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Yeah, but come on, it's "thinking out loud" to an audience, no matter how small. Besides which, if my thoughts about myself and my work were anywhere near this grandiose, I would surely keep them to myself. And the whole thing is disingenuous anyhow, considering it was -- what? -- not even a month ago that this person said he was "retiring" from comics. I don't know Ellis personally, but based on what I have read of his work (and his online rambling), I find it a little hard to believe that he was in some way called to this project by anything other than the allure of getting paid. There is absolutely nothing in the original concept that screams "Ellis should write this!" to me, any more than a cinematic adaptation of Family Matters seems to call out for the directorial guiding hand of Quentin Tarantino. If Ellis had been honest and said, "Well, I know I said comics were shit, and I really *wasn't* going to write them, but then Marvel said, 'Hey, Warren, this is Marvel...listen, our sales are slipping and a bunch of our popular writers are signing exclusivity contracts with other companies...ha, yeah...no, no, we've still got Chuck...yeah...well, anyway, here's this thing, and -- well, it's the Fantastic Four, and -- no, no, but...okay, hey...listen...what's this two tugs of a dead dog's cock shit? Who even talks like that? You Brits, I swear, you're all so clever...Warren, calm down! I...no, no, I...well, okay, I guess I'll find someone else for this steaming mass of AIDS-infected dogshit, which shouldn't be too hard, since the first six issues sold like a million -- what? You will? You love the Fantastic Four? Ha, ha! Flame on, right? It's clobberin' time!! Lates, Big E! PEACE!" then I'd have some respect for him, but please let's not try and make out like this has anything to do with artistic integrity. |
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