|
|
Not Spal, then Who?
The Doll's dialogue was stilted because his intelligence is based on a simple binary iteration.
What can Jack the magician do in all this? Is Moore going to suggest that his new career is redundant, before he's released so much as an issue of Atziluth? (Probably not, no.)
And I liked Promethea's silence on the matter. She knows that anything said doesn't matter now.
Whistler's Mother reference is good, as was the Ibsen feel I got from this episode. And the bravery in talking about the silly dreams everyone has. We write them off as psychic re-shuffling and fuzz. Maybe that place is much more important than we know. After all, it always feels important during the brief moments we are there.
The dispossesed ex-Mayor, Sonny of Man, is the many-headed beast the whore rides. Cute.
Moore's W.I.L.D Cats is a fine example of late-nineties super-heroics. His Voodoo series is really not that dissimilar to Promethea, where Santeria replaces Kabbalah. His Judgement Day series, well, it proves at least that he's not as prejudiced against the conventions of dark-age / Image art as many, and is a fun example of pastiche and meta-commentary.
And would Agent Ball's contact with Ultimate Reality (tm) really have been easier if she'd done a few trips?
I hope America's Best get dealt with rather painfully, especially the science-brat.
The Log-Out button is a wonderful thing sweetie. |
|
|