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I feel a little protective of The Creation, having godfathered it back in the day--so I'll admit from the outset that it's difficult for me to be objective. Still, I think the Creation has a purpose that's distinct from the rest of the board--though that's not always the purpose for which it is used.
Criticism is a valid use, I suppose, but as conceived The Creation was primarily a forum for expression by the collective as a whole (back when we called ourselves a collective--and that we stopped doing so has had, perhaps, a deeper effect than we initially realized)--a place to annihilate the ego, where everyone was a participant and we were encouraged out of the passive roles of audience and commentator and into the process of making things.
So the Creation is at its best, I think, in the group writings: firstly the various forms of exquisite corpse, e.g Writer's Bloc, collaborative stories, chain poems, even Mafia and Mornington Crescent (although MC is primarily, of course, a game of strategy), secondly in the individual exercises built around a common theme or strategy, e.g. Luncheon of the Boating Party, The Hat, Protagonists Without Adjectives, and the Holy Tango of Poetry.
What these types of threads have in common is that, rather than asking the reader to respond to the initial post with criticism or comment, they ask hir instead to respond with art of hir own. Which is in the truest spirit of the place, I think: after all, it's called "The Creation," not "The Criticism."
Unfortunately, these sorts of exercises require one or more posters to take the part of the instructor/interlocutor--and Nick/Tycho, Whiskey, and I seem to be the only ones comfortable taking the professorial role, and that only occasionally. |
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