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Pulp Fiction and Reservoir Dogs -- Explained!

 
 
thefax
01:43 / 26.03.04
To what does the title of Reservoir Dogs refer?

It's explained in the first line of the movie, and in this thread.

A reservoir is a lake, a special kind of lake because it is not natural. It has been walled up my man. A dog is the opposite of a cat, sometimes referred to as a pussy cat.

In the opening scene, Mr Brown, not coincidentally played by Quentin Tarantino, talks about how the song Like a Virgin was basically a metaphor for big dicks. Morning, noon, and night, dick, dick, dick, dick, dick, dick, dick, dick.

How many dicks is that?

Of course, we all laugh. But if you count, you realize, that's eight dicks. Joe, Eddie, Mr. White, Mr. Pink, Mr. Blonde, Mr. Orange, Mr Blue and Mr Brown. How many dicks is that?

Now, Madonna told Quentin he was wrong. Quentin knew he was wrong, which is why he had Joe finish his Chinese name search with a confident "Wong", immediately after Brown finished his speech on Like a Virgin.

Madonna's song is about love, or more specifically, a woman experiencing sex for the first time on the emotional level. In society, a person loses their virginity when they experience sex on the purely physical level. Of course, in humans, there is a huge emotional level, that mainly relates towards women, but is important in men to.

Madonna said that she was "Like a Virgin" because while her pussy was no longer naturally blocked, it was now metaphorically blocked. These guys were Reservoir Dogs because their emotions were damned up so far inside them, and it was a man-made damn. They were dogs because that is the opposite of cats.

The whole movie is a metaphor for big dicks, basically. Or more accurately, an example of a world where women are treated solely as base objects. (BTW, I am a straight man). Maybe it was a metaphor for homosexuality, but I don't think so.

They talk about "The Night the Lights went out in Georgia" next, I don't know that song well enough to analyze it, but I do know that the only prominent woman in this movie was the one who shot Mr. Orange, thus ruining the whole caper. Then they get into the whole waitress/tipping thing. In short, the best way to show you appreciate a woman? Give her money. And the best way she can be nice to you? Take you in the back and blow you.

Their names were all chosen carefully. Mr. Pink and Mr. Brown were the most obvious. Mr. Pink was a pussy, doing what he did solely for himself. Mr. Brown was the color of shit. His explanation of Like A Virgin was so off, so anti-woman, that's it's no wonder that when he died, he said he was blind, but Mr. Orange corrected him. "You're not blind, you just have blood in your eyes." And what is the most common reason blood can't reach the brain in men?

Mr. Blonde. Fancy way of dressing up something terrible. Blonde is seen as an attractive color for women, but all it really is is yellow, a color so despicable for a man that Joe had to remind Mr. Pink to be thankful that he wasn't Mr. Yellow. And, Mr. Blonde was a coward. His attack on Marvin Nash (gnashing ones teeth is a sign of sexual frustration) was a metaphor for a rape scene, which is why the camera turned away when he cut off the ear. We turn our head away from these things. No wonder Eddie said he did his time 'like a man' at the end, even though he had earlier made fun of him for taking it up the ass.

Mr. White and Mr. Orange. Mr. White is kind of the combination of every color. The explanation of Like a Virgin is really the explanation of the White/Orange relationship. White is feeling something he hasn't felt in years. Notice he has been shot and just killed two of his oldest friends, but the cry he let out when Orange told him he was a cop was one of pure anguish.

Undecided on the Orange meaning, though. Maybe a mix of red (anger) and yellow (cowardice)? Don't know. Mr. Blue, of course, was a sad, old man.

'Nice Guy' Eddie. Typical nice guy. Yells at the guys for beating on the cop, then kills the same cop later when the need serves him.

Joe. Something to do with the Thing, I think. Still researching RD.
 
 
Our Lady Has Left the Building
11:26 / 26.03.04
Very fun, though you also have to remember that Tarantino said that the title 'Reservoir Dogs' was based on him mishearing what someone else was saying and had no real relevence to anything.
 
 
Spaniel
12:25 / 26.03.04
Er, Flowers, not really getting into the spirit of the thread, are we?

I for one look forward to more insight from thefax.
 
 
Phex: Dorset Doom
14:42 / 26.03.04
I agree with your analysis of the misogyny in Res' Dogs, buuuut:
1) Like Flowers says, the title comes from a misheard conversation. QT was walking out of a movie theatre and heard two french people talking, when he asked a friend who spoke french what they were saying the words 'Reservoir' and 'Dogs' came up.
2) The colored codenames thing was originally done in 'The Taking of Pelham 123', a 70s hostage thriller (and well worth checking out), though I think your analysis of colors as related to characters' personalities is pretty much spot-on, haven't seen the film for a while though.
3) Mr. Blue, Eddie Bunker, was a real life bank-robber, he's written a lot of books on true crime and being in prison.
 
 
Spaniel
14:50 / 26.03.04
Am I the only person on this thread who thinks thefax is having a laugh?
 
 
_Boboss
14:54 / 26.03.04
well like all the best laughs it has a serious side. and is a lot more interesting than the inevitable 'actually that's wrong actually's' that followed it.
 
 
Spaniel
15:10 / 26.03.04
Fucking right
 
 
Jub
15:42 / 26.03.04
thefax - that's very good, but what about explaining Pulp Fiction huh?
 
 
Spaniel
16:26 / 26.03.04
Yes, what about Pulp Fiction?
 
 
Spatula Clarke
16:35 / 26.03.04
I want thefax to deconstruct some Lynch when ze's finished with Tarantino. Pleeeeease.
 
 
The Strobe
19:32 / 26.03.04
Oh - and it's a mishearing of Au Revoir Les Enfants, just to further elaborate on that point. As far as I knew. He thought it was a cool title for a film, so he called his film that.
 
 
STOATIE LIEKS CHOCOLATE MILK
00:23 / 27.03.04
I thought it was a slang term for rats... y'know, like "sea parrot" for puffin.

Or "street chicken" for pigeon.
 
 
D Terminator XXXIII
08:47 / 27.03.04
I want thefax to deconstruct some Lynch when ze's finished with Tarantino. Pleeeeease.

Fuck Lynch. How about some Sex & the city instead?
 
 
thefax
23:23 / 10.06.04
Well, ya'll asked for some PF theories. I'll give you a brief one.

At the end, Jules gives three interpretations of his Ezekial Speech:

"Maybe it means that I'm the RIghteous Man and your the Evil Man, and Mr. 9 millimeter here, he's the shepherd protecting my Righteous ass in the Valley of Darkness."

"Or it could mean that your the Righteous man and I'm the shepherd, and it's really the world that's dark and evil."

"But that ain't the truth. The truth is, you're the weak, and I am the tyranny of evil men. But I'm trying, Ringo. I'm trying real hard to be the shepherd."

The secret is, Jules was trying to be a specific person. The shepherd that Jules was trying to be was the man he had just met. The Wolf.

Need some evidence?

Listen to the speech. "Blessed is he, who in the name of charity and good will, shepherds the weak through the Valley of Darkness, for he is truly his brother's keeper and the finder of lost children."

And remember Jules' words when Vincent told him to find a friendly place to bring Marvin's corpse.

"This is the valley Vincent, Marsellus ain't got no friendly places in the valley."

They were in the valley of darkness. They needed the shepherd to be the brother's keeper. Jules knew of only one option.

"If Jimmy's ass ain't home, I don't know what we're going to do."

Would Jimmy be the shepherd? Would Jimmy be his brother's keeper?

He answered that rather quickly.

"Do you see a sign outside my door that says dead (something-or-other) storage? Do you see that sign? Do you know why you don't see that sign? Because storing dead (something-pr-other) ain't my business?"

Now, if he was truly his brother's keeper, wouldn't that be his business, in a way?
 
 
Tom Tit's Tot: A Girl!
08:31 / 11.06.04
...none of this explains how Quentin Tarantino manages to be a self-aggrandizing twat every moment of his life!

I thought Pulp Fiction was somewhat entertaining, but after seeing Kill Bill and realizing that spurting blood clearly gives QT a woody, I'll be passing on his future films. Sexualised violence doesn't really do it for me, thanks.
 
 
Lord Morgue
09:24 / 11.06.04
What was Aleister Crowley's line about his own mystical interpretations of nursery rhymes like "Hickory Dickory Dock" (according to him, all about opening the Chakras)?
The truth is everywhere, if you know how to find it. If the reader thinks it is a joke, he is a fool. If he takes it seriously, he is another kind of fool.
 
 
Spaniel
09:47 / 11.06.04
If the reader thinks it is a joke, he is a fool. If he takes it seriously, he is another kind of fool.

Careful, Morque, you're getting dangerously close to kind of bollocks I used to spout as a teenager.

Still, there is a certain ambiguity of intent in this thread. I got a little pissed off earlier because it seemed to me that thefax was having a bit of a laugh, and people were responding like uber-dorks.

Buhut...

His thinking is perceptive, imaginitive and creative - all stuff to take seriously.

Christ, I'm boring myself now.
 
 
Lord Morgue
13:20 / 12.06.04
Morgue! Lord Morgue, Bubba-ho-tep, you great steaming nit!
Do I look like Robin fucking Williams!?
 
 
thefax
03:30 / 13.06.04
Well, only sort of having a laugh.

Tarantino is a genius. Everyone already talks about how he pays homage and references other movies and directors in his movies.

What's even more amazing -- and less talked about -- is how he references his own movie from within another part of the same movie.

Nearly every word, every song, every transition, everything has some part in the deeper meaning of his works.

Consider the radio announcement as Esmerelda Villalobos waits for Butch Coolidge: [i]the frenzy in his eyes gave way to the realization of what he was doing. I think any man would have left the ring that fast[/i]. A line that is actually a reference to Jules' story.

In dialogue partially cut from Mia and Vincent's date, they discuss how they guys 'are worse than a sewing circle.' The cut part refers to the gangsters as "the ring." And even earlier, Jules mentions how messed up it is that Marsellus had a 'couple of cats' go to the fourth floor to take care of Tony Rocky Horror, seemingly oblivious to the fact that he was doing the exact same thing himself, right down to the same number of guys going to the same floor.

It wasn't until Jules was attacked himself that the frenzy in his eyes (first reading of the Ezekiel Speech) gave way to the realization of what he was doing (that which he has called f'ed up in the opening scene) and he left the ring (the gangster circle) very fast.

During Mr. Blonde's little backstory, Joe utters the line, "When a guy does time for you, you have to be honest with him." Kind of explains Mr. Orange's reason for telling Mr. White he was a cop at the end.

When Mr. White complains about "Madonna's big d$^# coming out my left ear, Toby the Jap coming out my right," the shot is set up so that it's just he and Mr. Orange tight together in the frame.

[i]Clowns to the left of me, jokers to the right, here I am stuck in the middle with you,[/i]

My favorite reference is probably just a coincidence, but I find it funny. While Butch is talking to Fabienne, Butch remarks that pie for breakfast sounds weird. She says "any time of the day is good for pie." Well, the one time of the day that was mentioned was not quite time -- 7:22 -- is not quite pi. Written as a ratio, 7:22 would be 22/7, which is almost, but not quite, the number pi.

And, to me, the most brilliant line in any movie is what Nice Guy Eddie says to Mr. Orange after he discovers Mr. Blonde dead:

[i]The man you just killed was just released from prison. He was caught in a company warehouse full of hot items. He could have walked. All he had to do was say my father's name. But he didn't. He kept his mouth shut and he did his time and he did it like a man.[/i]

Why is it so brilliant? Change the word "prison" to "a trunk" and remove the word "father's", and Mr. Orange could have said the exact same thing to Nice Guy Eddie.

Anyway, not having a laugh at your expense. Just trying to share how truly brilliant these two movies are.
 
 
Brigade du jour
03:41 / 11.07.04
In the opening scene, Mr Brown, not coincidentally played by Quentin Tarantino, talks about how the song Like a Virgin was basically a metaphor for big dicks. Morning, noon, and night, dick, dick, dick, dick, dick, dick, dick, dick.

How many dicks is that?

Of course, we all laugh. But if you count, you realize, that's eight dicks. Joe, Eddie, Mr. White, Mr. Pink, Mr. Blonde, Mr. Orange, Mr Blue and Mr Brown. How many dicks is that?



Thefax, you're going to hate me, and I really hope I'm wrong about this, but didn't he say 'dick' seven times, not eight?

Shit I can't afford the dvd til payday. Could somebody check, this is going to bug me otherwise.
 
 
MJ-12
13:17 / 11.07.04
Nine, actually.
 
 
Brigade du jour
21:02 / 11.07.04
Yeah I can see that. So maybe then the theory includes the one-eared policeman?
 
 
We're The Great Old Ones Now
19:35 / 13.07.04
Tarantino is what?
 
 
thefax
23:45 / 14.07.04
Maggie,

He does say it nine times. I miscounted. And, no I don't hate you. Perhaps it does refer to Marvin Nash as well. However, notice that it is Mr. White who says 'a lot' when Mr. Blue asks how many dicks that was.
 
 
thefax
23:48 / 14.07.04
No offense, but I'm always amused by the 'yeah, your theory makes perfect sense, but how could that be, since Tarantino said that the title refers to a misheard conversation?'

First, Tarantino put all this thought into sequencing his movie in just the right order, taking risks that others don't take, developing new strategies, in addition to the hours he must have spent developing the characters and the dialogues, but gave his first ever movie a bizarre title based on a misheard conversation?

Second, Mr. Orange told Joe he wasn't a cop. Then he told Mr. White he was. How could that be, since people never say anything they don't mean? [/sarcasm]
 
  
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