now I've never posted anything on the 'Lith because I was afraid that I'd get torn to shreds. Well, I've built up my courage and decided to finally post something. The following is an untitled work that I wrote about a month ago. I like it, but realize that it needs much improvement, so any (constructive) critiques are greatly appreciated. If I get a good response for this, I'll start posting some of my other stories too.

NOTE: the blank spaces are where I couldn't think of a specific word... a technical term for "sewer workers." If anyone can help me with that, I'd REALLY appreciate it.





I was flying. Well, no, not flying exactly, it was more like hovering. Yeah, that’s it, I was hovering. It was over a city. No, you’re right, that would be flying, it was more through the city. It was pretty high though. Oh I don’t know… twenty feet maybe. Well, I don’t know, what are the criteria for hovering? I always thought that flying was with your body horizontal, and hovering was with it vertical. Or maybe that’s floating? No? Okay, fine, then I guess it was flying.

Anyway, I was flying over this city, right, when all of a sudden, the ground opens up. No, it wasn’t like an earthquake or anything, it wasn’t violent like that, it was just gentle. The asphalt kind of just melted away. Will you hold on for Christ’s sake! I’m getting to that, just give me a minute! So then, I start to drop. No, not all at once, slowly, like I was slowly loosing the power to fly. And I went down into this deep chasm and it was all filled with fire and lava was flowing like a river. But it was weird, because it was like a sewer too. There were pipes where the lava flowed through and it smelled terrible. No, like a sewer. And then there were these people, sewer workers… well I don’t know what they’re called… okay, these _________s, and they were looking around the pipes with a flashlight.

Eventually, I reached the ground. Well, there was this walkway over the lava, that’s where the ________s were walking. I walked over to one of them and asked what he was looking for. He told me that someone had been complaining about their pipes not working properly and they had to go in there and check it out. I asked him if the lava was normal and he told me that he didn’t know what I was talking about. I tried to show him what I was talking about, but when I looked down to see the lava, all that was there was a rug. No, the walkway was gone, I was just standing on the rug. Yes the lava was gone! How would I be standing on a rug if there was lava there?

So then I looked up and the ________s weren’t _________s anymore, now they were actors working at Disney land, and they were dressed up as Mickey and Miney Mouse. I looked around and saw that I was in my living room, but there were all these people, dressed in business suits and wearing cheap, plastic pig masks. They were all in lines getting autographs from Mickey and Miney. I got scared and so I ran to the door, and when I opened it, Sigmund Freud was standing there smoking a cigar. He told me that the dream was stereotypical: a terrible amalgamation of postmodern experimental film clichés. Then he handed me a book and told me to read it. I don’t remember what the title was but there was a big sticker saying that it was featured on Oprah’s book club. Then I woke up.

What’s this? Oh, come one, I told you I don’t want any pills. What do you mean, they’ll help? All I’ve been doing is taking pills since I started seeing you! I don’t even know what most of them are for! There are two in the morning, one with food, one without, then the blue on in the afternoon, no alcohol, then two of the orange one at night, oh, and that small, round one, and the one that looks like Ronald Reagan’s head that suddenly I was trapped in the room and it was filling with smoke. There weren’t any doors and windows so… what do you mean, how did I get in? I told you it was suddenly! May I continue? Thank you. So I took one of the desk legs and broke it off. I jammed it through the wall and it made a big hole in the siding. I started to use my hands to tear away at the wall, and through it I could see… blah blah blah blah blah… but the instant before I hit the ground, I woke up.
 
 
Whisky Priestess
12:44 / 01.05.04
It's less a story than a narrated dream, though, innit? Stories tend to follow a logical pattern, however fucked-up, whereas dreams are exactly like the above: illogical, shifting, inexplicable progressions from one vague, unlikely scenario to the next, no character, little dialogue; no real beginning, middle or end.

Why don't you take one of the episodes from the dream above and work that into a story, or else create a story around it? Dreams are a fantastic jumping-off points for stories because you can get out of the "what do I write about?" imaginative rut, but unless you have film-quality narrative dreams, they're not feasible as a readable fiction in and of themselves.

There is some sort of truism about how one's own dreams are fascinating and others' are boring - but that's because dreams are often remarkable for their atmosphere and that's the hardest thing to convey. *You* were there, but the person to whom you relate your dream is going to find it difficult to see why you were so terrified of the giant pants-monster and relieved when the Cheesy Wotsit gang came out of the wardrobe to rescue you.
 
 
TeN
17:21 / 01.05.04
"It's less a story than a narrated dream, though, innit?"

actually, it's more like a narrated dream (being told to a psychiatrist) inside of a narrated dream. I think I should turn it into a story, but I don't know where to go from here. I really like it the way it is but I understand that it's not exactly readable as a coherant peice of fiction. should I continue in the narrator's real life? maybe I should make it blend from dream into reality into dream again seamlessly? that would be interesting, no? any ideas?
 
 
autran
21:56 / 02.05.04
Idea: Follow the analyst (who inserted "blah blah blah") not the dreamer.
 
 
donmusic
14:31 / 07.05.04
You misspelled "lose" and "Minnie."
I'm very curious to know what would happen if you followed the lead of this sewer thing some more, I mean before it turned into a rug. You really had my attention with it. Painted a nice picture. Maybe that was the point, though. Setting me (the reader) up for the smackdown.
The meaning of the dream lies within the dreamer.
I sense you are apprehensive about addressing the profound nature of your subject material, thus your decision to cut it off and leave it a short piece of comedy. Fear of commitment, maybe? Castration? Oedipus Complex?
Tell me about your mother.
Feel free to fear, but do not let it stop you. Remember the words of Salvador Dali: Even the greatest painter in the world is afraid of painting. And, of course, that is I.
I'll level with you. I think you are being honest with paragraphs 1-3 and 5, and dishonest with 4. That's where the pruning shears come in. If you really were just throwing together cliches with 1-3, my hat's off to you. That's real dream imagery. And if you were being honest with 4, my apologies.
Paragraph 4 is funny, I especially find it amusing that Freud appears to critique the dream. That's just the ultimate insult. Freud shows up in your dream, looks around, and tells you you're doing a terrible job. Then he tells you to go do your homework.
But the bit with Disneyland and the pig masks seems forced. It doesn't seem to be coming from the same writer, like you were doubting yourself. Don't do that. Marry your surreal with your self-effacingly comical if you like, but stay honest.
I'll tell you about the time I was at a karaoke bar with a friend of mine. I told him I didn't want to sing, that I was embarrassed and self-conscious. He told me I was being vain and a show-off by not making an ass of myself on the mic.
Your dream, your story, is every bit as significant as anyone else's. It's already a lot more interesting than a lot of crap out there. And even at your most self-conscious, you were able to pull out a good joke.
So there you have it. You don't suck. The Heavens open up and the choir sings, the clouds part like lips, and are penetrated by long, hard bugles which hail your coming.
 
 
Tryphena Absent
21:07 / 08.05.04
I think this is the middle of a story and that you can build something coherent on either side of it. It's a lovely thought process, I really like it but whose thought process is it? We don't know anything about the character, even someone taking that many pills has a talent, a desire or something as banal as a favourite flavour. You haven't given the reader an opportunity to discover those things so perhaps that's what you could do?

The tone is really nice, the tense works, you should retain the narrative voice but give it to a character.

Hmm... that was really only reiterating what Whisky said but erm... there you go.
 
 
All Acting Regiment
09:42 / 19.05.05
I like the way it's a monologue about a dream, but maybe you could explain this at the start? Maybe add "You're a psychiatrist" at some stage, so we know who the narrator is talking to.
 
  
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