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Why doesn't Barbelith give two shits about Guy Maddin?

 
 
Adam Warlock
19:40 / 08.01.04
OK, maybe you guys do, but no one seems to be talking about him and this should change. His movies (the two that I've seen) are phenomenal. Careful has got to be the most hillarious and truly moving comedies about repression ever made. And what about his new one, "The Saddest Music in the World" with Mark McKinney and Isabella Rosselini? It's supposed to be tremendous, has anyone seen it yet? Are there any Manitoban 'Lithers who can offer any insight into the works of this uniquely Canadian auteur?
 
 
Malle Babbe
20:43 / 08.01.04
I saw the short "The Heart of the World" and was amazed at how such a passionate, inspiring story could be packed into 6 minutes of film. The "birth of film" bit at the end was a great breakthrough/epiphany.

T've watched parts of "Twilight of the Ice Maidens" and "Archangel" (all three of these are on 1 DVD) and love how in the latter he can convey a dreamlike mood with such bare-bones resources. In both "Twilight" and "Archangel" Maddin seemed to be able to capture a fairy-tale mood, in the "Weird, Unsettling, Brothers Grimm Unadulturated by Disney" sense of the word.

I've heard him interviewed, and it seems that he likes to play around with Freud's ideas in his work.
 
 
Adam Warlock
23:47 / 08.01.04
Yeah, I'm dying to see the Heart of the World. Apparently he actually shot a feature's worth of footage and then (he claims) was forced by his backers to compress it into a six minute short.

Careful definitely has some none-too-subtle Freudian stuff in it - in the documentary that's included on the DVD his writer claims that they deliberately set out to make a pro-incest film. Also, in part of another documentary I caught on IFC Maddin says that all of his films are love stories at heart - albeit love stories in which the characters' love tends to bring out the worst in them.

Really, that's the quality that I find so astounding in his films, despite their incredibly bizarre and transparent artifice he manages to tell stories that hearken to classic tragedies but remain grounded in this very human, almost banal realm that is weirdly able to relate to. In Careful the characters constantly warn eachother not to show an improper amount of affection, or to underdress or set the table improperly but at the same time make it painfully clear that their attempts at restraint are doomed to fail for in the village where the film is set "lovers' voices carry for miles and can be heard by all (sic)."

I haven't seen Archangel yet, but did you know that it's actually based on a real event that occurred after WWI ?
 
  
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