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Monster

 
 
Disco is My Class War
02:00 / 01.04.04
The film that is, with Charlize Theron and baby-faced Christina Ricci in her cute babydyke moment.

I wasn't sure what to expect -- the reviews talked up Charlize Theron's 'amazing transformation' so much (as if Theron doesn't have to make herself over every week to look like a stick-thin beauty queen) that I expected the conditions and the story of Aileen Wuornos's life to be obscured. Not so. It was a love story with a really sexy roller-skating scene; it was about someone going crazy after having a traumatic experience and simply not having the resources (emotional or social or economic) to come out of it. And it was about the practicalities of self-management and social capital. When you've spent your entire adult life, and a good deal of your childhood, doing sexwork, you have neither the skills nor the social 'expectations' of people around you to break out of it. You can't get a job, you have none of the self-managing skills you need to 'go straight'.

It's a truism to say that you wind up identifying with Aileen in this movie, lots of reviewers have, but it seems important to say again. It's just good.
 
 
PatrickMM
19:53 / 01.04.04
I respected the film, but didn't really like it. It just felt so Southern and 80's poor, I didn't really enjoy watching it. Though, I have to say that those sequences with Journey rocked.
 
 
sleazenation
21:41 / 01.04.04
Not seen the film - just saw the trailer (and the Nick Broomfioeld documentary). I was seriously taken aback by how much Charlize Theron looked and acted like Wurnos.
 
 
Jack Vincennes
08:37 / 05.05.04
Sleaze, what did you think of the documentary? I've only seen the trailer for it, but was similarly surprised at how accurate Charlize Theron's version of Wuourmos (sp?) seemed.

I thought that in the film itself the relentless grimmness was handled quite well. The fact that Shelby was largely ambivalent towards Aileen from quite early in their relationship meant that there was a tension which wasn't just based on wondering how the whole thing was going to fall apart. The way that Shelby almost seemed to want to go back to her parents throughout the film, but still wanted to have the freedom that she'd thought Aileen could provide, made an interesting backdrop to Wuormos' complete breakdown ; liked the contrast between Aileen's losing all sense of what she should be doing and Shelby's drift back towards her family's very rigid sense of right and wrong.

Also, the shot where Shelby is on the phone at the end of the film, where the camera pans out while she's speaking was brilliant -I thought that the ending was put across well, being almost vague after a fairly graphic film
 
 
sleazenation
11:04 / 05.05.04
I haven't seen the new Broomfield documentary on Wurnos (subtitled: the life and death of a serial killer) Only the first one (subtitled: the selling of a serial killer)
 
  
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