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Let's get the reservations out of the way first: the really good stuff doesn't kick in until track 7, 'Jesus Walks'. There are too many skits which go on for too long and were never that funny in the first place (I know people say this about almost all modern hip hop albums, but Kanye West might be the worst offender yet - 'School Spirit' has one skit before it, and TWO after, and they're all the SAME joke - not good). Also, I do think that if you're going to have Ludacris on your album, you have to make him do a guest verse - rapping the hook is not enough, it's just going to make people feel frustrated and want to listen to 'Yeah' instead.
But forget all that, because the good stuff makes it all worthwhile. The sequence of 'Jesus Walks' > 'Never Let Me Down' > 'Get 'Em High' in particular is just blinding. Seth & Illmatic: you need to hear this. It's amazing how much emotion West manages to evoke just through his production arrangements and the way he structures tracks - when Jay-Z comes back in for a second verse at the end of 'Never Let Me Down', after the guy who sounds a bit like Saul Williams and the gospel breakdown bit, it's just... inspirational. There's such a gospel feel to a lot of this album, Kanye West really wants to take it back to church. And it's very clever the way he gets Jay-Z on the soulful, 'positive' track and then Talib Kweli and Common on 'Get 'Em High', the nasty ass-shaking girl-chasing club track...
Although actually 'School Spirit' might be my favourite track. That "Alpha step, Omega step..." chant is so instantly catchy and nagging, and the trademark sped-up soul sample behind it makes it perfect. Then just when you think things can't get any better you have this whole call and response bit where Kanye says "I feel a 'whoo' comin' on, cuz... Whoo!... There it was."
I'd like to talk about how it's a concept album with all the pros and cons that entails, plus Kanye West's position in relation to the 'underground/chart' split, but for now let's just see if anyone else has heard this... |
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