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Businessman's Disco - Is this any good ?

 
 
Alex's Grandma
18:22 / 06.04.04
www.iwasaddictedtogoingintowork.com

I was addicted to going into work.

Well or something anyway, something like that.

You know, I was young, flying high, on a fast-track career path, I worked hard, I played hard, made the right kind of moves... would, let's face it, perhaps be going a bit far, on all kinds of levels, as a place to begin. There's an image round now, or at least there used to be anyway, this particular scene that appeared in the ad breaks, in ads for pensions and so on, for savings, investments and personal loans, of say an eighteen stone biker with a place in the suburbs, with a mortgage, a car and a couple of kids, someone outwardly suspect but in fact right on track, so it just went to show... I don't know if you've seen it, but either way really, I suppose you could say I'm exactly the opposite, a kind of inverse reflection, up here at the desk. Still you do all the same have to try and start somewhere, make some kind of effort, try and sit yourself down, so gazing out now at the mist on the street lamps, at the church on the corner, the grey slick of rain, at the rush hour crowds on their way out the station, the blood red sun sinking over the road, I'd say that as a line... well it just about works, for whatever it is that I think that I'm doing here.

Whch, at the moment, isn't really that clear. It's been three or so weeks and I'm still looking pale, pale, a bit strange in the light on the window, like Hugh Grant's mug shot that night in Los Angeles, would be one way of seeing it, the one he'd rather not talk about, the one I dare say he wishes we'd all just forget. I mean I laughed at the time, I suppose most of us did, but the funny thing is now, I think I know how he felt. At least I say that anyway - I do realise now I'm going out on a limb here, seeing as Hugh Grant's A-list, and I'm... really not, since sitting up here in the February twilight, typing this out with a view of the road, I'd say I'm somewhere sub Z-list, if that even exists. Still, it's a fairly strong image for the Twenty First century, that picture in a way, that half-dazed look in the glare of the cameras, that t-shirt, that haircut, those wide, staring eyes, a kind of poster shot really for a fast-moving world, a world that's speeding up daily, to the point where it's all going to get to you sometime, whether or not you end up on the news. Although, having said that, while Hugh Grant's career since that night in LA has been fine for the most part, mine at the moment seems a lot less assured. I mean to look at me now with all this stuff on the table, cigarettes, laptop, a few books and a beer, sat back at the desk in the last of the sunlight, by the cane chairs, the sofa, and the masks on the wall, by the frayed lattice blinds and the steps to the kitchen, smoke swirling up in the overhead spot, you wouldn't honestly think I was up to doing anything. Which in a way is very possibly true. And I'm really not saying that just to try and sound interesting. Which bearing in mind what I do for a living is probably just as well.

So being addicted, in any case, to going into work. Well as gags go really it's not all that funny, given what happened, how I got to this point. Pretty clearly they're out there, the acute workaholics, I used to know quite a few, used to see them around on the way out the station, round Holborn, round Ludgate, in the grey early light, but while that most mornings was about how I looked, still look around now, it's really not how I felt. Or to put it another way, it's been hard to movely lately for true-life confessions, for memoirs and so on, for celebrity diaries, for cris-de-couer, ghost-writes and what you call them, auto-bloke-ographies, real live people in real situations, that type of thing, and this to be honest isn't that kind of story.

Or at least it is in a way, in a roundabout way, just not in a sense that really fits the whole profile. I mean it's fair enough these days to read up on gangsters, on life as according to old school hard men, their morals, their values, their headcount and so on, but what they have to do, to get their stuff in the bookshops, is slip enough to get caught in the first place, if you see what I mean. So it's strange now to think this, in fact it's just plain disturbing, but as things stand, at least from one point of view, I'm not only more of a threat, I suppose, to the whole legal system, would be one way of putting it, but also better at it, than something like half of the true crime section, lined up on the shelves at a Borders near you. That I'm still not sure how it happened exactly, and a lot of it still doesn't really make sense... isn't round now really all that important - as obscure as I am here, as I must be by now, there's still a lot to be said for just not saying anything, at least for a while.

Still, there's a quote, I think, in Poe's The Black Cat, something on the lines of " For tomorrow I die, and today I would unburthen my soul... " It's not that bad exactly, I'd say tomorrow at worst I'll wake up around lunchtime, not sure where I am, trying to get up, get dressed and then get to the office, I've done that a few times, at least a couple by now, but... well whatever, you get the general idea. So there are one or two things I feel I ought to explain, that probably need to be out there somewhere, just not, ideally, where they'll make much impression. So I thought in the end I'd put this out on the net, with worldcom and so on, with the virtul pub, with everyone else who's just floating around here, the tens of millions by now, because what's one more in the scheme of things anyway, and who, let's face it, is going to pay much attention ? I mean as websites go it's got nothing much going for it, no angle, no backing, no market appeal. As far as I can make out, this is much the same thing as a drop in the ocean, or something washed up on a hot-crowded beach - unless anyone's after a change of employer and hits the wrong key, there's as much chance realistically, of it attracting much interest, And even supposing that actually happened, who's going to sit down and seriously read it when it's drifting through cyberspace, through the virtual marketplace, as I was addicted to going into work ? Unless, admittedly, they were up late anyway with no particular plans. Well it's either that I suppose, or somebody somewhere's just bored at the office, and killing off valuable company time, in which case either way we should all be okay here. And if not, well I could after all just be making it up, so...
 
 
The Prince of All Lies
22:11 / 06.04.04
I like it...it's got a feverish prose, reminds me of Chuck Palanihuk's rants on Fight Club...keep doing that.
How much have you written alrady? Just this first chapter?
 
 
Topper
12:40 / 07.04.04
I'm having trouble thinking of a critique for this. Because it rambles and it's one piece from a whole it's difficult to get a handle on it. Especially as you start to drift into metafiction in the last paragraph.

It may be helpful to know that the part that stood out for me was the mention of the other acute workaholics in the station and how they relate to the narrator. That might be worth concentrating on.

The parallels between the Grant photo as a 20th C metaphor are good and can serve as a theme through the rest of the story.

It's plain you can write so that hurdle's cleared. And as you're writing find some structure that will support your prose style. Keep going!

.
 
 
Alex's Grandma
17:39 / 12.04.04
Well, it's a 300 page book that I've pretty much finished, in the sense of having got to the end, it's just that a lot of it, not least the opening, seems a bit of a mess. The key worry is that for the novel to work the narrator needs to have a set of very specific qualities ie, being this interesting, deranged, fairly diffident character who the reader's nevertheless by and large cheering on - he's in Ikea, the office, he's at various Thirty-ish dinners, he's slowly losing his mind doing a hundred-hour week. Roughly speaking, it's Reggie Perrin meets American Psycho meets Jacob's Ladder in contemporary London, with surrealist touches, and I do kind of wonder if I'm doing justice to the material.
 
 
Whisky Priestess
18:34 / 14.04.04
Your material, or Jacob's Ladder, Psycho, etc? (sorry had to ask!)

I do like the style but I have to say what really intrigued me (and would make me buy the book in order to read on if I had the money and it was printed yet, etc.) is the hint somewhere around the middle that your narrator is an extremely successful criminal who has wom a Pyrrhic victory in being so good that his crimes will never bring him the fame he craves. Sort of like an attention-seeking Moriarty.

Am I making this up or reading too much into it? Does he really have a normal, "proper" job?
 
 
Whisky Priestess
18:31 / 15.04.04
forgot to say, great title!
 
 
Alex's Grandma
19:57 / 15.04.04
Cheers.

The businessman's disco is a version of limbo, is the general idea. You're halfway between your job and your home life, halfway between heaven and hell, you're staying in a hotel off the M25, you're trying to cool down and explain yourself properly, but you've just offed your boss. It's a source of amazement that you haven't been caught yet, plus that 2CB you took with your old best pal hasn't really worn off. So you're hallucinating constantly - you have your past self, quite quiet, your future self, silent, plus this horrible moral burden of knowing, damn straight, that you've done something dreadful, but which is nevertheless kind of ok, ethically, cos you're Robert James Marley, and they made you work too hard.

Etc.

But yeah " Justice to the material " no one's disputting that I am a fool.
 
 
Whisky Priestess
16:18 / 17.04.04
Why are your chapters so short, btw? Is it just the intro ones or does it continue throughout? Quite Vonnegut, if so. Deliberate?
 
  
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