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"What the fuck else colour is it going to be?"
I think "light" cinema is an all too underrated concept; I rather liked the fact it was frothy and gentle, and it did succeed at being wonderfully entertaining - slightly bizarre, slightly screwball, solid entertainment from start to end.
I think no-one was talking about it because, Coens or not, people have started using Barbelith less to discuss what they recently saw, and more to discuss issues. I've certainly stopped flagging everything I've seen simply because sometimes discussion isn't the first thing on my mind.
There needed to be more Geoffrey Rush: comedy use of the word "wanker" or no, there was a lot of mileage in that character which they wasted. I thought there was just enough Billy Bob.
Gun/inhaler was probably standout for me, though I reckon Wheezy Joe in general was just brilliant. "Are you Wheezy Joe?" "hngggggYeah".
Herb was pretty great as well, drips and all, though I really wanted his unstuck catheter to start spraying everywhere. But that's just the child in me. I did find it depressing that when I saw it, I was one of about two people in the cinema who got the let NOMAN tear asunder, and subsequently laughed a lot at it, to the bemusement of the Odeon Saturday night crowd.
I think it will probably get better with age, simply because it's a wonderful piece of craftsmanship - nothing excessive or out of place. And it's certainly got just enough of that definable Coen-ness about it, whilst having possibly the greatest potential audience of any of their films yet.
George Clooney is turning into one of Hollywood's greatest creations - could you honestly think that Doug Ross and The Peacemaker would lead to such a versatile, wonderful actor? |
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